Now we'll pull everything together and explore how we calculate the position of a particle over time (frame by frame).

Anishinaabe, possibly Mississauga Ojibwa, Shoulder bag (missing strap), c. 1800, tanned leather, porcupine quills, dye, glass beads, silk ribbon, metal cones, and deer hair, Possibly made in Ontario, Canada; possibly made in Michigan, United States; possibly made in Wisconsin, United States, 30.5 × 22.9 cm (The Metropolitan Museum of Art). Created by The Metropolitan Museum of Art.

Created as a supplement for the Impact Measurement collection of the ScholarlyCommunication Notebook (SCN) to describe some of the core literature in the field as well asresources that cannot be included on the SCN, because they are not openly licensed but arefree to read.This annotated bibliography is separated into three sections: Peer reviewed scholarly articles,Blog posts, initiatives, and guides, and Resources for further education and professionaldevelopment. The first section is intended to help practitioners in the field of researchassessment and bibliometrics to understand high-level core concepts in the field. The secondsection offers resources that are more applicable to practice. The final section includes links toblogs, communities, discussion lists, paid and free educational courses, and archivedconferences, so that practitioners and professionals can stay abreast of emerging trends,improve their skills, and find community. Most of these resources could not be included on theScholarly Communication Notebook, because they are not openly licensed. However, allresources on this bibliography are freely available to access and read.

Use Purdue OWL to annotate the paper Scale and Cross-Scale Dynamics: Governance and Information in a Multilevel World

The conservator’s eye: Anselm Kiefer, Bohemia Lies by the Sea, 1996, oil, emulsion, shellac, charcoal, and powdered paint on burlap, 75 1/4 in. × 18 ft. 5 inches / 191.1 × 561.3 cm (The Metropolitan Museum of Art). Speakers: Corey D'Augustine and Steven Zucker.

Video by San Francisco Museum of Modern Art. Surrounded by his paintings in SFMOMA’s galleries, German artist Anselm Kiefer describes the challenges and significance of exploring the past in his work. He highlights the subjective, emotional nature of both history and art. Created by Smarthistory.

Video by SFMOMA. German painter and sculptor Anselm Kiefer discusses the meanings behind some of his favorite materials, including straw, cow manure, and lead. He describes how he strives for fluidity and malleability in his work, though conservation can be a challenge. Created by Smarthistory.

By engaging with this resource which presents texts by diverse world writers from 1650 to the present, learners will: (1) engage with diverse world writers in translation, including canonical and less canonical texts, and (2) identify literary conventions and trends across genres. The texts are in chronological order, but can be adapted by the faculty in whatever way they see fit. Each text is introduced with a brief discussion of author, original language and time period, and the literary conventions the students can expect to see in the text.

This class examines how anthropology and speculative fiction (SF) each explore ideas about culture and society, technology, morality, and life in "other" worlds. We investigate this convergence of interest through analysis of SF in print, film, and other media. Concepts include traditional and contemporary anthropological topics, including first contact; gift exchange; gender, marriage, and kinship; law, morality, and cultural relativism; religion; race and embodiment; politics, violence, and war; medicine, healing, and consciousness; technology and environment. Thematic questions addressed in the class include: what is an alien? What is "the human"? Could SF be possible without anthropology?

This course applies the tools of anthropology to examine biology in the age of genomics, biotechnological enterprise, biodiversity conservation, pharmaceutical bioprospecting, and synthetic biology. It examines such social concerns such as bioterrorism, genetic modification, and cloning. It offers an anthropological inquiry into how the substances and explanations of biology—ecological, organismic, cellular, molecular, genetic, informatic—are changing. It examines such artifacts as cell lines, biodiversity databases, and artificial life models, and using primary sources in biology, social studies of the life sciences, and literary and cinematic materials, and asks how we might answer Erwin Schrodinger's 1944 question, "What Is Life?" today.

This class examines the ways humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. In addition to learning about how environmental, linguistic, and musical sounds are construed cross-culturally, students learn about the rise of telephony, architectural acoustics, and sound recording, as well as about the globalized travel of these technologies. Questions of ownership, property, authorship, and copyright in the age of digital file sharing are also addressed. A major concern will be with how the sound/noise boundary has been imagined, created, and modeled across diverse sociocultural and scientific contexts. Auditory examples — sound art, environmental recordings, music — will be provided and invited throughout the term.

This class has been reorganized to focus primarily on the War in Iraq. As in previous years, the class still examines war in cross-cultural perspective, asking whether war is intrinsic to human nature, what causes war, how particular cultural experiences of war differ, and how war has affected American culture.

This course examines traditional performances of the Arabic-speaking populations of the Middle East and North Africa. Starting with the history of the ways in which the West has discovered, translated and written about the Orient, we will consider how power and politics play roles in the production of culture, narrative and performance. This approach assumes that performance, verbal art, and oral literature lend themselves to spontaneous adaptation and to oblique expression of ideas and opinions whose utterance would otherwise be censorable or disruptive. In particular we will be concerned with the way traditional performance practices are affected by and respond to the consequences of modernization.
Topics include oral epic performance, sacred narrative, Koranic chant performance, the folktale, solo performance, cultural production and resistance.

Short Description:
Written by Sophocles circa 441 BC, Antigone is an Athenian tragedy. Of the three Theban plays, Antigone is the third in order of the events depicted in the plays, but was the first to be written. The reading order of the Theban plays is: Oedipus Rex, followed by Oedipus at Colonus and ending with Antigone.

Long Description:
Written by Sophocles circa 441 BC, Antigone is an Athenian tragedy. Of the three Theban plays, Antigone is the third in order of the events depicted in the plays, but was the first to be written. The reading order of the Theban plays is: Oedipus Rex, followed by Oedipus at Colonus and ending with Antigone.

Word Count: 11140

(Note: This resource's metadata has been created automatically as part of a bulk import process by reformatting and/or combining the information that the author initially provided. As a result, there may be errors in formatting.)

Hope Scholar Library Workshop

Word Count: 22286

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

The Antiquities of Wisconsin, Increase A. Lapham's most important published work, includes 92 pages of text, illustrated with 61 wood engravings, and 55 lithographed plates and was the result of his research into the Indian effigy mounds found on Wisconsin's Landscape.

This art history video discussion examines Antoine or Louis Le Nain's "Peasant Family in an Interior", 2nd quarter of the 17th century, oil on canvas (Musee du Louvre, Paris).

Una antología crítica de textos literarios del mundo hispanohablante. Se enfoca en autores canónicos y también se intenta incluir voces marginadas. Cada texto tiene una introducción y anotaciones creadas por estudiantes. // A critical anthology of literary texts from the Spanish-speaking world. A focus on canonical authors and an attempt to include voices that have been marginalized. Each text includes an introduction and annotations created by students. This Anthology was put together by Dr. Julie Ward and the students in her Introduction to Hispanic Literature course. We are looking for faculty to implement a similar Edición Crítica assignment in their classrooms to produce student-created critical editions that will expand the Anthology.

This is a digital interactive anthology of texts devoted to Spanish Romanticism especially designed for university non-Spanish speakers that are enrolled in Spanish majors or minors and are at least in their third year of study. This anthology may be used as textbook for any course by any instructor who might desire to use it without any written permission from the author. It may be used as a whole for a course on Spanish Romanticism or any parts of it may be used in conjunction with other texts to offer a course on a wider period of Spanish literature. The instructor (or reader) is more than welcome to use it as he or she sees fit. However, references to it are expected if the anthology is used for scholarly works.

ePub version of text The Tragedie of Anthonie, and Cleopatra by William Shakepeare, 1564-1616.

The Folger Shakespeare Library provides the full searchable text of "As You Like It" to read online or download as a PDF. All of the lines are numbered sequentially to make it easier and more convenient to find any line.

This course introduces students to the spatial, legal, economic, social and political structures that created apartheid in South Africa, and to the factors that led to the collapse of the racist order. We will examine the many forms of Black oppression and, also, the various forms of resistance to apartheid. Some of the themes we will explore include industrialization and the formation of the Black working classes; the constructions of race, ethnicities, and sexualities; land alienation and rural struggles; township poverty and violence; Black education; the African National Congress; and the Black Consciousness Movement.

Apollonius, Boxer at Rest, c. 100 B.C.E., bronze, Hellenistic Period (Palazzo Massimo, Museo Nazionale Romano, Rome). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

The Advanced Certificate and the Advanced Diploma in Applications of ICT in Libraries permit library staff to obtain accreditation for their skills in the use of ICT. Anyone can make use of the materials and assessment is available in variety of modes, including distance learning.

Short Description:
Every applied ethics course requires some brief introduction, survey, or primer on ethical theory and moral decision-making. At the same time, spending too much time on argumentation and normative ethical theory can take precious course time away from the applied issues that are the focus of the course. This Applied Ethics Primer offers a concise introduction to both basic argumentation and normative ethical theory. The concepts discussed reflect the ethical theories that currently ground most professional ethics codes and debates in applied ethics. Somewhat more inclusive than many similar resources, this primer offers students a taste of the truly global history of ethics, while still being squarely focussed on providing practical tools for ethical decision-making. It is appropriate for any introductory applied ethics course.

Long Description:
Every applied ethics course requires some brief introduction to ethical theory and philosophical reasoning. Without this, applied ethics courses risk merely teaching students how to rationalize their prejudices and preferences rather than teaching them how to critically assess and engage in ethical decision-making. At the same time, spending too much time on normative ethical theory can take precious course time away from the applied issues that are the focus of the course.

The Applied Ethics Primer offers a concise intoduction to both basic argumentation and normative ethics that can be integrated into any applied ethics course. The primer provides the basic conceptual tools needed to analyze ethical positions, identify ethical problems, and assess arguments, all without assuming any prior knowledge of ethics or argumentation theory. The concepts discussed reflect the normative concepts that ground most professional ethics codes and debates in applied ethics. At the same time, the content is global, drawing on ethical theories and practices from Asia, Africa, Europe, and Indigenous traditions of North America, as well as feminist theory.

Part I introduces the ethical question—what should I do?—and how to address it. The first chapter alerts readers to the role of emotions in moral responses and the importance of reflection. This grounds a brief discussion of disagreement that leads to the second chapter on reason and argument. Here we introduce argument analysis and offer advice on how to engage in productive debates and the importance of public reasons.

Part II constitutes the main body of the primer—the ethical lenses. The first chapter focuses on consequences, presenting both the ideas of Mozi and act and rule utilitarianism. We then turn to a focus on action, with a discussion of duties based on social role, past action, and reason alone, which draw from a passage in the Bhagavad Gita, the work of W.D. Ross, and Kantian deontology, respectively. The chapter that focuses on character (and virtue) addresses both Aristotle’s eudaimonism and Buddhist ethics, particularly emphasizing the root poisons and the eightfold path. The last main chapter in this part addresses ethical approaches that focus on relations, looking at feminist ideas about personal and political relationships (with a nod to Kongfuzi), before turning to African communal ethics, captured by the concept of ubuntu, and the all my relations and seven generations teachings from the philosophies of the first nations of what settlers call North America. The part on ethical lenses is followed by a brief part that addresses a couple of important ethical ideas that cannot be captured by any given lens. Here we introduce the concept of ahimsa (or non-violence), which reflects all of the lenses equally, and the concept of rights that cannot adequately be captured by any of them.

The final part addresses self-regarding attitudes, such as rational self-interest—which is shown to ground social contract theory—as well as biases like exceptionalism and moral licensing. We end this section with a discussion of helpful heuristics and conclude the primer with an emphasis on the importance of careful reflection and argumentation for ethical decision-making.

The primer has several pedagogical tools, including a set of recommended readings at the end of the chapters that address substantive ethical theories, a set of “Stop and think” reflective excercises throughout the primer, and brief self-quizzes at the end of each chapter. The appendix includes a set of tips for reading philosophy and a critical thinking worksheet. There is also a glossary for key terms. We also provide support for how to cite the primer and how to pronounce some of the unfamiliar terms.

Word Count: 27818

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

A companion textbook to SW591

Word Count: 51407

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

In this activity, students will practice answer the phone and having a conversation in Chinese, using mannerisms common in Chinese. They will practice trying to make plans with someone over the phone, explaining their schedule, and politely accepting or declining an invitation.

In this activity, students will practice answer the phone and having a conversation in a Chinese style. They will practice trying to make plans with someone over the phone, explaining their schedule, and politely accepting or declining an invitation.

Apprenticechip is a course on case studies in and techniques for creating digital libraries for apprentice learners.

The goals of this course are: 1. Learn a 10 step approach to digital library design, creation, curation, operation and evaluation. 2. Through the lens of this 10 step approach, review case studies of over 20 digital libraries of various sizes, encompassing a variety of disciplines, addressing diverse missions, utilizing a variety of technologies and learn how they succeeded and failed. 3. Use this 10 step approach to create your own small digital library to help apprentice learners in your area of professional expertise or personal passion.

We also wish to provide an introduction to digital libraries and to explore the questions 1) What is the history of digital libraries and learning? 2) What is the future of digital libraries and learning? 3) How can we create digital libraries that help apprentice learners? and 4) What role do professional + amateur librarians have to play in the future of digital libraries and learning?

Each lecture in this series focuses on a single play by Shakespeare, and employs a range of different approaches to try to understand a central critical question about it. Rather than providing overarching readings or interpretations, the series aims to show the variety of different ways we might understand Shakespeare, the kinds of evidence that might be used to strengthen our critical analysis, and, above all, the enjoyable and unavoidable fact that Shakespeare's plays tend to generate our questions rather than answer them.

A Humanities Textbook: Lower Division

Short Description:
An introductory examination of cultural appropriation in the fine arts and popular arts of the United States, with reference to historical, literary, and other cultural developments. The primary focus is the use of cultural appropriation to communicate ideas about racial identity in ways that have served the interests of the dominant culture. Areas of specific concern are voice appropriation, content appropriation, style appropriation, and motif appropriation. The emphasis is on historically significant examples in the visual arts, literature, theater, and music. As expressive communication, the arts are central to cultural identity. Cultural appropriation is wrong when it undermines America's diversity of cultural identities. Generations of American artists have used cultural appropriation as a tool of racial privilege. Despite this history of harmful and wrongful appropriation, cultural appropriation also provides a tactic of response and self-empowerment for non-dominant groups. Appropriation is frequently used by non-dominant groups and subcultures as a tool of active resistance against stereotyping and discrimination.

Word Count: 68176

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Apulu (Apollo of Veii), from the roof of the Portonaccio temple, Italy, c. 510-500 B.C.E., painted terracotta, 5 feet, 11 inches high (Museo Nazionale di Villa Giulia, Rome). Speakers: Dr Steven Zucker and Dr. Beth Harris.

Ara Pacis Augustae (Altar of Augustan Peace), 13-9 B.C.E.Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Arabalicious is a website full of resources for teachers of Arabic, run by Taoufiq Cherkaoui. The website includes PowerPoints available for download on concepts such as telling time, fruits and vegetables, culture, and basic greetings, to name a few. Worksheets to go along with the PowerPoints are also available for free download. The website further includes pictures that are available with the author's permission and some postings on available jobs for Arabic instructors as per 2012.

Arabic 4 fun includes five categories: alphabet, numbers, shapes, colors, and fruit names. Within each category, there is an introduction which explains the lesson, three exercises (easy, medium, & hard), and a memory game. The memory game includes the words written out in Arabic. The user may self-study or watch the explained lesson.

This is a set of slides that are meant for novice students of Arabic.
1. The first set is a set of slides each for an arabic letter in its different shapes based on its position in the word. Sample words are given as an example for each letter position in the word. The vocabulary selected is mostly related to food and has been selected with novice students in mind.
2. The second is a set of two-sided flashcards. The front side shows the Arabic letter, while the back side shows its different shapes based on the position in the word. A sample vocabulary word is given as an example.

What started out as a gallery to display the calligraphy of two artists is today a website devoted to the art of Arabic calligraphy. It includes a wall where other artists can post their own Arabic calligraphy, basic information on the Arabic language, a blog about calligraphy, and more. Users can post comments on the website.

This webpage displays a common conversation between three friends. The structure and topics of the conversation are purposefully general so as to be helpful to students' ability to create and sustain conversations of their own. The conversation includes Arabic text, transliteration, and translation.

The Arabic Course Achievement tests measure reading, writing, listening and speaking skills, as well as grammar and vocabulary. The exams can be administered to students of all proficiency levels in PK-12 schools as well as college. The length of the exams is 1-2 hours and can be scored by a computer or a locally trained scorer. The intended test use can be for placement, credit by examination, achievement, and or fulfilling a requirement.

This dictionary (published in 1899) is intended for the use of students. Due to its publication date, it corresponds more to classical Arabic or older formal Arabic rather than to MSA. It is organized by root with derivative forms of words are included under their three-letter root.

This is a list of over 200 cognates in English and in Arabic separated into topical chapters, like food, animals, and politics. Words are written in English, Arabic, and in Arabic transliteration for the very beginner. It also includes a list of the letters in the Arabic alphabet and how they are pronounced. It is intended to show users how much Arabic they already know.

This page contains brief lessons about specific grammatical issues and focuses mostly on Egyptian colloquial Arabic, though it does also include some information about Modern Standard Arabic (MSA). Given their brevity, the lessons are of limited use.

This site has numerous brief, text tutorials on formal Arabic grammatical topics such as sentence structure, verb conjugation, and pronouns, as well as an extended section on the 10 most common verb forms. These tutorials usually favor transliteration over Arabic script.

First published in 1910, this book focuses exclusively on the grammar of Modern Standard Arabic as it is used in written Arabic. It contains an introduction that explains the Arabic alphabet and pronunciation and 49 lessons that describe the foundational grammatical elements of MSA, including articles, gender, and the noun and verb systems. The text includes Arabic-English and English-Arabic vocabulary sections as well as a supplement with extract from the Qur'an, classical literature, media, and correspondence. The filesize of the PDF is 32 MB.

This webpage provides elementary information on aspects of Arab culture and history, including religion, politics, naming conventions, and Persian influence on Arab culture and language. The information seems to have been authored by the site's administrator, and contains no references or citations.

This is a textbook for beginning Arabic language learning. The textbook is divided into twelve lessons. Each lesson focuses on an activity and common theme to introduce the basics of Arabic. Each lesson starts with a short video, which you'll be asked to watch. To help you understand the video, each lesson also includes a transcript (in English), a list of vocabulary (with audio clips), and language and grammar notes.

This website allows access to an Arabic keyboard for those who are on computers that do not have access to Arabic script. Users can move the mouse over an Arabic keyboard displayed on the site to 'type' in Arabic words, and then copy and paste the Arabic to the document or website they are using.

This site provides instruction on how to install and use the Arabic keyboard on Windows. There are step by step instructions on how to install the keyboard on Windows XP as well as on Windows 2000. The site also provides 5 pictures of the Arabic keyboard layout.

Salam Dear Visitor,

This is the first edition of the “Arabic Language Through Dialogue” 1, 2 and 3 series in addition to the Iraqi Dialect through Dialogue book. The series attempts to make learning of the Arabic language more accessible and enjoyable to non-native speakers of Arabic using dialogues and communicative exercises that relate to the dialogue in each lesson. The series was made possible by partial funding and complete encouragement from the Language Acquisition Resource Center (LARC) under the directorship of Dr. Mary Ann Lyman-Hager and hosted at the San Diego State University. Dr. Ghada Osman, the director of the Center of Arabic and Islamic Studies at the San Diego State University, offered us invaluable advice and encouragement. In these books you will see the following:
1.High frequency dialect (A’miyyah) utterances are incorporated in each dialogue to give the learner a flavor of a’miyyah across the Arab world.
2.Arabic music and songs are used to teach the various dialects of the Arab world and to infuse the books with Arab culture.
3.The dialogues deal with everyday life issues from ordering food to renting a house to buying a car to talking about School and politics and social issues. All of this is done in a very easy MSA language that approximates the spoken language of educated Arabs.
4.Idiomatic expressions are incorporated in the dialogues.
5.Famous Arabic proverbs are part of every lesson in Book 3 and they come from a different región in the Arab world. We did not want to focus on one dialect as we wanted to expose learners to the 4 major Arabic dialects through songs, idiomatic expressions and high frequency words and then leave it up to the learner to decide which one he/she is most interested in. Once they decide which dialect they want to pursue, they can then plan their summer or semester abroad based on that knowledge.
6.Many games and fun activities are incorporated in each lesson.
7.Grammar is an important piece of these books but it is not the centerpiece. Learners will be exposed to all the grammatical notions and concepts needed to build their linguistic knowledge but the our focus remains on the USING the language rather than knowing ABOUT the language.
8.All the dialogues are available here on this page to listen to.
9.Tahiyyati and I hope that you enjoy learning Arabic using this series

This blog is from an American woman living and working in Saudi Arabia. It includes information about living and working in Saudi Arabia as well as her travels elsewhere in the Middle East. This particular section of the blog includes lessons on Arabic, which are all transliterated. Conversations that are transliterated and translated, vocabulary lists, and cultural information are all included. The lessons include one on bread, one on time and the concept of time, and one on New Year's Resolutions.

This blog offers translations of Arabic songs into English. Arabic transcriptions of the song lyrics are also provided, as are the transliterated lyrics. Where possible, the song has been added to the website as well so that users can listen to the song as well as read along. Users can request new songs to be translated, submit their own translations, and leave comments. Users can also search the site or click on a singer's name to be given a list of their songs that have been translated on the site.

Arabic Online offers a large quantity of information about Arabic grammar divided up into "lessons," grouped by topic. The grammar sections contain many charts to help promote understanding. The site provides a vocabulary section with a large number of word lists grouped by topic.

Arabic On-line provides a variety of resources to learn the Arabic language. It offers a summary of the alphabet as well as a platform to practice it by taking quizzes. In addition, it offers a comprehensive list of vocabulary words that cover diverse topics such us vocabulary words relating to military terminology, ecology, the body, emotions, leisure, politics and much more. The words are presented in English, Arabic, and French, among other languages. Other resources include a list of links to Arabic media and dictionaries.

This guide is for students who wish to get an idea of what speaking proficiency is, what the guidelines are for speaking proficiency, and what kinds of outcomes can be expected after different amounts of Arabic study. It can also be used by instructors who are looking for similar information. Examples of students at different levels are provided, as are rater comments of the examples. The website includes a list of resources for further instruction and information regarding oral proficiency.

The collection of Arabic papyrus, parchment, and paper at the J. Willard Marriott Library is the largest in the U.S. It contains several parchment pieces, 770 Arabic papyrus documents, and over 1,300 Arabic paper documents. The collection was compiled by Professor Atiya and his wife who purchased the collection over several years, largely from dealers in Egypt, Beirut, and London. Most of the collection originated in Egypt and the vast majority of the material is from 700 AD to the start of Ottoman rule. The collection is not yet cataloged.

The Arabic Proficiency Test measures reading and listening skills. The exam can be administered to high school and college students as well as to professionals. The length of the exam is 2 hours 30 minutes and its format is selected response/multiple choice. Ultimately, the reported result is based on ACTFL scores of novice, intermediate, advanced, and auperior proficiency levels.

This web page contains an extensive list of Arabic proverbs. Each proverb is given an translation in the English language to make it easily understood by the learner; for some of the phrases, there is a further explanation of what is meant by the proverb, i.e. A needle in a haystack = something that is very difficult to find.

This document comes from the Library of Congress. It gives full and very detailed rules for transliterating Arabic words and letters into English using Latin characters. The guide also gives pronunciation instructions and includes slightly more complicated topics such as when the 'ta marboota' is transliterated as a 't' and when it is transliterated as 'ah.'

This textbook, first published in 1919, is designed to provide beginning through advanced instruction in the written form of Modern Standard Arabic. The first fifteen lessons introduce the alphabet and the book then moves on to nouns, verbs, and more complex grammatical concepts. The lessons are interspersed with self-tests, and there are review lessons every so often. The textbook contains a reader with selections from newspapers and magazines for each of the last hundred lessons. An answer key and an index are also included. The filesize of the PDF is 34 MB.

This blog brings the novice Arabic learner up through the alphabet and the vowel sounds through blog posts on each letter and related topics.

The Arabic Speaking Test measures speaking skills. The exam can be administered to those at ACTFL intermediate, advanced, and superior proficiency levels. The test can be given to high school and college students and to professionals. The length of the exam is 25-50 minutes and its format is a simulated oral proficiency interview. Ultimately, the result reported is a proficiency level.

This is a blog that links to videos, music, and other information about studying and learning Arabic. The blog provides comments on information provided. For instance, there is a link to an episode of The Simpsons in Arabic while providing sentences and translations of some of the more complicated phrasing.

This site provides a list of six Arabic transliteration systems. Such systems include the Abdelsalam Heddaya's Qalam System of Transliteration and the Transliteration System of the Encyclopaedia of Islam. Also included on this webpage are articles and translations published by Nicholas Heer, mostly regarding Sufi works, as well as other materials such a downloadable Qur'an, information on Jawi literature, and information on classes taught by Nicholas Heer.

This appendix describes the system of deriving Arabic verbs. Several examples are provided for verbs that belong to verb Forms I - X. In addition, examples of Forms XI-XV verbs, which are very rare forms in Modern Standard Arabic, are also provided. The appendix also demonstrates exceptions to the general rule, and describes the rules for weak, hamzated, doubled, and quadriliteral verbs.

These extensive vocabulary lists are grouped by topic, and they include MSA terms and occasionally their Egyptian colloquial equivalent. There are also a number of lists with various idioms and Egyptian colloquial expressions. Arabic spellings are accompanied by transliterations.

This document represents one of the first steps in addressing the lack of technological resources available for Arabicizing Windows. It provides instructions for enabling reading and typing Arabic in older versions of Windows up to Windows XP, Microsoft Word up to 2003, how to enable Arabic web browsing, and more. Information on how to type Arabic/Hindi numerals and where to download fonts is also included.

This text explores verb time, tense, aspect, and mood through comparison of Arabic and English sentence patterns. It includes examples of the Arabic patterns from classical and popular sources so Arabic students can learn by explanation and example how to formulate cohesive and grammatically correct sentence structure.

While this guide is intended mainly for English-speaking students studying Arabic, the charts also provide a quick reference of English sentence patterns for Arabic speakers.

The book is designed as a supplement.

This paper speaks about Arabic and the problem of diglossia. In the paper, the author discusses the place of Arabic in the world of languages. The author also speaks about some of the aspects that make Arabic a difficult language to learn for speakers of Indo-European languages and discusses the problem of diglossia in modern Arabic. Ultimately, he makes a proposal on a possible way to teach Arabic that directly addresses the diglossia issue.

Master the Arabic Letters is a video series consisting of eight videos that introduce viewers to the names, shapes, and sounds of the Arabic letters. The videos also explain how to join up the letters in writing and make sure that differences in pronunciation are carefully demonstrated.

This site contains numerous audio, and video files, grouped by topic, of subjects speaking Jordanian colloquial Arabic. There are also a few images and informational links interspersed throughout the site. Each video is available for download and accompanied by an Arabic transcript and an English translation. Videos are based on every day topics like greetings, farewells, shopping, and transportation.

Digital Dialects offers vocabulary games in multiple languages. For Arabic, there are five different vocabulary games: numbers 1 Đ 12, numbers 10 Đ 100, animals, colors, and numbers: Arabic script. Their Arabic offerings are all in transliteration without any Arabic script, with the exception of the numbers 1 Đ 12, which has two separate games for both.

Aratools is an online dictionary that includes over 80,000 stems to translate from Arabic to English and from English into Arabic. The output provides a root-based translation for words and will provide the word's root and conjugation if it is a verb, as well as prefix and suffix morphology. A highly rated iOS app can be purchased to access the dictionary in mobile format.

This is an introduction to the classic version of ArcGIS StoryMaps. It provides a walkthrough of the website functions and has tasks listed for students to build their first story map.

Pomona College -- fall 2022

Word Count: 33688

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This class investigates the use of computers in architectural design and construction. It begins with a pre-prepared design computer model, which is used for testing and process investigation in construction. It then explores the process of construction from all sides of the practice: detail design, structural design, and both legal and computational issues.

This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary.

This is the second undergraduate architecture design studio, which introduces design logic and skills that enable design thinking, representation, and development. Through the lens of nano-scale machines, technologies, and phenomena, students are asked to explore techniques for describing form, space, and architecture. Exercises encourage various connotations of the "machine" and challenge students to translate conceptual strategies into more integrated design propositions through both digital and analog means.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.
This class was taught concurrently with course 4.125A. Some of the assignments are the same, some are different, and the sites for the final project are different. But since they were taught in tandem, it would be useful to look at both together.

4.125 is the third undergraduate design studio. This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.
This class was taught concurrently with 4.125B. Some of the assignments are the same, some are different, and the sites for the final project are different. But since they were taught in tandem, it would be useful to look at both together.

This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary.

Cairo is the quintessential Islamic city. Founded in 634 at the strategic head of the Nile Delta, the city evolved from an Islamic military outpost to the seat of the ambitious Fatimid caliphate which flourished between the 10th and 12th century. Its most spectacular age, however, was the Mamluk period (1250-1517), when it became the uncontested center of a resurgent Islam and acquired an architectural character that symbolized the image of the Islamic city for centuries to come.
Cairo today still shines as a cultural and political center in its three spheres of influence: the Arab world, Africa, and the Islamic world. Moreover, many of its monuments (456 registered by the 1951 Survey of the Islamic Monuments of Cairo) still stand, although they remain largely unknown to the world’s architectural community and their numbers are dwindling at an exceedingly alarming pace.

In this resource, you will find five archival preservation handouts and one handout addressing arrangement and description. These handouts will quickly help a user understand how to best preserve different types of materials at their home. There are both full-color and black and white versions of each of these handouts. The handouts are licensed under CC, by 4.0. 

Archiving for the Future is a free training course designed to teach language documenters, activists, and researchers how to organize, arrange, and archive language documentation, revitalization, and maintenance materials and metadata in a digital repository or language archive. Then entire course can be completed in approximately 3-5 hours.

This course was developed by the staff of the Archive of the Indigenous Languages of Latin America at the University of Texas at Austin in consultation with representatives of various DELAMAN (https://www.delaman.org/) archives and other digital data repositories in the United States, the United Kingdom, the European Union, Australia, and Cameroon.

The course material is based upon work supported by the National Science Foundation under Grant No. BCS-1653380 (September 1, 2016 to August 31, 2020). Any opinions, findings, and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the National Science Foundation.

Arch of Constantine, 312-315 C.E., approximately 20m high, 25m wide, and 7m deep, central opening approximately 12m high, Rome. Speakers: Dr. Steven Zucker and Dr. Beth Harris. Video produced by Dr. Naraelle Hohensee, Dr. Beth Harris, and Dr. Steven Zucker.

Triumphal Arch of Septimius Severus, 203 C.E., marble above a travertine base, roughly 23 x 25 m, Roman Forum speakers: Dr. Darius Arya, executive director of the American Institute for Roman Culture and Dr. Beth Harris This video was made in collaboration with the American Institute for Roman Culture.

Take a guided virtual tour of the Scrovegni (Arena) Chapel, in Padova, Italy — thanks to Matthew Brennan. 360-degree video allows you to look around the interior freely, and provides a new perspective on this masterpiece of Italian Renaissance art. See the frescoes up-close and at eye-level, as if you were floating right in front of them, thanks to a new approach developed by Mirror Stage Studio. Narration by SmartHistory: www.smarthistory.org Video production by Mirror Stage: www.mirrorstage.io This video makes use of imagery available in the public domain, as well as provided by Smarthistory. Created by Smarthistory.

This resource is to introduce the writing of a thesis statement and introduction for a research essay.

There is a quote that has been passed down many years and is most recently accounted to P.T. Barnum, “There is a sucker born every minute.” Are you that sucker? If you were, would you like to be “reborn?” The goal of this book is to help you through that “birthing” process. Critical thinking and standing up for your ideas and making decisions are important in both your personal and professional life. How good are we at making the decision to marry? According to the Centers for Disease Control, there is one divorce in America every 36 seconds. That is nearly 2,400 every day. And professionally, the Wall Street Journal predicts the average person will have 7 careers in their lifetime. Critical thinking skills are crucial.

This resource is designed to walk students through the process of completing a research project in any field of study. It covers the earliest stages of brainstorming and discussing, continues through researching and compiling sources; writing, documenting, revising, and polishing a paper; and finally presenting the research topic to a wider audience in a professional manner. The focus is on MLA format, though the course could be modified for other formats.

The first unit is an introduction to the project. It asks students to draw on knowledge of issues affecting their own community and world to help generate discussion that could eventually lead to a research topic.

This is a ten-week course broken into thematic topics. Its current design is asynchronous online, though you will find a mix of asynchronous and synchronous activity options. It can be modified for any modality. Included are weekly activities, exercises, projects, and slides following the provided syllabus.

• ART102 Syllabus
• Week 1: What is Art? What do you want from art?
• Week 2: Elements of Art: Formal Elements
• Week 3: Elements of Art: Principles of Design
• Week 4: Describing Art
• Week 5: Media & Materials: Images
• Week 6: Media & Materials: Objects
• Week 7: Symbols & Iconography
• Week 8: Contexts of Art
• Week 9: Art and Artists
• Week 10: Public Art/Art & Controversy

Art 200 is an introductory course that chronicles the major developments in art that span from the Upper Paleolithic Period through the Fourteenth Century. This broad, comprehensive survey details this time period’s diverse range of artistic output while identifying the wider contexts (historical, social, cultural, religious) that affected the characteristics and motivations of early art production.

Word Count: 117601

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

(Google Drive) Text of the book in “chapters” arranged by module—as well as assignments

This course is particularly focused on helping you develop visual literacy skills, but all the college courses you take are to some degree about information literacy. Visual literacy is really just a specialized type of information literacy. The skills you acquire in this course will help you become an effective researcher in other fields, as well.

This entry-level course is designed to help you gain a general appreciation for art as well as to help you develop a working vocabulary for the knowledgeable analysis of art based on the Visual Elements and the Principles of Design. The syllabus is included in the course and contains the course objectives, student learning outcomes, list of assignments and names of the course textbooks.

The Art Appreciation course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary.

This is an Open Educational Resource (OER), an openly licensed educational material designed to replace a traditional textbook. The course materials consist of 24 lessons each with a presentation, reading list, and/or sample assignment. For ease of adapting, materials are available as PDFs and Microsoft PowerPoint or Word documents.

This course is an exploration of visual art forms and their cultural connections for the student with little experience in the visual arts. It includes a brief study of art history and in depth studies of the elements, media, and methods used in creative processes and thought. Upon successful completion of this course, students will be able to: interpret examples of visual art using a five-step critical process that includes description, analysis, context, meaning, and judgment; identify and describe the elements and principles of art; use analytical skills to connect formal attributes of art with their meaning and expression; explain the role and effect of the visual arts in societies, history, and other world cultures; articulate the political, social, cultural, and aesthetic themes and issues that artists examine in their work; identify the processes and materials involved in art and architectural production; utilize information to locate, evaluate, and communicate information about visual art in its various forms. Note that this course is an alternative to the Saylor FoundationĺÎĺ_ĺĚĺ_s ARTH101A and has been developed through a partnership with the Washington State Board for Community and Technical Colleges; the Saylor Foundation has modified some WSBCTC materials. This free course may be completed online at any time. (Art History 101B)