The Ad*Access Project presents images and database information advertisements printed in U.S. and Canadian newspapers and magazines between 1911 and 1955. This selection of ads is about trains.

A guide to a University course, including assessment rubrics, where students produce a research-based (OER) podcast. Taught at the University of Leeds by Antonio Martínez-Arboleda.

Sor Juana Ines de la Cruz, the first great Latin American poet, is still considered one of the most important literary figures of the American Hemisphere, and one of the first feminist writers. In the 1600s, she defended her right to be an intellectual, suggesting that women should be educated and educators and accusing men of being the cause of the very ills they blamed on women.

The Center for European Studies at UNC-CH is proud to present the Teaching the EU Toolkits. CES has a 20-year history of providing outreach materials and professional development on contemporary Europe. During this time, we have discovered that although there is much interest in teaching Europe, most resources are historic in nature, and do not allow students to fully grasp the rich cultures, languages, people, and politics of today’s Europe, Europeans, and the European Union. This project was generously funded by a Getting to Know Europe grant from the Delegation of the European Union to the US in Washington, DC.

This information sheet addresses the following information:
What is the European Union?
What do Europeans have in common?
How has the European Union developed? What does the EU do today?

An illustrated sheet music cover for a Unionist song by Hans Krummacher, dedicated to Maryland Democratic senator James Alfred Pearce. The cover is adorned with a drawing of the goddess Hebe, the mythological Greek goddess of youth and cup-bearer of Zeus. Here Zeus is present as an eagle grasping flaming thunderbolts in its talons. (See Edward Savage's "Liberty in the Form of the Goddess of Youth," no. 1796-2, for an earlier pairing of Hebe with the Jovian eagle.) With her right arm around the eagle, Hebe pours a libation from an ornate golden cup. Surrounding the vignette is a floral wreath. Two doves and a flaming urn appear below.|Baltimore, Published by Henry McCaffrey No. 207 Baltimore St. Washington D.C. John F. Ellis.|Lith. by A. Hoen & Co. Balto.|The work was deposited for copyright on May 4, 1860.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1860-4.

A rare anti-Whig satire, giving a cynical view of the party's image-building and manipulation of candidate William Henry Harrison. Two influential Whigs, Senator Henry Clay (left) and Congressman Henry A. Wise, operate the strings of a "dancing-jack" toy figure of Harrison in military uniform. This and "The People's Line" (no. 1840-28) were issued anonymously. Their imprint gives two addresses used by publishers Huestis & Co. and Robert Elton during the 1840 campaign. Huestis and Elton issued two similar prints, "A Hard Road to Hoe" and "Uncle Sam's Pet Pups" (nos. 1840-26 and -29), probably designed by the same artist.|Sold by Huestis & Co. and Robert Elton? at no. 104 Nassau, and No. 18 Division Streets, New-York.|Title appears as it is written on the item.|Weitenkampf, p. 68.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-27.

Election ticket with image of an anvil and hammer.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-9.

Election ticket with image of a hickory tree.|Title appears as it is written on the item.|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1828-10.

The second of two prints surrounding the scandalous trial of Methodist minister Ephraim K. Avery for the brutal murder of factory girl Sarah Maria Cornell. (See "A Very Bad Man," no. 1833-13). Contrary to Weitenkampf's suggestion that the print relates to Andrew Jackson, it is actually visionary portrayal of Avery transported to damnation by demons.Avery has departed the scene of his crime (left) where his victim, now expired, still hangs strangled from a post. Her shoes, kerchief, and a note reading "If I am missing enquire of the Revd. Mr..." lay nearby. As monsters fly overhead, Avery is rowed toward a shore at right where an inferno blazes and a man is boiled in a cauldron. Avery appears again in the upper right, being forcibly led toward a precipice.|Entered . . . 1833 by Robinson. |Published by Henry R. Robinson 52 Cortlandt St. N.Y.|The Library's impression of the print was deposited for copyright on August 14 1833, surprisingly long after Avery's acquittal on June 5.|Title appears as it is written on the item.|Weitenkampf, p. 32.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1833-14.

A riot scene: German parade musicians (possibly accompanying touring ballerina Fanny Elssler) are attacked and beaten with their own instruments by a gang of toughs (or "Soap-Locks" for the long, soaped hair locks fashionable among them) on a New York street. Onlookers watch from the windows of a nearby building. The cries of the assailants and their victims appear in the lower margin. They range from "Dam you I'll make you remember new years night," "Dam the Dutch!" and "This must be the fellow who shot Armstrong" (from the assailants) to "I am Murder'd" and "Fuerst, help! help!" (from the Germans). A man in the middle of the mob shouts, "I command the Peace." The less-than-sympathetic portrayal of the victims, and the scene's unmistakable comic undertones betray a definite anti-foreigner sentiment on the artist's part. The artist is Napoleon Sarony, judging from the print's pronounced stylistic and technical similarity to his "The New Era or the Effects of a Standing Army" (no. 1840-3). "Fanny Elssler's Last Serenade" was registered for copyright on August 17, 1840.|Entered . . . 1840 by H.R. Robinson.|Printed & published by H.R. Robinson, no. 52 Cortlandt St. New York.|Probably drawn by Napoleon Sarony.|Title appears as it is written on the item.|Weitenkampf, p. 69.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-2.

This coursebook was created to support a course examining the experience of Asians and Asian Americans at various points in United States history.  Three main areas of focus are immigration in the early 20th century, World War II, and the early 21st century.

This module is aimed at students in year 2 semester B. The varied exercises cover a range of topics from Portuguese history to cooking. The transcript reader of the listening exercises allows students to identify words/passages they find difficult to understand.

Nine-year old Anthony is proud of his history, culture, and family tradition of Mexican rodeo-style roping and riding. He also enjoys various aspects of his modern life such as school, basketball, friendships, swimming, and exploring.

What is the internet? Short answer: a distributed packet-switched network. This is the introduction video to the series, "How the Internet Works". Vint Cerf, one of the "fathers of the internet" explains the history of the net and how no one person or organization is really in charge of it.

Portraits by August Sander discussed: Pastry Cook, gelatin silver print, 1928 Secretary at a Radio Station, Cologne, gelatin silver print, c. 1931 Disabled Man, gelatin silver print, 1926 Speakers: Dr. Juliana Kreinik, Dr. Beth Harris, Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Winslow Homer, The Fog Warning (Halibut Fishing), 1885, oil on canvas, 30-1/4 x 48-1/2 inches / 76.83 x 123.19 cm (Museum of Fine Arts, Boston). Created by Beth Harris and Steven Zucker.

A conversation with Dr. Beth Harris and Dr. Steven Zucker in front of the Rosetta Stone, Egypt, Ptolemaic Period, 196 B.C.E., granodiorite, 112.3 x 28.4 x 75.7 cm (The British Museum). Created by Beth Harris and Steven Zucker.

Carlo Crivelli, The Annunciation with Saint Emidius, 1486, egg and oil on canvas, 207 x 146.7 cm (The National Gallery, London). A conversation with Dr. Steven Zucker and Dr. Beth Harris.

Found marking the grave of an important individual, this gorget was worn as a neck ornament during life. Gorget, c. 1250-1350, probably Middle Mississippian Tradition, whelk shell, 10 x 2 cm (National Museum of the American Indian, Smithsonian Institution, 18/853) Speakers: Dr. David Penney, Associate Director for Museum Scholarship, Exhibitions, and Public Engagement, National Museum of the American Indian and Dr. Steven Zucker A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A desk made by a formerly enslaved man in the post-Civil War South. Writing desk, attributed to William Howard, c. 1870, yellow pine, tobacco box and cotton crate wood, 154.31 75.88 x 60.17 (Minneapolis Institute of Art) A Seeing America video. Speakers: Dr. Alex Bortolot and Dr. Beth Harris. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/