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  • Film and Music Production
Fundamentals of Acoustics for Sound Engineers and Music Producers
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CC BY-NC-SA
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This website provides a set of course material (in english and german) for undergraduate (bachelor) students in sound engineering and music production among others on the following topics:1/ fundamentals of acoustics for music production: the sound wave, sound sources, interactions and phase, instrumental acoustics, room acoustics2/ fundamentals of psychoacoustics for music production: perception of loudness, perception of pitch and intervals, spatial hearing, perception of timbreThese courses are made available for educational and non-commercial purposes under the terms of the creative commons license “attribution-noncommercial-sharealike 4.0 international (cc by-nc-sa 4.0)”.Pdf versions (without animations and sound examples) are also available on slideshare (https://de.slideshare.net/AlexisBaskind/presentations).Comments and suggestions are of course welcome, don’t hesitate to contact me.

Subject:
Film and Music Production
Material Type:
Lecture
Author:
Alexis Baskind
Date Added:
03/23/2020
Fundamentals of Music FIU
Unrestricted Use
CC BY
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This course covers the fundamentals of tonal music theory: pitch notation; rhythm and meter; major and minor scales; intervals; triads and seventh chords, as well as common terms and symbols used in common practice music. By the end of this course students will be able to read pitches in common clefs and will be familiar with note durations and meters. They will also learn to spell and recognize key signatures, major and minor scales, intervals, and triads and will become familiar with the concept of harmonic function and cadence. After completing this course, students will be ready to begin the undergraduate music theory sequence (Theory I-IV).

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Lesson
Date Added:
06/18/2019
The Fundamentals of Sound
Unrestricted Use
CC BY
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This project will take you and your music technology students through a journey into the fundamentals of sound waves, their various properties, . Students will be able to identify and describe these characteristics on a graded formative exam. this content can be delivered in any variety of learning formats. All content here is retained and only requires attribution. 

Subject:
Arts and Humanities
Educational Technology
Film and Music Production
Material Type:
Assessment
Case Study
Homework/Assignment
Author:
Aaron Railey
Date Added:
11/22/2021
A Gentle Introduction to SuperCollider
Unrestricted Use
CC BY
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This is a step-by-step introduction to the music programming language SuperCollider. It is aimed at students with little to no background in programming. Knowledge of basic music theory may be occasionally useful, but it is not required. This book encourages students to actively explore sound and musical structure through computer programming. Music and arts students interested in sound will find the tools to deepen their knowledge of digital music making. The book may also serve as a fun, music-oriented introduction to basic programming to a general audience of college students. SuperCollider is a free, open source software, and it runs on Linux, Windows, and Macintosh computers.

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Textbook
Author:
Bruno Ruviaro
Date Added:
11/17/2014
German Culture, Media, and Society
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CC BY-NC-SA
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The topic for Fall 2006 is short film and radio plays. This course investigates current trends and topics in German literary, theater, film, television, radio, and other media arts productions. Students analyze media texts in the context of their production, reception, and distribution as well as the public debates initiated by these works. The topic for Fall 2006 is German Short Film, a popular format that represents most recent trends in film production, and German Radio Art, a striving genre that includes experimental radio plays, sound art, and audio installations. Special attention will be given to the representation of German minorities, contrasted by their own artistic expressions reflecting changes in identity and a new political voice. Students have the opportunity to discuss course topics with a writer, filmmaker, and/or media artist from Germany. The course is taught in German.

Subject:
Anthropology
Arts and Humanities
Career and Technical Education
Film and Music Production
Graphic Arts
Languages
Social Science
Visual Arts
World Cultures
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
Fendt, Kurt
Date Added:
09/01/2006
Gladys Bentley | Unladylike2020
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CC BY-NC-ND
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Learn about the trailblazing, gender non-conforming performer Gladys Bentley with this digital short from Unladylike2020. Gladys Bentley fled her homophobic Trinidadian immigrant family in Philadelphia, PA at age 16 to join New York's Harlem Renaissance jazz scene as a cross-dressing performer. In a time when homosexuality was widely considered sinful and deviant, Bentley wore men's clothing -- a tuxedo and top hat -- and became famous for her lesbian-themed lyrics covering popular tunes of the day, and for openly flirting with women in the audience. In the 1950s, succumbing to pressure from the black church and McCarthy Era harassment of the LGBTQ community, Bentley said of her gender identity, "I am a woman again!" Constantly reinventing herself, Bentley challenged norms and pushed boundaries. Support materials include discussion questions, vocabulary, a research project on queer identity during the Harlem Rennaissance, and a close reading of Bentley's famous essay, "I am a Woman Again".

Subject:
Arts and Humanities
Career and Technical Education
Film and Music Production
Performing Arts
Material Type:
Activity/Lab
Provider:
PBS LearningMedia
Author:
PBS Learning Media
Date Added:
03/14/2024
Global Africa: Creative Cultures
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CC BY-NC-SA
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This course examines contemporary and historical cultural production on and from Africa across a range of registers, including literary, musical and visual arts, material culture, and science and technology. It employs key theoretical concepts from anthropology and social theory to analyze these forms and phenomena. It also uses case studies to consider how Africa articulates its place in, and relationship to, the world through creative practices. Discussion topics are largely drawn from Francophone and sub-Saharan Africa, but also from throughout the continent and the African diaspora.

Subject:
Anthropology
Arts and Humanities
Career and Technical Education
English Language Arts
Film and Music Production
History
Literature
Performing Arts
Reading Literature
Social Science
Visual Arts
World History
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
Edoh, M. Amah
Date Added:
02/01/2018
Global Media Perspectives
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CC BY-NC-ND
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This kit provides the materials and background information needed to engage students in a dynamic and constructive process of learning how global media perspectives differ based on country of production, media source, target audience, and political and social context. There are five lessons representing important issues and media documents from: Africa (news and documentary film clips about the food crisis), Latin America (editorial cartoons about immigration), Europe (news and documentary film clips about Islam and cultural identity), India (magazine covers about India's rise in the global economy), and Southeast Asia (websites concerning Islamic majorities and minorities).

Subject:
Arts and Humanities
Business and Communication
Career and Technical Education
Film and Music Production
Journalism
World Cultures
Material Type:
Activity/Lab
Diagram/Illustration
Homework/Assignment
Teaching/Learning Strategy
Unit of Study
Provider:
Ithaca College
Provider Set:
Project Look Sharp
Author:
Sox Sperry
Date Added:
04/30/2013
Green Screen Tips | Media Arts Toolkit
Read the Fine Print
Educational Use
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Using the green screen video technique your classroom opens up a world of possibilities. These easy tips demonstrate how the technique can be used for student newscasts, artistic performances, even action adventure videos!

Subject:
Applied Science
Arts and Humanities
Career and Technical Education
Film and Music Production
Technology
Visual Arts
Material Type:
Activity/Lab
Provider:
PBS LearningMedia
Date Added:
05/15/2023
Guitar Fundamentals Book 1
Restricted Use
Copyright Restricted
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George Arvola (1948-2016) was a guitarist and music teacher. He created his own series of guitar method books entitled Guitar Fundamentals. Volumes 2-5 of this series are based on approximately 600 pages of music manuscript by Tony Bradan (1913-1999) entitled A Learning Process for Playing the Guitar, which Tony entrusted to George. These books outline a process by which serious, dedicated students can gain:the ability to read standard notation for guitar, skill in applying efficient pick control and left hand fingering, an intimate knowledge of the guitar fretboard and flexibility in finding efficient fingerings for melodies, scales, triads, arpeggios and 3- and 4-part chords in real time, the ability to play accompaniment, the ability to play 4-part harmony, chord resolutions and voice movement, and the basics of improvisation. We are preserving this guitar method online in the hope that present and future generations of guitarists will benefit from the innovative approaches within.

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Textbook
Provider:
eCampusOntario
Author:
Bruce Arbuckle
George Arvola,Dan Sich
Date Added:
03/09/2020
Guitar Fundamentals Book 4
Restricted Use
Copyright Restricted
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George Arvola (1948-2016) was a guitarist and music teacher. He created his own series of guitar method books entitled Guitar Fundamentals. Volumes 2-5 of this series are based on approximately 600 pages of music manuscript by Tony Bradan (1913-1999) entitled A Learning Process for Playing the Guitar, which Tony entrusted to George. These books outline a process by which serious, dedicated students can gain:the ability to read standard notation for guitar, skill in applying efficient pick control and left hand fingering, an intimate knowledge of the guitar fretboard and flexibility in finding efficient fingerings for melodies, scales, triads, arpeggios and 3- and 4-part chords in real time, the ability to play accompaniment, the ability to play 4-part harmony, chord resolutions and voice movement, and the basics of improvisation. We are preserving this guitar method online in the hope that present and future generations of guitarists will benefit from the innovative approaches within.

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Textbook
Provider:
eCampusOntario
Author:
George Arvola
Tony Bradan
Date Added:
03/10/2020
Guitar Fundamentals Book 5
Restricted Use
Copyright Restricted
Rating
0.0 stars

George Arvola (1948-2016) was a guitarist and music teacher. He created his own series of guitar method books entitled Guitar Fundamentals. Volumes 2-5 of this series are based on approximately 600 pages of music manuscript by Tony Bradan (1913-1999) entitled A Learning Process for Playing the Guitar, which Tony entrusted to George. These books outline a process by which serious, dedicated students can gain:the ability to read standard notation for guitar, skill in applying efficient pick control and left hand fingering, an intimate knowledge of the guitar fretboard and flexibility in finding efficient fingerings for melodies, scales, triads, arpeggios and 3- and 4-part chords in real time, the ability to play accompaniment, the ability to play 4-part harmony, chord resolutions and voice movement, and the basics of improvisation. We are preserving this guitar method online in the hope that present and future generations of guitarists will benefit from the innovative approaches within.

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Textbook
Provider:
eCampusOntario
Author:
George Arvola
Tony Bradan
Date Added:
03/10/2020
Haiku Music
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CC BY-NC-SA
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This resource was created by Sandy Schneider, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

Subject:
English Language Arts
Film and Music Production
Material Type:
Lesson Plan
Author:
Arts ESU2
Date Added:
09/05/2022
Headzine Bristol Vol. 3 (interviews with Bristol hip-hop artists)
Unrestricted Use
CC BY
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This resource, produced by Adam de Paor Evans and James McNally as part of the 'Fifth Element' project (PI: Justin Williams) covers interviews with a number of important rappers and DJs as part of the early rap music scene in Bristol, UK. The rappers and DJs interviewed include Wilie Wee, Kelz, DJ Lynx, Flynn, Turoe, Kant Control, Krissy Kris, DJ Milo, Sir Beans OBE, Awkward. 

Subject:
Film and Music Production
Material Type:
Case Study
Author:
Justin Williams
Date Added:
02/26/2024
History of Popular Music in the United States
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CC BY-ND
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A history of popular music in the United States from the 1930's to early 2000's - A text in 7 modules with links to selected representative recordings and performances.

Subject:
Arts and Humanities
Career and Technical Education
Film and Music Production
History
Performing Arts
U.S. History
Material Type:
Textbook
Provider:
Colorado Mesa University
Author:
Timothy James Emmons
Date Added:
05/23/2023