A tractor pulls a plow through a field, mountains in the background. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-X-1. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

A tractor pulls a plow through a field, mountains in the background. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-16. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Close-up of tractor with driver pulling a rope. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-17. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-4-M-22-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Benji Iguchi, bust portrait, facing front. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Farmer Benji Iguchi, full-length portrait, standing in a storage shed between two large stacks of squashes. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-41. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Mechanic repairs tractor engine while driver looks on, pick-up truck and automobile in the background. Title transcribed from Ansel Adams' caption on verso of print. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Title transcribed from Ansel Adams' caption on verso of print, where the surname was misnoted as "Namura." Correct spelling based on other photos of Mr. Miura by Adams. Original neg. no.: LC-A35-4-M-42. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Bert K. Miura, half-length portrait, standing, facing right, placing pattern on fabric. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-42-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Bert K. Miura, seated on table with bundles of clothing, holding paper and pencil, with Toshiko Kadonada, folding clothing in front of him. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-5-M-43-Ax. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Bert K. Miura, seated on table with bundles of clothing, holding paper and pencil, with Toshiko Kadonada, folding clothing in front of him. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Bert K. Miura, half-length portrait, standing, looking down, placing pattern on fabric. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Over the past two decades, a quiet revolution has taken place in the world of light art and design with the introduction of LED technology. Sydney-based artists Ruth McDermott and Ben Baxter have been on the vanguard of this movement, creating innovative and award-winning installation artworks utilizing the capabilities of this new technology. A frequent highlight of the Vivid Sydney light art festival, their work has become known for creating site-specific narratives exploring the landscapes and histories of Sydney and its surrounds. This book surveys twelve years of their practice (2009-2021), as their work evolved in tandem with the technology, with a special focus on the technical aspects of creating, mounting, and displaying large-scale installations.

Along with an essay on the history of light art, commentary from collaborators, and over 100 photographs documenting the conceptual life span of eighteen artworks, this book features the authors reflections on the unique relationship of artistic collaboration, and how this relationship has enhanced their practice and journey as artists.

Birds sit on power lines above buildings, mountains and setting sun in the background. Title transcribed from Ansel Adams' caption on verso of print. Original neg. no.: LC-A35-6-M-10. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Nurse Aiko Hamaguchi and friends seated around a table playing bridge. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Nurse Aiko Hamaguchi and friends seated around a table playing bridge. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.

Nurse Aiko Hamaguchi and friends seated around a table playing bridge. Title transcribed from Ansel Adams' caption on negative sleeve. Gift; Ansel Adams; 1965-1968. Forms part of: Manzanar War Relocation Center photographs.