Poster showing an ambulance on a battlefield, with Russian men standing in foreground. Caption: This is the only American ambulance now saving lives in Russia. Send contributions to The American Ambulance in Russia, 527 Fifth Avenue, New York City. Forms part of: Willard and Dorothy Straight Collection.

Poster showing a figure on a galloping horse, carrying a torch, charging between a worker with tools and a warrior in armor with sword and shield. Caption in Russian: "Year 1914," with additional Russian text. Forms part of: Willard and Dorothy Straight Collection.

Poster showing a soldier on horseback carrying a Russian flag. Signed in Cyrillic: A. O. Maksimov. Caption in Russian: "Military loan." Caption: This is the only American ambulance now saving lives in Russia. Send contributions to 527 Fifth Avenue, Room 501, New York. Forms part of: Willard and Dorothy Straight Collection.

Poster showing soldiers advancing with bayonnets extended. Caption in Russian: "Military 5 1/2 % bonds." Poster has been trimmed and pasted into irregular shape. Forms part of: Willard and Dorothy Straight Collection.

Poster showing a soldier on a battlefield, with others operating a cannon in the background. Signed in Cyrillic: E. Cheltsov. Caption in Russian: "Military 5 1/2 % loan," with additional Russian text. Caption: This is the only American ambulance now saving lives in Russia. Send contributions to 527 Fifth Avenue, Room 501, New York. Forms part of: Willard and Dorothy Straight Collection.

Poster showing a man on the running board of a truck identified as Transport Americain, with missiles exploding in the sky above. Merchants - Chicago. Forms part of: Willard and Dorothy Straight Collection.

A patriotic, Unionist sheet music illustration. Liberty stands on a pedestal, wearing a Phrygian cap, a white tunic over a long gown emblazoned with stars, and a red sash. She holds a sword in her right hand and a staff with American flag in her left.|Entered according to Act of Congress by Charles S. Stoddard.|Gilmour & Dean, Litho.|The Library's copy of the music sheet was deposited for copyright by Charles S. Stoddard on April 18, 1862.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1862-4.

A French soldier picking up medical supplies from the Red Cross. Two nurses in background. The Red Cross was one of three official charitable organizations of the war and the Red Cross was the only one allowed at the front. Picture caption: Paris-D€_Ęp't. Promotional goal: Fr. G2. 1917. Item is no. 195 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room.

An illustrated sheet music cover for a Whig campaign song, "The American Marseillaise," composed by Benjamin Cahill to mark the July 4, 1844, Boston Clay rally. In keeping with the title and the occasion of the piece the artist evokes the memory of the Revolution, and draws a parallel between George Washington and Whig presidential candidate Henry Clay. Oval medallion portraits of Washington (left) and Clay (right) are suspended by ribbons decorated with wreaths or leaf clusters. From each oval hang the tendrils of a vine. The ribbons are held by an eagle (center) and are labeled "Pater et Fili" (i.e., father and son), referring to Washington and Clay respectively. Below the eagle is a view of Boston and its harbor with the Bunker Hill Monument obelisk (its size considerably exaggerated) surrounded by crowds of troops and people.|Entered . . . 1844 by B. Cahill.|The Library's copy of the cover was deposited for copyright on July 3, 1844.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1844-11.

On the cover of a patriotic song dedicated to Lincoln's secretary of the navy Gideon Welles Uncle Sam rides a "ram," or ironclad steam vessel, down the Mississippi River. The Library's copy of the music cover was deposited for copyright on August 22, 1863, soon after two decisive Union victories on the Mississippi: Vicksburg (July 4) and Port Hudson (July 9). Welles was responsible for ushering the Union navy into the age of ironclad steamers. Several lines of verse on the cover praise the ironclad rams as "shaking the world with rampant dismay! Iron-harnessed, steam-driven, t sweeps o'er the sea, Our American Rampart, the shield of the free!" |Entered . . . 1863 by H. Tolman & Co. . . . Mass.|Published by Henry Tolman & Co. 291 Washington St.|Signed: Green, eng. (Probably Henry F. Green or Greene).|Title appeas as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1863-11.

A critical look at Irish Repeal movement leader Daniel O'Connell's condemnation of slavery in the United States. Clay portrays O'Connell's agitation against slavery as an affront to American friends of repeal, who contributed sizable amounts of money for "rent" to support the insurgent movement in Ireland. Conversely, Clay also portrays English-supported American abolitionists as inimical to repeal. In the cartoon is an effeminately dressed Robert Tyler, son and personal secretary to John Tyler, as well as a published poet and repeal advocate. Armed with his "Epitaph on Robert Emmet" (an earlier Irish patriot) and "Ahaseurus" (his religious poem, published in 1842) young Tyler presents O'Connell to his father. Robert Tyler proclaims, "Mr. O'Connell this is my Father, he is a great friend to repeal and when he is re elected he will give you his "mite." I am his Son and though I've got no money I've a great deal of Poetry in me--I have begun Robert Emmet's epitaph-from the sale of which I have no doubt I shall be able to send a large Army to Ireland." President Tyler, rising from his chair, says, "Welcome Mr. O'Connell! I'm just what Bobby says I am--I am all for repeal no halfway man but go the whole figure you jolly old Beggar." O'Connell wears knee-breeches and a hat decorated with a republican cockade and a clay pipe. He holds a club marked "Agitation" and a sack "Repale Rint" (i.e., "repeal rent"), and retorts, "Arrah! give up your Slaves I'd rather shake hands wid a pick-pocket than wid a Slave Holder, and if we ge our repale we'll set em all free before you can say Pathernoster--I dont want any of your blood-stained money!" An abolitionist resembling William Lloyd Garrison, with a document "Petition to Tyler to emancipate his slaves" under his arm, touches O'Connell's shoulder. He reassures the Irishman, "Friend Daniel, we will join you in all your views. your cause and ours is one only we dont want to meddle with Irish repeal for fear we may lose our English friends." On the left a black house slave standing beside Tyler's chair adds "By jolly I wish Massa Harry Clay [Kentucky senator Henry Clay] was here--Dis dam low Irishman not dare talk to him dat way!"|Entered . . . 1843 by H.R. Robinson.|H.R. Robinson 142 Nassau St. New York, Lithy in all its branches.|Signed with monogram: EWC (Edward Williams Clay).|Title appears as it is written on the item.|Weitenkampf, p. 71.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1843-2.

Poster showing text only. Title continues: We have promised to feed the hungry millions of Europe-the Allies and liberated nations. Save food, two-thirds more than last year from stocks no larger. United States Food Administration.

Poster showing a stern Uncle Sam pointing at the viewer. Title continues: As a consumer you are a shareholder in the industrial system of the United States. Every dollar spent for anything you need goes into the General Stock Company of American Industry and pays back in dividends of wages and profits. Do your bit for Democracy by co-operating with the business men of your community. It will keep production costs down and save you money by doing away with industrial war. Issued by the National Industrial Conservation Movement, 30 Church Street, New York City. Copies supplied on request. No. E-4.

Red Cross nurse with wounded and needy people, including a soldier and a mother holding a child, all gesturing toward the quote from Whittier. United States Food Administration.

Red Cross nurse with wounded and needy people, including a soldier and a mother holding a child, all gesturing toward the quote from Whittier. United States Food Administration.

Poster showing a soldier with a machine gun in the heat of battle, reaching out for ammunition. Third Federal Reserve District.

Poster showing a wounded soldier on the battlefield, carrying several German helmets as trophies. No. 5-CC.

A swipe at President Van Buren's independent treasury system and his continuation of the monetary policies of predecessor Andrew Jackson. The artist, clearly in sympathy with the Whigs, links corruption in the federal customs and postal systems with the sub-treasury system, whereby federal funds were to be retained by the revenue-collecting agencies and other designated repositories, instead of private banks. The artist forecasts Van Buren's defeat in the 1840 elections. Van Buren, hypnotized by Jackson, is on a couch with a royal crown and scepter on one side and sword and purse on the other. Jackson, his toes touching Van Buren's, sits in a chair to the left with his white plug hat and cane next to him. On the right Treasury Secretary Levi Woodbury (arms crossed), Postmaster General Amos Kendall, and "Globe" editor Francis Preston Blair (far right) observe. Jackson: "Are you asleep? Do you hear me? Tell me what you see?" Van Buren: "I am asleep. I hear nobody but you.--I see a great pole, and a crowd of people. They are cheering an elderly man; whom they hail as President of the United States. On their banners are inscribed Whig Principles!!! I see a little man tumbling down a precipice; on his back is a mill stone inscribed Sub-treasury! oh! lord, oh! lord! Why it is myself!" Woodbury: "Ask him Dr. Jackson, if he sees any thing of "Price" or Swartwout?" (See "Price Current" and "Sub Treasurers Meeting in England," nos. 1838-21 and -20.) Kendall: "Ask him at what rate the Express Mail for North is going now?" Blair: "This will make a good paragraph for the Globe!"|Entered . . . 1839 by John Childs.|New York. Published & sold by J. Childs, Lithographer. 119, Fulton-Street.|Signed with monogram: EWC (Edward Williams Clay).|The Library's impression of the print was deposited for copyright on February 22, 1839.|Title appears as it is written on the item.|Davison, no. 122.|Weitenkampf, p. 58.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1839-2.

Poster showing a soldier blowing a bugle. Poster no. 21. W. 8.790/174. 25M. 12/14. Title from item.

Poster showing a Marine carving a notch in the stock of his rifle. Title from item.