- Abstract:
-
Ideas for alternative approaches to reading and writing in a classroom context.
- Subject:
- Humanities
- Grade Level:
- Primary
- Collection:
- Scoilnet
Ideas for alternative approaches to reading and writing in a classroom context.
Writing Spaces: Readings on Writing, Volume 2, is a collection of Creative Commons licensed essays for use in the first year writing classroom, all written by writing teachers for students.
Topics in Volume 2 of the series include the rhetorical situation, collaboration, documentation styles, weblogs, invention, writing assignment interpretation, reading critically, information literacy, ethnography, interviewing, argument, document design, and source integration.
Work on your reading and writing skills with these games! Talk about your favorite story character in Character Scrapbook Create silly stories with Mad Libs and Wacky Web Tales ...
You learn how to express your opinion in writing concerning the greenhouse effect by means of texts concerning this subject.
This booklet is a collection of opinions of nearly 50 important poets from 25 countries in 5 continents on the best ways to present poetry to secondary school pupils. It is mainly intended for use in teacher training programmes, to bring to methods of teaching poetry two important dimensions: the creative perspective of poets themselves, as well as the perspective of different cultures regarding the reading and writing of poetry.
Watch a video that explains what reflective writing is. Download a worksheet to accompany the video for practice.
Volumes in Writing Spaces: Readings on Writing offer multiple perspectives on a wide-range of topics about writing, much like the model made famous by Wendy Bishop’s “The Subject Is . . .” series. In each chapter, authors present their unique views, insights, and strategies for writing by addressing the undergraduate reader directly. Drawing on their own experiences, these teachers-as-writers invite students to join in the larger conversation about developing nearly every aspect of the craft of writing. Consequently, each essay functions as a standalone text that can easily complement other selected readings in writing or writing-intensive courses across the disciplines at any level.Topics in Volume 1 of the series include academic writing, how to interpret writing assignments, motives for writing, rhetorical analysis, revision, invention, writing centers, argumentation, narrative, reflective writing, Wikipedia, patchwriting, collaboration, and genres.
This module seeks to encourage teachers to see themselves as writers. This is one way of improving their own writing skills and readying themselves to teach writing. It also seeks to link the reading habit to the act of writing. The ideas came from the expressed needs of student teachers in Trinidad and Tobago.
You practice reading comprehension by means of texts about projects for disabled people. You learn to write a text about this subject.
You practice your reading skills and vocabulary by means of a description of a route. You learn to formulate a route description in writing.
You exercise your reading skills and extensive vocabulary in connection with giving instructions to a babysitter. You learn to write a short text with instructions.
The student practices their reading and writing skills by describing a pet. At the end of this lesson he/she will be able to write a "missing pet poster" for a lost pet and will make use of the newly learned vocabulary.
You learn to understand a text about legislation for asylum seekers. You learn how to express information in writing.
Exploration of formal and informal modes of writing nonfiction prose. Extensive practice in composition, revision, and editing. Reading in the literature of the essay from the Renaissance to the present, with an emphasis on modern writers. Classes alternate between discussion of published readings and workshops on student work. Individual conferences. This is a course focused on the literary genre of the essay, that wide-ranging, elastic, and currently very popular form that attracts not only nonfiction writers but also fiction writers, poets, scientists, physicians, and others to write in the form, and readers of every stripe to read it. Some say we are living in era in which the essay is enjoying a renaissance; certainly essays, both short and long, are at present easier to get published than are short stories or novels, and essays are featured regularly and prominently in the mainstream press (both magazines and newspapers) and on the New York Times bestseller books list. But the essay has a history, too, a long one, which goes back at least to the sixteenth-century French writer Montaigne, generally considered the progenitor of the form. It will be our task, and I hope our pleasure, to investigate the possibilities of the essay together this semester, both by reading and by writing.
Introduction to the short story. Students write stories and short descriptive sketches. Readings from European and American stories from the eighteenth, nineteenth, and twentieth centuries. Class discussion of students' writing and of the assigned stories in their historical and social contexts. This class will focus on the craft of the short story, which we will explore through reading great short stories, writers speaking about writing, writing exercises and conducting workshops on original stories.
Exploration of formal and informal modes of writing nonfiction prose. Extensive practice in composition, revision, and editing. Reading in the literature of the essay from the Renaissance to the present, with an emphasis on modern writers. Classes alternate between discussion of published readings and workshops on student work. Individual conferences. As the course title suggests, this class is meant to acquaint you with the literary and rhetorical tradition of the essay, a genre which has been described by one scholar as "the meeting ground between art and philosophy," and by another as "the place where the self finds a pattern in the world, and the world finds a pattern in the self". Though the essay is part of a tradition of prose which stretches back to antiquity, it is also a thoroughly modern and popular form of writing, found in print media and on the web.
By means of texts concerning this subject you learn to write a text in which you present a minor language and you also learn how to draw up a petition.
This course is an examination of the formal structural and textual variety in poetry. Students engage in extensive practice in the making of poems and the analysis of both students' manuscripts and 20th-century poetry. The course attempts to make relevant the traditional elements of poetry and their contemporary alternatives. There are weekly writing assignments, including some exercises in prosody.
One of the most effective ways to engage English-language learners (ELLs) and help them comprehend and read English is through repeated readings and retellings of appealing bilingual picture books. Using Con Mi Hermano/With My Brother by Eileen Roe, this lesson has second grade Spanish-speaking ELLs identify the main idea of the story, construct meaning from text and illustrations, and learn English words. They then demonstrate their knowledge and practice writing in English by writing a poem and a retelling of the story. This lesson (which can be adapted using bilingual books in other languages and for other ages) also has older struggling readers read with younger students. Finally, it encourages English-speaking students in mixed classrooms to learn Spanish words for familiar people and objects. (Five 30-minute lessons)
You will be able understand texts which are about inequality and prosperity in the world. You can write a text yourself saying how satisfied you are with your own situation in this respect.