In this introductory physics lab activity, students explore the sounds made by the free-end of a ruler vibrating off the end of a desk.

Join Tarissa and Sabrina as they measure and compare the volume of different sounds across New York City in this video from DragonflyTV.

Students will learn how to produce their own sounds to add to their video projects. This technique is called Foley Art. There are several excellent videos that can be shown during class or assigned as a flipped assignment. Either way, these videos should draw great discussion during class on how to capture homemade produced sounds. Some of the videos I use come from YouTube and are titled "The Magic of Making Sound," "This Artist Creates Sounds for Movies," "How the Sound Effects in 'A Quiet Place' Were Made," "Foley Artists: How Movie Sound effects are Made," and "The Hunger Games & Frozen Foley Artists Turn the Sound of Junk into Miracles--Art of Sound Ep. 3." Simply do a search for Foley Art. After the discussion, students will then select a movie trailer, convert the trailer into a file format that works with their video editing software. Once the file is uploaded into their software, students will remove/detach the audio and begin brainstorming appropriate sound effects and how these can be made for the video. Students should compile a list of at least 10 sound effects. After all students have their lists, divided the students into groups. I find that it is necessary to have more than one person in order to effectively produce the sounds. Once students are in their groups, combine their lists, and come up with 10 sounds they think they can personally produce. Students will need to brainstorm props that can be used to produce their sounds. Once the sounds have been created, each student will then add, trim, and edit the sounds and add to the movie trailer.

After the last day of editing, the students will come back together with their group and show their video to the class. Students should explain how sounds were created.

Students will explore the garden for different forms of energy including mechanical, electrical, light, thermal and sound energy.

STUDENT ACTIVITY -- 4th -- TXThis is a distance-learning lesson students can complete at home.The student will explore their outdoor space for different forms of energy including mechanical, electrical, light, thermal and sound energy.This activity was created by Out Teach (out-teach.org), a nonprofit providing outdoor experiential learning to transform Science education for students in under-served communities.

Students model and design the sound environment for a room. They analyze the sound performance of different materials that represent wallpaper, thick curtains, and sound-absorbing panels. Then, referring to the results of their analysis, they design another room based on certain specifications, and test their designs.

Forte Piano, by Teresa Jennings, is another in her series of songs that teach musical concepts. This fun music video, animated by Bill Belongia, really reinforces the concepts

This educational video features Sperm whales and has an accompanying lesson plan to teach about Sound in the Sea. The Sperm whale holds many records. It is the deepest-diving whale on Earth, the largest toothed whale on Earth and has the largest brain on the planet too. On top of that, it has a reputation for being a vicious beast, thanks in part to Herman Melville's Moby Dick. But the real Sperm whale is a lot different than people think. It has a highly-evolved social life, operates at depths where nobody can see them most of the time, and uses sonar which is so sophisticated that it makes the Navy's electronics look like toys. Sperm whales are very hard to find and even harder to film. In the Caribbean, Jonathan repeatedly attempts to get close to the elusive whales, until finally he succeeds and has an incredible experience eye to eye with a giant who investigates him with powerful sonar clicks. Please see the accompanying lesson plan for educational objectives, discussion points and classroom activities.

This sequence of instruction was developed to help elementary teachers who are working remotely.  We developed a short storyline that ties together a few sessions to help explore a specific concept.  We tried to include some activities that honored and included the student’s family and experience, and some that included the potential for ELA learning goals.
"Good Vibrations" is designed around students making observations of sounds and the way sounds are transmitted to answer the questions: How can improve the design of a string telephone?(How does sound behave in and between different materials?)
It is part of Clime Time - a collaboration among all nine Educational Service Districts (ESDs) in Washington and many Community Partners to provide programs for science teacher training around Next Generation Science Standards (NGSS) and climate science, thanks to grant money made available to the Office of the Superintendent of Public Instruction (OSPI) by Governor Inslee. 

This sequence of instruction was developed in the Growing Elementary Science Project to help elementary teachers who were working remotely.  We developed a short storyline that ties together a few sessions to help explore a specific concept.  We tried to include some activities that honored and included the student’s family and experience, and some that included the potential for ELA learning goals.Unlike other units in our series, this was not developed as a complete stand-alone unit. Our intent, in this case, was to provide a set of options for the teacher, as well as some materials for consideration of opportunities to integrate reading in science.It is part of ClimeTime - a collaboration among all nine Educational Service Districts (ESDs) in Washington and many Community Partners to provide programs for science teacher training around Next Generation Science Standards (NGSS) and climate science, thanks to grant money made available to the Office of the Superintendent of Public Instruction (OSPI) by Governor Inslee. 

Awarded the NGSS Design Badge

After completing this unit, students will never look at an ambulance or police car the same way again. The anchoring phenomenon for this unit is “Emergency sirens make loud sounds.” This unit would be part of a Physical Science unit on Sound and Light. In this unit, students identify that sounds cause vibrations and vibrations cause sound, and that sound is used to communicate over distance. While walking the playground, students observe the sounds that they hear around them. They then conduct investigations into how sound is made and explore the cause and effect relationship between sounds and vibrations. Students will also design devices that use sound to communicate over a distance.

This website contains educational resources that are based on the UNESCO-recognised HIV and AIDS collections held by Lothian Health Services Archive (LHSA).

Rather than being complete lesson plans in themselves, these resources provide a range of suggested activities based on the collection items.

The resources are linked to the Curriculum for Excellence (S2 and S3) and are intended for use by teachers, youth groups and educational professionals.

The site contains resources, audio-visual material and images linked to the following subject themes: Expressive Arts, Social Studies, and Health and Wellbeing.

This article provides links to lessons and units about birds, bird characteristics, and penguins. Ideas for literacy integration are included, and all lessons are aligned to national standards.

Hearing allows us to perceive the world of acoustic vibrations all around us, and provides us with our most important channels of communication. This module reviews the basic mechanisms of hearing, beginning with the anatomy and physiology of the ear and a brief review of the auditory pathways up to the auditory cortex. An outline of the basic perceptual attributes of sound, including loudness, pitch, and timbre, is followed by a review of the principles of tonotopic organization, established in the cochlea. An overview of masking and frequency selectivity is followed by a review of the perception and neural mechanisms underlying spatial hearing. Finally, an overview is provided of auditory scene analysis, which tackles the important question of how the auditory system is able to make sense of the complex mixtures of sounds that are encountered in everyday acoustic environments.

In this unit, students start by observing a perplexing phenomenon. When a sewing needle taped to a cone is dragged over the surface of a plastic disc that is spun underneath it, it produces voices and musical notes. This leads students to start wondering about other sound-related phenomena, which in turn leads to wealth of new questions about 1) What causes different sounds? 2) What is traveling from a sound source to our ears? 3) How do we hear and why do we hear things differently in different places? and 4) How do electronic devices (digital sound sources) produce and detect sounds?

Students learn about how sound sensors work, reinforcing their similarities to the human sense of hearing. They look at the hearing process sound waves converted to electrical signals sent to the brain through human ear anatomy as well as sound sensors. A mini-activity, which uses LEGO MINDSTORMS(TM) NXT intelligent bricks and sound sensors gives students a chance to experiment with the sound sensors in preparation for the associated activity involving the sound sensors and taskbots. A PowerPoint® presentation explains stimulus-to-response pathways, sensor fundamentals, the unit of decibels, and details about the LEGO sound sensor, including how readings are displayed and its three modes of programming sound input. Students take pre/post quizzes and watch a short online video. This lesson and its associated activity enable students to appreciate how robots can take sensor input and use it to make decisions to via programming.

Learn how shock waves are generated as aircraft fly close to the speed of sound.

Learn about what happens to vehicles at hypersonic speeds and what happens to air at high speeds.

Through a progressive series of composition projects, students investigate the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required. Weekly listening, reading, and composition assignments draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods.

In this classroom guided inquiry lesson, students will rotate through five stations of various sound instruments to look at how length affects pitch. Student will develop a hypothesis, make observations, and draw a conclusion about what happens when the length of the vibrating sound source changes.