This resource was created by Brenda Sebade, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This course focuses on the algorithms for analyzing and designing geometric foldings. Topics include reconfiguration of foldable structures, linkages made from one-dimensional rods connected by hinges, folding two-dimensional paper (origami), and unfolding and folding three-dimensional polyhedra. Applications to architecture, robotics, manufacturing, and biology are also covered in this course.
Acknowledgments
Thanks to videographers Martin Demaine and Jayson Lynch.

This is a very well-produced website with material on a wide range of art-related topics. There are essays on specific artists and on more quirky topics like pop star clothing. The images on individual art historical movements are interactive, click and more information appears. There are embedded videos on certain topics. It is a relatively comprehensive and entertaining website, although the topics have to be searched for - it is not chronologically laid out as a text.

Eva Hesse, Untitled, enamel paint, string, papier-mâché, elastic cord, 1966 (MoMA) Speakers: Dr. Beth Harris, Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Eva Hesse, Untitled (Rope Piece), 1970, rope, latex, string, wire, variable dimensions (Whitney Museum of American Art). Created by Beth Harris and Steven Zucker.

This course investigates the power of art in historical perspective, focusing on Euro-American traditions of art from the fourteenth to the twenty-first century. It examines changing conceptions of the artist, the work of art, and the discipline of art history, exploring the roles images and objects have played over time, how they functioned in various social, economic, and cultural contexts, and whose interests they served or sought to disrupt.

This is a textbook meant for use within The Living Arts (FINE 101) -- Chapters include introductions to Painting, Sculpture, Architecture, Theatre, Music, and Dance.

Course Description: An interdisciplinary survey of human creative efforts as they relate to each other. The visual and performing arts are compared with similarities stressed.

Students will examine artworks, research literature, and create study drawings and a 3-D model for a monument to a literary figure.

17th Century Spanish polychrome sculpture can achieve remarkable realism. Learn about the techniques estofado—painting and incising to portray silk fabrics, and encarnaciones—for the hair and skin. Created by Getty Museum.

This photograph of a sculpture of Mary McLeod Bethune by Selma Hortense Burke is part of Harmon Foundation Collection. The Harmon Foundation, a nonprofit, private foundation active from 1922 to 1967, helped foster an awareness of African art. African artists would send their artworks to the United States for exhibit and sale. When the foundation ended its activities in 1967, it donated its entire collection of motion pictures, filmstrips, color slides, and black and white prints and negatives on a variety of subjects to the National Archives. Selma Hortense Burke (b. December 31, 1900, Mooresville, North Carolina - d. August 29, 1995, New Hope, Pennsylvania) was an American sculptor, educator, and member of the Harlem Renaissance movement. Burke created many pieces of public art, often portraits of prominent African-American figures like Duke Ellington, Mary McLeod Bethune and Booker T. Washington. She received national recognition for her relief portrait of Franklin Delano Roosevelt, which was the model for his image on the dime. In 1979, Burke was awarded the Women's Caucus for Art Lifetime Achievement Award.Learn more on our main National Archives website.

Learn about artist Meta Warrick Fuller--forerunner to the Harlem Renaissance--in this digital short from Unladylike2020. Using teaching tips, discussion questions and vocabulary, students examine the life, impact and historical era in which Warrick Fuller lived.

In this art history video discussion Beth Harris and Steven Zucker consider Michael Pacher's "Saint Wolfgang Altarpiece," 1471-81, polychrome pine, linden, gilding, and oil (sculpture and painting). Parish Church, Sankt Wolfgang, Austria.

The application of engineering principles is explored in the creation of mobiles. As students create their own mobiles, they take into consideration the forces of gravity and convection air currents. They learn how an understanding of balancing forces is important in both art and engineering design.

This class provides an introduction to modern art and theories of modernism and postmodernism. It focuses on the way artists use the tension between fine art and mass culture to mobilize a critique of both. We will examine objects of visual art, including painting, sculpture, architecture, photography, prints, performance and video. These objects will be viewed in their interaction with advertising, caricature, comics, graffiti, television, fashion, folk art, and "primitive" art.

An ironwork cross almost 3m high was the uppermost feature of a magnificent screen in Salisbury Cathedral, designed by G G Scott and made by Francis Skidmore, erected in about 1870. The screen was taken down in 1959 and mostly sold, but the cross survived. Its surface was rusty and corroded, but small traces of original distinctive red paint and gilding remained. Painstakingly the cross was taken apart and each piece cleaned using dry ice, then repainted and gilded. Replacement parts were made using the latest digital technology. The restored cross was reassembled and is now a dazzling highlight of the ironwork galleries. https://www.vam.ac.uk/collections.

Students will discuss the sculpture "Python Killing a Gnu" by Antoine-Louis Barye. They will use their imagination to visualize a setting for the python depicted in sculpture. Then they will describe their setting, sculpt a clay snake, and create their setting using mixed media.

Quarrying and Carving Marble Speakers: Dr. Beth Harris, Dr. David Drogin . Created by Beth Harris and Steven Zucker.

Auguste Rodin, The Gates of Hell​, 1880-1917, plaster (Musée d'Orsay, Paris) Speakers: Dr. Beth Harris and Dr. Steven Zucker When the building, earlier on the site of the Musée d'Orsay in Paris, was destroyed by fire during the Commune in 1871, plans were drawn up to replace it with a museum of decorative arts. Rodin won the competition to design a great set of doors for its entry way. Although the museum was never built, Rodin continued to work on the doors. They became an ongoing project; a grand stage for his sculptural ideas. It's fitting that the plaster of this great unfinished sculpture, The Gates of Hell, is now on display at the d'Orsay, the former railway terminal that was built on this site instead of the museum of decorative arts and that, by lovely coincidence, was converted into one of the world's great art museums. Created by Beth Harris and Steven Zucker.