"Focus on 'Henry V'" is a peer-reviewed, multimedia, digital Open Educational Resource co-authored and co-produced by faculty, graduate students, and undergraduates on the innovative digital publishing platform Scalar. Chapters include guides to early printed editions, sources, and performance and cinematic histories of the play, as well as teaching resources and in-depth case-studies of particular scenes. All chapters include rich multimedia and audio recordings of body text and image captions. In addition to a traditional Table of Contents, the digital book allows users to navigate the materials through multiple pathways and visualizations. In this way the book offers not only a cutting-edge, renewable OER for college and K-12 teachers but also a model for maximizing the affordances of the digital medium.

The goals of this class are two-fold: the first is to experience the creative processes and storytelling behind several of theater's arts and to acquire the analytical skills necessary in assessing the meaning they transmit when they come together in production. Secondly, we will introduce you to these languages in a creative way by giving you hands-on experience in each. To that end, several Visiting Artists and MIT faculty in Theater Arts will guest lecture, lead workshops, and give you practical instruction in their individual art forms.

This subject offers a broad survey of texts (both literary and philosophical) drawn from the Western tradition and selected to trace the growth of ideas about the nature of mankind's ethical and political life in the West since the renaissance. It will deal with the change in perspective imposed by scientific ideas, the general loss of a supernatural or religious perspective upon human events, and the effects for good or ill of the increasing authority of an intelligence uninformed by religion as a guide to life. The readings are roughly complementary to the readings in 21L001, and classroom discussion will stress appreciation and analysis of texts that came to represent the cultural heritage of the modern world.

Many books and university courses, trying to compensate for a history of the neglect or mistrust of plays as performance, use the phrase "from page to stage" to think about the dramatic possibilities of their texts. In fact, for the early modern theatre, the phrase needs to be the other way around--from stage to page. Plays were performances first, and only later, and then only sometimes, books. This section of Great Writers gathers resources--podcasts, eBooks, websites--to explore the two interconnected lives of the early modern play--as an event in time and space on the stage of the Globe or Blackfriars theatre, and as a material printed object, on sale to Elizabethan and Jacobean readers in the booksellers' quarter around St Paul's Churchyard.

This section brings together resources from the across the Great Writers Inspire site to illustrate how these can be used as a starting point for exploration of or classroom discussion about the political aspects of literature. The 'Approaching Political Literature' essay introduces a series of topics and questions and gives examples of resources to explore. It is aimed at teachers, students and anyone who is interested in literature who wants to put text into context and be inspired by Great Writers.

This section brings together resources from the across the Great Writers Inspire site to illustrate how these can be used as a starting point for exploration of or classroom discussion about genre. The 'Questions of Genre' essay introduces a series of topics and questions and gives examples of resources to explore. It is aimed at teachers, students and anyone who is interested in literature who wants to put text into context and be inspired by Great Writers.

From Dickens to Shakespeare, from Chaucer to Kipling and from Austen to Blake, this significant collection contains inspirational short talks freely available to the public and the education community worldwide. This series is aimed primarily at first year undergraduates but will be of interest to school students preparing for university and anyone who would like to know more about the world's great writers. The talks were produced as part of the Great Writers Inspire Project which makes a significant body of material freely available on the subject of great works of literature and their authors.

This lesson sensitizes students to the similarities and differences between cultures by comparing Shakespearean and Bunraku/Kabuki dramas. The focus of this comparison is the complex nature of revenge explored in The Tragedy of Hamlet, Prince of Denmark and Chushingura, or the Treasury of the Loyal Retainers.

This resource is an introduction to William Shakespeare's tragic play, "The Tragedy of Julius Caesar", through the study of universal themes using multiple-perspective investigations of betrayal scenarios.

This mini-unit is an introduction to poetry and can be used in middle school or early high school. Each lesson should take about an hour and covers basic such as: Prose vs. Poetry, Traditional vs. Organic Poetry, poetry structure, figurative language and sound devices, context clues, tone, and meaning. Several examples of poems are provided along with notes, guided practice, and indepent assessments. 

The Folger Shakespeare Library provides the full searchable text of "Julius Caesar" to read online or download as a PDF. All of the lines are numbered sequentially to make it easier and more convenient to find any line.

This class explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Milton and Ford. It compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing.
The primary theme of the class is to explore how England in the mid-seventeenth century became "a world turned upside down" by the new ideas and upheavals in religion, politics, and philosophy, ideas that would shape our modern world. Paying special attention to the "theatricality" of the new models and perspectives afforded by scientific experimentation, the class will read plays by Shakespeare, Tate, Brecht, Ford, Churchill, and Kushner, as well as primary and secondary texts from a wide range of disciplines. Students will also compose and perform in scenes based on that material.

The Folger Shakespeare Library provides the full searchable text of "Henry V" to read online or download as a PDF. All of the lines are numbered sequentially to make it easier and more convenient to find any line.

This seminar offers a course of readings in lyric poetry. It aims to enhance the student's capacity to understand the nature of poetic language and the enjoyment of poetic texts by treating poems as messages to be deciphered.
The seminar will briefly touch upon the history of theories of figurative language since Aristotle and it will attend to the development of those theories during the last thirty years, noting the manner in which they tended to consider figures of speech distinct from normative or literal expression, and it will devote particular attention to the rise of theories that quarrel with this distinction.
The seminar also aims to communicate a rough sense of the history of English-speaking poetry since the early modern period. Some attention will be paid as well to the use of metaphor in science.

This unit studies how manliness or lack of manliness affects Macbeth. Shakespeare presents a very strong Lady Macbeth who is in control of a fearful and hesitant Macbeth. The supernatural power of the weird sisters lures Macbeth to believe he should be king, and he seems to succumb to the power of women that is evoked by their feminine presence. The differences between man and woman loom throughout the text. The sexual and gender differences, the masculine and the feminine, constantly cross the boundaries and prove ambiguous. The unit analyzes and discusses Macbeth’s gender identity, and the authority it may have on Macbeth’s ethics. The students also read excerpts from “The History of Sexuality” by Michele Foucault, excerpts from “Performative Acts and Gender Constitution” by Judith Butler, excerpts from “Sexual Transformation” by Gayle Rubin, and excerpts from “Female Masculinity” by Judith Halberstam. One goal of the unit is to make students understand, reflect about, discuss, and argue how Shakespeare sees gender, its influence on decision-making, and the reactions it might provoke. The other goal is to help students question their own stereotypes about gender and facile generalizations and/or prejudices. The unit adheres to the new Common Core Standards.

This class does intensive close study and analysis of historically significant media "texts" that have been considered landmarks or have sustained extensive critical and scholarly discussion. Such texts may include oral epic, story cycles, plays, novels, films, opera, television drama and digital works. The course emphasizes close reading from a variety of contextual and aesthetic perspectives. The syllabus varies each year, and may be organized around works that have launched new modes and genres, works that reflect upon their own media practices, or on stories that migrate from one medium to another. At least one of the assigned texts is collaboratively taught, and visiting lectures and discussions are a regular feature of the subject.

This subject is an introduction to poetry as a genre; most of our texts are originally written in English. We read poems from the Renaissance through the 17th and 18th centuries, Romanticism, and Modernism. Focus will be on analytic reading, on literary history, and on the development of the genre and its forms; in writing we attend to techniques of persuasion and of honest evidenced sequential argumentation. Poets to be read will include William Shakespeare, Queen Elizabeth, William Wordsworth, John Keats, T.S. Eliot, Langston Hughes, Sylvia Plath, Elizabeth Bishop, and some contemporary writers.

This subject follows a course of readings in lyric poetry in the English language, tracing the main lines of descent through literary periods from the Renaissance to the modern period and concentrating mostly on English rather than American examples.

The Folger Shakespeare Library provides the full searchable text of "The Merchant of Venice" to read online or download as a PDF. All of the lines are numbered sequentially to make it easier and more convenient to find any line.

This web app is a complete critical edition of MND, which can be viewed as plain text or in a mode with glosses appropriate to students just getting familiar with the play. It has a second mode for more advanced students with textual notes and explorations of mythology and classical allusions. A final mode for performers/experiential learners displays the text showing typographical indications of scansion and rhetoric. The app also includes an interactive mode for memorization drills. The text from all modes is fully printable.

The text is accompanied by a full set of features, including:
a full cast list and doubling chart,
a textual history,
a performance history,
an essay on performance challenges and opportunities,
a guide to practical scansion principles,
a resources guide connecting readers to facsimiles and study aides,
and a special section covering all the music and dance cues in the show with suggestions and examples.