This resource was created by Jennifer Trenhaile, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

This resource was created by Jill Stark, in collaboration with Dawn DeTurk, Hannah Blomstedt, and Julie Albrecht, as part of ESU2's Integrating the Arts project. This project is a four year initiative focused on integrating arts into the core curriculum through teacher education, practice, and coaching.

Part 1 of a three part series of videos explaining the connection between science and music. Part 1 Pitch and Frequency, Part 2 Pitch and Frequency continued, Part 3 Frequency and Harmonics

Short Description:
Return to milneopentextbooks.org to download PDF and other versions of this textNewParaChildren are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?NewParaThis book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children’s lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.

Long Description:
Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?

This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children’s lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.

Word Count: 75231

ISBN: 9781942341208

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Short Description:
Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?

Long Description:
Children are inherently musical. They respond to music and learn through music. Music expresses children’s identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children’s natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I’m working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?

This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children’s lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.

Word Count: 75231

ISBN: 978-1-998755-32-5

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

Hip hop music is a staple of music lovers around the world. With its strong, rhythmic beat and lyrical rap vocal tracks, the genre that originated in New York City after the Civil Rights Movement has grown into one of the most popular styles of music in the world.

In this lesson, students will learn about hip hop as a tool for empowerment and critically analyze its place in American history as they read, analyze, and respond to film clips and lyrics from select songs. Through the discussion questions and activities, students will question the historical complexities and come up with their own interpretation of how music can be a tool for empowerment.

Students will answer questions before, during, and after watching the clips. Teachers may choose to have students create a social post/poem/rap about a social issue or create a presentation about a song with social justice themes. The lesson also allows students to explore other songs with social justice messages, across genres.

The activities in this lesson can be implemented across curricula, including, music, history, ELA, and non-academic classes (e.g., advisory).

More About This Resource
About the Authors:

This resource was developed by PBS Digital Innovator All Star Educators. The PBS Digital Innovator All Star program brings together a community of PreK-12th grade educators, who are hometown thought-leaders and classroom changemakers, for ongoing professional learning and growth. The program creates opportunities for participants to share strategies, learn from peers and leverage PBS platforms to elevate their own ideas and voice.

PBS Digital Innovator All Stars are characterized by their ability to seamlessly integrate media and digital technology into their learning environments, inspiring students to use media and emerging technologies in responsible, effective and empowering ways.

David Upegui is a Latino immigrant who found his way out of poverty through science. He currently serves as a science teacher at his alma mater, Central Falls High School (RI) and as an adjunct professor of Education. His personal philosophy and inclusive approach to science education have enabled students to become problem-solvers and innovative thinkers. He has a keen ability to engage students in learning, exploring, and contributing to science. He received the NABT’s Outstanding Biology Teacher Award (2021) and the Evolution Education Award (2014) as well as the Presidential Award for Excellence in Mathematics and Science Teaching in 2019 (2017 cohort). Upegui started, and runs, the school's Science Olympiad team and has contributed to several publications on science education and appropriate pedagogy. He completed his doctoral degree in education at the University of RI, focusing on science education and social justice.

Darnell Williams was born on the south-side of Chicago. As a child his family traveled to different parts of the United States during his father’s service in the Navy. Williams would go on and obtain his B.A in Childhood Studies of Psychology at Rutgers University- Camden. Soon after, Williams would become an English Language Arts teacher and Social Studies teacher. In 2020 Williams would have the honor of becoming a Digital Innovator and work on several projects. During this time, Williams would also obtain his Masters in Educational Leadership. Williams would be recognized for his educational leadership during the Covid-19 pandemic. He is currently the Supervisor of Pupil Services in Hamilton Township School District in Mays Landing, New Jersey. Williams in dedicated to serving staff and students in mental health and equity.

Sensitive: This resource contains material that may be sensitive for some students. Teachers should exercise discretion in evaluating whether this resource is suitable for their class.

Students' understanding of how robotic touch sensors work is reinforced through a hands-on design challenge involving LEGO MINDSTORMS(TM) NXT intelligent bricks, motors and touch sensors. They learn programming skills and logic design in parallel as they program robot computers to play sounds and rotate a wheel when a touch sensor is pressed, and then produce different responses if a different touch sensor is activated. Students see first-hand how robots can take input from sensors and use it to make decisions to move as programmed, including simultaneously moving a motor and playing music. A PowerPoint® presentation and pre/post quizzes are provided.

Students examine and listen to a variety of forms of music to learn about the cultural, geographic, and stylistic diversity available within the United States.

Composer Anthony Davis discusses the influences which have shaped his work in contemporary jazz and opera. He is joined by singers Thomas Young and Cynthia Aronson-Davis in performing excerpts from his operas. (29 minutes)

A series of programs introducing middle school students to creativity and music. This installment features renowned bassist and educator Bert Turetzky, who discusses the value of improvisatory skills in both music and everyday life. (29 minutes)

This series of programs introduces middle school students to creativity and music. This installment features renowned pianist and educator Cecil Lytle. (28 minutes)

This series of programs introduces middle school students to creativity and music. This installment features renowned pianist and educator Cecil Lytl.e (27 minutes)

George Lewis welcomes Cambodian composer Chinary Ung and violist Susan Ung for a demonstration of the unusual sounds of traditional Cambodian instruments and the effect of culture on music. (28 minutes)

UCSD Music Professor George Lewis hosts renowned percussionist Steven Schick in a discussion of creativity, musical and otherwise, and how such skills as improvisation can benefit students in all aspects of life. (29 minutes)

Short Description:
This text provides just a small sampling of some of the various musical styles and traditions that might be found, though the skills developed in this course can be applied to any type of music.

Word Count: 16577

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)

This lesson traces the long history of how African Americans have used music as a vehicle for communicating beliefs, aspirations, observations, joys, despair, resistance, and more across U.S. history.

Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding; and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. As music crosses cultural, linguistic, and political boundaries, it continually changes. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation.

Learn what it takes to make great music with a large group of people from Dr. Michael Nickens, Associate Professor of Music at George Mason University.

Listen to the music of Jared Leidich, Suit Systems Lead Engineer for Alan Eustace's world record skydive. Be sure to turn up the volume.

While filming STEM in 30 we have had the chance to meet some incredible people with amazing careers.