American Expeditionary Forces recruiting poster showing scenes in France like those new recruits can expect to see upon arrival in France with the A.E.F. Poster caption: Do you want to see Paris, too? Then ask the Army Recruiting Officer at once about your chance to be one of the 50,000 lucky men to see France and the Rhine, and the battlefields of Europe - free. Tourists are clamoring for a chance to pay for this privilege. Don't delay - See the Army Recruiting Officer to-day. Poster caption: Here's your chance! 50,000 men are now enlisting for service in the A.E.F. to see France, and the Rhine with its historic castles and forts. Infantry, cavalry, field artillery, engineers, and medical department open. Ask the Army Recruiting Officer about educational opportunities in the A.E.F. Photo illustrations provided by Keystone View Company and courtesy of Collier's "The National Weekly." Two posters printed on one sheet, uncut, mounted on linen. Title from item.

Poster is text only. War Savings Stamps issued by the United States government. Forms part of: Willard and Dorothy Straight Collection.

This video offers a brief review of 5 wonderful films that focus on specific topics in modern Latin American History.

This OER explores the basic organization of the Pythagorean Solids. It contains both an activity as well as resources for further exploration. It is a product of the OU Academy of the Lynx, developed in conjunction with the Galileo's World Exhibition at the University of Oklahoma.

Another show of Northern optimism in the early months of the Lincoln administration. Uncle Sam approaches from the left holding a bayonet, causing five Southern soldiers to flee in panic to the right. In their haste to retreat the Confederates drop their flag, muskets, a hat, and a boot. A black child and two black men, one fiddling, watch with obvious glee from the background. Prominent in the center foreground are a mound marked "76" bearing an American flag and a crowing cock. In the background are the Capitol at Washington (left) and the palmetto trees of South Carolina (right).|Entered . . . by W. Wiswell . . . Ohio, June 8th 1861.|The Library's copy of the print is the copyright deposit impression.|Title appears as it is written on the item.|Weitenkampf, p. 132.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1861-28.

Another mock bank note parodying the "shinplasters" of the 1837 panic. Such small-denomination notes were based on the division of the Spanish dollar, the dominant specie of the time. Hence they were issued in sums of 6 (more accurately 6 1/4), 25, 50, and 75 cents. These fractional notes proliferated during the Panic of 1837 with the emergency suspension of specie (i.e., money in coin) payments by New York banks on May 10 of that year. "Treasury Note" and "Fifty Cents Shin Plaster" (nos. 1837-9 and -11) also use the bank note format to comment on the dismal state of American finances. Unlike these, however, "Humbug Glory Bank" is actually the same size as a real note. The note is payable to "Tumble Bug Benton," Missouri senator and hard-money advocate Thomas Hart Benton, and is signed by "Cunning Reuben [Whitney, anti-Bank adviser to Jackson and Van Buren] Cash'r" and "Honest Amos [Kendall, Postmaster General and influential advisor to Van Buren] Pres't." It shows several coins with the head of Andrew Jackson at left, a jackass with the title "Roman Firmness," a hickory leaf (alluding to Jackson's nickname "Old Hickory"), and a vignette showing Jackson's hat, clay pipe, spectacles, hickory stick, and veto (of the 1832 bill to recharter the Bank of the United States) in a blaze of light. Above is a quote from Jackson's March 1837 farewell address to the American people, "I leave this great people prosperous and happy."|Copyrighted by Anthony Fleetwood, 1837.|Published at 89 Nassau Str. New York.|Signed facetiously: Martin Van Buren Sc.|The print was deposited for copyright on August 21, 1837, by Anthony Fleetwood, and published at the same address (89 Nassau Street) as "Capitol Fashions" (no. 1837-1), also an etching. The Library's impression (the copyright deposit proof) is printed on extremely thin tissue.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1837-10.

African American Studies 101 is a multidisciplinary course that embodies the empirical study of history, politics, culture, religion and other areas within the social sciences. The essential focus is on the life experiences of peoples of African descent in the United States and globally. The course integrates the works of scholars of ancient African civilization, New World enslavement of African Americans, economics, literature, arts, race, women studies, government and sport studies. Furthermore, through the interdisciplinary lifeline of African American Studies, this course will give special attention to black athleticism.

This course aims to familiarize students with major concepts and theories related to the study of the African Diaspora primarily, though not exclusively, in the Americas (North, South, and Central). This course links, compares, and contextualizes the historical experiences of African descendants in the U.S., the Caribbean, South America, and Africa within global processes of enslavement, colonialism, and systematic oppression. The course treats the African Diaspora as 1) historical phenomenon 2) a current condition of social, economic, and political life and 3) a way of imagining the future. We will explore theories of slavery, race, and capitalism; black resistance; post-emancipation economies and current-day neoliberalism; theories of gender; environmental justice in the African Diaspora; and theories of the black digital sphere.

La dinamita y el Premio Nobel. Este es el famoso legado de un hombre que llegó a ser uno de los empresarios más ricos y prósperos de su época.

Wer war dieser Mann, der die Waffentechnik revolutionierte und doch ein gespanntes Verhältnis zum Krieg hatte? Diese Mini Lecture liefert einen detaillierten Einblick in Leben und Werk von Alfred Nobel.

Dynamite et Prix Nobel : l’illustre héritage de l’un des entrepreneurs les plus riches et les plus prospères de son temps..

Who was this man who revolutionized armament technology, yet had an ambivalent relationship to war? This Mini Lecture provides a detailed view on the life and work of Alfred Nobel.

Entered according to Act of Congress in the year 1864 by M.E. Goodwin in the Clerk's Off. in the Dist. Court of the United States for the Southern Dist. of N.Y. Designed by R.D. Goodwin.|Title appears as it is written on the item.|Forms part of: American cartoon print filing series (Library of Congress)

A satire on enforcement of the "gag-rule" in the House of Representatives, prohibiting discussion of the question of slavery. Growing antislavery sentiment in the North coincided with increased resentment by southern congressmen of such discussion as meddlesome and insulting to their constituencies. The print may relate to John Quincy Adams's opposition to passage of the resolution in 1838, or (more likely) to his continued frustration in attempting to force the slavery issue through presentation of northern constituents' petitions in 1839. In December 1839 a new "gag rule" was passed by the House forbidding debate, reading, printing of, or even reference to any petition on the subject of abolition. Here Adams cowers prostrate on a pile composed of petitions, a copy of the abolitionist newspaper the "Emancipator," and a resolution to recognize Haiti. He says "I cannot stand Thomson's [sic] frown." South Carolina representative Waddy Thompson, Jr., a Whig defender of slavery, glowers at him from behind a sack and two casks, saying "Sir the South loses caste whenever she suffers this subject to be discussed here; it must be indignantly frowned down." Two blacks crouch behind Thompson, one saying "de dem Bobolishn is down flat!" Weitenkampf cites an impression with an imprint naming Robinson as printer and publisher, this line being apparently trimmed from the Library's impression. The drawing style and handling of the figures strongly suggest that "Abolition Frowned Down" is by the same Robinson artist as the anonymous "Called to Account" and "Symptoms of a Duel" (nos. 1839-10 and -11).|Drawn by HD?|Entd . . . 1839 by H.R. Robinson . . . Southn. Dist. of N.Y.|Title appears as it is written on the item.|Weitenkampf, p. 59.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1839-12.

Students work in groups to examine excerpts from primary source documents. They identify social and economic factors affecting specific categories of people when the Great Migration accelerated in 1916 to 1917: black migrant workers from the South, southern planters, southern small-farm farmers, northern industrialists, agents, and white immigrant workers in the North. Each student group creates a "perspectives page" to post for a gallery walk where students analyze the causes of the Great Migration and the changes it brought to both the North and South. Students also discuss the specific economic factors that influenced the Great Migration: scarcity, supply, demand, surplus, shortage, and opportunity cost. Using the PACED decisionmaking model, they analyze the alternatives and criteria of potential migrants.

The Ad*Access Project presents images and database information advertisements printed in U.S. and Canadian newspapers and magazines between 1911 and 1955. This selection of ads is about trains.

Poster showing a woman attaching a triangle to complete a five-pointed star "Victory." Woman's Committee, Liberty Loan Organization, Seventh Federal Reserve District. W.L.L.C. X5.

This resource is useful for students who can visit rare books in special collections libraries. Teachers and students of book history, literature, and art history might find this resource useful.