This art history video discussion examines Duccio di Buoninsegna, Madonna and Child, tempera and gold on panel, c. 1300 (Metropolitan Museum of Art).

This art history video discussion looks at Marcel Duchamp's "Fountain" (1917/1964). Porcelain urinal, paint (San Francisco Museum of Modern Art).

This art history video discussion examines Albrecht Dürer's prints: "Four Horsemen of the Apocalypse" (ca. 1497–98) and "St. Jerome in his Study" (1514).

This art history video discussion examines Albrecht Dürer's "Self-portrait", 1498, oil on panel, 52 x 41 cm (Museo Nacional del Prado, Madrid).

This art history video discussion examines Albrecht Durer's "The Large Piece of Turf", 1503, watercolor and gouache on paper, 16-1/8 x 12-5/8 inches / 41 x 32 cm (Graphische Sammlung Albertina, Vienna)

In this art history video discussion Beth Harris and Steven Zucker look at Albrecht Dürer's "The Four Apostles", oil on wood, 1526. Alte Pinakothek, Munich.

This program surveys two centuries of art and culture in the city now known as Tokyo. Ceramics, screens, textiles, prints, paintings, and armor are among the materials discussed.

This art history video discussion examines El Greco's (Domenikos Theotokopoulos) "Adoration of the Shepherds", ca. 1612 - 1614, oil on canvas, 126 x 71 in. (319 x 180 cm), (Museo Nacional del Prado, Madrid).

The goal of this unit is to introduce students to the basic elements of art (color, line, shape, form, and texture) and to show students how artists use these elements in different ways in their work. In the unit, students will answer questions as they look carefully at paintings and sculpture to identify the elements and analyze how they are used by different artists.

Students use art and poetry to explore and understand major characteristics of the Romantic period.

This site was created to teach 6th grade art students about ancient Greek culture. It contains resources, activities, and lessons that meet Idaho State standards for Art.

Facilitating a Group Discussion: A Brief Survey and Comparative Analysis of Native American Perceptions in Art, Then and Now

This OER takes a comparative analysis of Native American perceptions in Art and integrates this into an Art Appreciation survey course discussion. The context with which the content fits is "Themes of Art." This dialogue begins with the students' base knowledge of the subject, proceeded by observations of the works of contemporary, female Native American Artist, Wendy Red Star and the paintings of non-native, male artists from the 1800s (i.e. Alfred Jacob Miller, Charles Wimar, George Catlin, Frederic Remington, and Charles M. Russell). The primary pedagogical approaches will be engaging students in dialogue and allowing for a broader visual vocabulary through the study of historical works of art. Large groups will break into more detail specific, smaller groups. The crux of the exercise is to facilitate an appreciation of these works, through socio-political means (outsiders looking in) and the perspective of self-reflection, that of the insider's view.

Final Project prompt and anti-racists learning modules designed to empower and encourage students to critically re-think the traditional Western Art History cannon. 

This art history video discussion examines this work by a follower of Bernardo Daddi "The Aldobrandini Triptych", tempera on panel, ca. 1336 (Portland Art Museum).

This art history video discussion examines Jean-Honore Fragonard's "The Progress of Love: The Meeting", 1771-1773, oil on canvas, 317.5 x 243.8 cm (The Frick Collection, New York).

This art history video discussion examines Jean-Honore Fragonard's "The Swing", oil on canvas, 1767 (Wallace Collection, London).

This art history video discussion examines the Painting Techniques of Franz Kline: The Chief Abstract Expressionist New York The Museum of Modern Art, October 3, 2--April 11, 2011.

A brief exploration of Open Access policies and practices as they relate to the galleries, libraries, archives and museums sector.

This 30 minute video looks at artist George Bellows. Arriving in New York in 1904, George Bellows depicted America on the move. In a 20-year career cut short by his untimely death at age 42, he painted the rapidly growing city of New York, its bustling crowds, skyscrapers, and awe-inspiring construction projects, as well as its bruising boxers, street urchins, and citizens hard at work or enjoying their leisure. He also captured the rugged beauty of New York's rivers and the grandeur of coastal Maine and addressed the social and political issues of the day. This documentary includes original footage shot in New York City and Maine; examples of Bellows' paintings, drawings, and prints; and archival footage and photographs.