This particular Color, Symbol, Image (CSI) lesson is designed for implementation by an art teacher with 6th-grade students. However, the strategy can be utilized in other disciplines for the purpose of Making Thinking Visible. Parental consent was granted to share a student sample of the final product for this lesson, which is pictured above. The title card the 6th-grade student, Boston, created included the following description: "The sunrise in the painting represents the help and hope that Houston is getting. Also, the clouds are eyes, and the sun is a mouth. The face is crying. This represents my sympathy for Texas." Boston had selected "Rising floodwaters overwhelm Houston, other parts of Texas", the third option from Newsela provided in the Google Slides. The choices for articles can be updated each year prior to the activity.

Open Textbooks for Rural Arizona participants are invited to remix this template to share their courses, textbooks, and other OER material on our Hub.

This project helps children think about the correlation colors have with moods. There are multiple activities involved to engage the students in this lesson and prompt them to create their own ideas about the effects colors may have on moods.

What does it mean to belong to a country? Can events change what that means? This interactive compares two paintings by John Lewis Krimmel. Both show people in Philadelphia’s Centre Square celebrating the Fourth of July, but one was painted in 1812, just after the United States had declared war on Great Britain, and the other was painted in 1819, four years after the war had ended. The two look very different, reflecting changing ideas. This "Genial.ly" presentation includes interactive annotations and a juxtapose slider--the final slide includes suggestions on how to help students use the art as historical evidence. If you evaluate or use this resource, please respond to this short (4 question) survey here bit.ly/3ofUImf

This University of Edinburgh OER will enable you to make your own contribution to opening access to and broadening participation in artistic learning; it will inspire you to support your peers by codifying and sharing artistic practices.

Art education today is porous and ubiquitous: it exists in a wide variety of formal and informal arts contexts and in can be found in many different cultures and societies. It takes many diverse organisational forms, traversing virtual communities, small artist-led initiatives, international biennials, art academies and artistic practices.

This course combines and practises a range of peer-based learning theories and theories of knowledge production. You will consider how to extend online open access into the types of ‘Third Places’ (Soja, 1996) frequently produced by artists (galleries, schools, studios, workshops, public sites, virtual environments….) by learning how to practise paragogics, a set of learning principles that offer a flexible framework for peer learning and knowledge production. The course is scaffolded to begin. It slowly removes this scaffold to enable peer-support for each other’s learning, then, finally, requires you to lead teaching and feedback.

Attribution-NonCommercial-ShareAlike 4.0 International Neil Mulholland 2021 CC BY-NC-SA

Students use the robot paths they documented during the associated Robots on Ice Engineering Challenge activity to learn about and then make artwork. During the previous activity, students recorded the path of their robots through a maze in order to collect data during a remote research simulation. Now, they take a new look at the robot paths, seeing them from an art perspective as continuous line drawings. Students learn about Picasso’s famous works of art that used the same technique. Then they learn the artistic definition of a line and see examples of how it is used in different art pieces; they practice making continuous line drawings and then create sculptures of their drawings using colorful wire. A PowerPoint® presentation is provided to guide the activity.

Charles Bargue Drawing Course introductionThe Charles Bargue Drawing Course was a highly influential guide to art instruction in the 19th century, which has recently returned to prominence in the Realist painting movement. This module introduces students to the fundamental drawing skills covered in the Charles Bargue Drawing Course, and leads them through the process of completing a Bargue plate copy. 

examines one of the most extensive and best-preserved concentrations of prehistoric rock art in the U.S. See photos and learn about the people who made these 250,000 drawings on rocks at China Lake, California, 1000 to 3000 years ago.

In this lesson, students learn watercolour techniques, identify their target audience and create a rubric, and complete their artwork.

Step 1 - Inquire: Students analyze Jill Pelto works of art, learn how colours create emotion, and practice their watercolour techniques.

Step 2 - Investigate: As a class, students identify their target audience and create a corresponding rubric.

Step 3 - Inspire: Students complete their artwork.

This resource was created by Jake Kasik, in collaboration with Lynn Bowder, as part of ESU2's Mastering the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education and experiential learning.

Date of this Version
Spring 2019

Document Type
Portfolio

Citation
Chavez, Lizbeth and Martinez, Karen. "Creative He(arts)." After school club lesson plans. University of Nebraska-Lincoln, 2019.

Comments
Copyright 2019 by Lizbeth Chavez and Karen Martinez under Creative Commons Non-Commercial License. Individuals and organizations may copy, reproduce, distribute, and perform this work and alter or remix this work for non-commercial purposes only.

Abstract
The goal of the club is for students to explore different areas in the visual arts–including drawing, painting, printmaking, and pottery– and gain knowledge about a variety of materials and skills. By the end of club, students will have expanded their knowledge in art history and have learned about the components, elements, and principles of art. At the same time, the projects planned will allow students to apply what they learn to their own creativity and ideas.

Google document outlining the steps for a cross curricular activity between a class studying Shakespeare (in my case it was Theatre) and an Art class (in my case it was Advanced Graphic Design). Students are tasked with designing a
t-shirt using a quote or image from Shakespeare and the school logo and name.

CultureTalk - Arab World features native speakers from across the Arabic-speaking world giving filmed interviews, in Arabic and sometimes English, on selected topics. Text-based translations and transcriptions are often provided as downloadable documents for most Arabic videos. The videos engage a number of region/country-specific topics, including cultural traditions, religion, politics, and sports.

In this lesson, students analyze data, create line graphs, conduct research, and plan their data art project.

Step 1 - Inquire: Students analyze their own data from the previous lesson.

Step 2 - Investigate: Students create a line graph and conduct research on their topic.

Step 3 - Inspire: Students plan their data art project.

Students will be discussing their personal experience with art including dancing, singing, painting, writing poetry, etc. They will be introduced to a few examples of artistic expression from Deaf individuals and asked to analyze these performances.

In this lesson, students learn about deforestation, analyze paintings featuring deforestation themes, and then have the choice to learn about Wangari Maathai or design a climate action plan related to deforestation.

Step 1 - Inquire: Students activate background knowledge about deforestation, watch a timelapse video of deforestation, and learn the different parts of the word "deforestation."

Step 2 - Investigate: Students analyze and reflect upon two paintings featuring themes of deforestation.

Step 3 - Inspire: Students watch a video about climate activist Felix Finkbeiner and choose one of two options: learn more about Felix's inspiration Wangari Maathai or design a climate action plan related to deforestation.

Students explore the densities and viscosities of fluids as they create a colorful 'rainbow' using household liquids. While letting the fluids in the rainbow settle, students conduct 'The Great Viscosity Race,' another short experiment that illustrates the difference between viscosity and density. Later, students record the density rainbow with sketches and/or photography.

Recurso educativo para comprender el debate contemporáneo sobre derechos de autor en internet, desde la perspectiva de los creadores.