This lesson plans helps students prepare for the agricultural industry and storytelling through audience analysis. Agricultural Communications through various media sources is important for our industry, but only if it’s being used correctly. This lesson helps students to analysis the audience they are communicating with to direct their intentions correctly and make the most of their information.

This lesson plan helps students prepare for the agricultural industry and storytelling through photography. They will learn the basics of how to operate a camera, perfect the lighting, and line up the composition for the perfect photo.

This lesson plans helps students prepare for the agricultural industry and storytelling through social media. Students will learn how impactful social media can be and learn about those in the industry already paving the way to advocate for our industry.

This course explores the experiences and understandings of class among Americans positioned at different points along the U.S. social spectrum. It considers a variety of classic frameworks for analyzing social class and uses memoirs, novels, and ethnographies to gain a sense of how class is experienced in daily life and how it intersects with other forms of social difference such as race and gender.

The American LGBTQ Rights Movement: An Introduction is a peer-reviewed chronological survey of the LGBTQ fight for equal rights from the turn of the 20th century to the early 21st century. Illustrated with historical photographs, the book beautifully reveals the heroic people and key events that shaped the American LGBTQ rights movement. The book includes personal narratives to capture the lived experience from each era, as well as details of essential organizations, texts, and court cases that defined LGBTQ activism and advocacy.

Students will create an animation to represent one of the many feedback loops that influences climate change. To create their animation, students will use clay, cut paper, whiteboard or other materials commonly found in the classroom. They will make a storyboard, plan a narration, rehearse their animation and then film their animation with stop-motion photography.

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This unit is a joint exploration of the genre of Japanese animation (“anime”) and Homer’s epic poem, The Odyssey . The unit begins by questioning how stories work in general and what makes a narrative “epic” in particular. After establishing the foundations of narrative analysis and a set of concrete expectations for reading epic stories, the unit dives into the story of Odysseus, pairing it with similar anime narratives. Odysseus is a man who faces extraordinary obstacles, and this theme occurs in many anime series and movies, including Attack on Titan , Evangelion , Spirited Away , and many others. Students will study the content, looking at how the same kind of story is told in different ways with different implications, and they will also look at form: how Homer’s poetry and anime work in their own ways to achieve distinct aesthetic goals. Just as Homer’s poet shines with brilliance, there is also an enormous amount of creativity to bring to the drawn and moving image. By the end of this unit, students will have performed many exercises in close reading and analysis, culminating in their own experiment in the anime form and epic genre.

The Bedouins of ancient Arabia and Persia made poetry a conversational art form. Several poetic forms developed from the participatory nature of tribal poetry. Today in most Arabic cultures, you may still experience public storytelling and spontaneous poetry challenges in the streets. The art of turning a rhyme into sly verbal sparring is considered a mark of intelligence and a badge of honor. Students will learn about the origins and structure of Arabic Poetry.

SYNOPSIS: In this lesson, students learn some of the impacts climate change is having on the Arctic, hear youth perspectives about the impacts of climate change, and write their own personal climate stories.

SCIENTIST NOTES: Students are instructed in this lesson on the effects of climate change on the Arctic region. Temperature increases are hastening the melting of permafrost, glaciers, and sea level rise. This has an effect on the polar ecosystems and human populations. The contrast between how climate change affects the northern and southern regions of the Arctic is also covered in the lesson, along with suggestions for how students may learn and share their experiences to promote climate action. This lesson passed our science review process after all the materials were fact-checked.

POSITIVES:
-This lesson can be used in any middle school writing class and tailored to the specific skills the class is working on.
-This lesson helps students connect climate change to people.
-This lesson highlights a local community in the Arctic and demonstrates the impact storytelling can have.
-This lesson encourages students to participate in the writing process, including the planning and publishing stages.
-This lesson allows teachers to integrate skills specific to their students.

ADDITIONAL PREREQUISITES:
-The Inquire section gallery walk is about the student-made infographics from the previous lesson. Alternatively, teachers can use the infographics from the Teacher Slideshow.
-Students should understand the basics of writing a story. This includes, but is not limited to, characters, setting, rising action, climax, falling action, and resolution.
-When teaching this lesson teachers should have a baseline understanding of how climate change works and understand some of the impacts in the Arctic.
-In this lesson the term, “story” is consistently used, despite one of the primary standards referring to the term, “narrative.” If students ask to clarify the difference, one way a middle school ELA teacher can differentiate personal narratives from stories is that a personal narrative is a true story whereas a story can be fictionalized.
-For their writing, students will need a basic understanding of the ways climate change is affecting their own communities.

DIFFERENTIATION:
-The final draft of the writing can be used as a summative assessment for this lesson.
-It may be helpful to share a map and show where the Arctic is located if students are unfamiliar.
-Students may need more specific and individual guidance when planning out their writing. Rubrics can be customized for individual students and their learning goals.
-Teachers can give students more time for writing the personal climate story.

Students will analyze scenes from the Trojan War that are visually depicted in an ancient object and an 18th-century painting. They will research an epic poem inspired by the Trojan War and write a literary response analyzing how themes and values in the poem reflect the historical context in which they were made. Finally, they will work in teams to reframe a tale from the Trojan War in a contemporary context -- visually and in poetry -- and recite the tale in a poetry slam.

Students will discuss what is communicated in an ancient statuette by analyzing the size and poses of two figures. They will learn that stories were passed through oral tradition in ancient times. They will create sculptures of themselves, a companion, and a favorite musical instrument using spheres and cylinders, and then recite a story inspired by their sculptures.

Students will learn about the Trojan War and the hero Achilles. They will compare different stories that were inspired by Achilles, which were passed down orally. They will analyze stories of Achilles in a relief on an ancient sarcophagus and in a drawing by a Renaissance artist. Finally, they will create their own drawing of Achilles inspired by literature.

Sarah and Susan are sisters who enjoy spending Sunday afternoons with their great-great Aunt Flossie. Aunt Flossie entertains her great-grandnieces by letting them explore her collection of hats, each of which has a story of its own.

Australian Aboriginal art is one of the oldest continuing art traditions in the world. Much of the most important knowledge of aboriginal society was conveyed through different kinds of storytelling—including narratives that were spoken, performed as dances or songs, and those that were painted. In this lesson students will learn about the Aboriginal storytelling tradition through the spoken word and through visual culture. They will have the opportunity to hear stories of the Dreamtime told by the Aboriginal people, as well as to investigate Aboriginal storytelling in contemporary dot paintings.

The author, Helen Lester, traces her writing career from the age of three to adulthood. She shares her struggles with writing in elementary school and even later as a successful writer. Helens story demonstrates that even the most challenging struggles can be overcome with persistence and a good sense of humor.

DISSENT BY DESIGN is a book that was produced during 2022-2023 in response to the Russian invasion of Ukraine on February 24, 2022.  It was on this date that I began a social media campaign on LinkedIn that directly addressed the invasion of a Sovereign country by a rogue super power. As a Graphic Designer I felt it was my obligation to do all I can to bring attention to this atrocity and bring the narrative to the forefront of the conversation so that we help end this conflict in all theways we can.  This book is a call to action, in the form of 'social media' posts throughout a one year period of time in our collective past, it is a documentation in chronological order of what happened, when and who was to blame and how many sufferred.   FInally, this book illustrates how Graphic Designers can use their knowledge as storytellers to forward a conversation about the most important things in our lives and how to preserve them.  We can be a vehicle of change and/or social engagement, to help people understand all the complex problems we face and to begin the process of solving those problems.  This is a way forus to bring past narratives to light once again, to rejoin the conversations that have been lost, and to further discuss and provide solutions through dialogue and change.

This course examines the chemical and physical properties of the cell and its building blocks, with special emphasis on the structures of proteins and principles of catalysis, as well as the chemistry of organic / inorganic cofactors required for chemical transformations within the cell. Topics encompass the basic principles of metabolism and regulation in pathways, including glycolysis, gluconeogenesis, fatty acid synthesis / degradation, pentose phosphate pathway, Krebs cycle and oxidative phosphorylation.

Course Format
This OCW Scholar course, designed for independent study, is closely modeled on the course taught on the MIT campus. The on-campus course has two types of class sessions: Lectures and recitations. The lectures meet three times each week and recitations meet once a week. In recitations, an instructor or Teaching Assistant elaborates on concepts presented in lecture, working through new examples with student participation, and answers questions.
MIT students who take the corresponding residential class typically report an average of 10–15 hours spent each week, including lectures, recitations, readings, homework, and exams. All students are encouraged to supplement the textbooks and readings with their own research.
The Scholar course has three major learning units, called Modules. Each module has been divided into a sequence of lecture sessions that include:

Textbook Readings
Lecture Notes or Storyboards
A video by Professor JoAnne Stubbe or Professor John Essigmann
Problem Sets and solutions

To help guide your learning, each of these problem sets are accompanied by Problem Solving Videos where Dr. Bogdan Fedeles solves one of the problems from the set.

The Cinematic Past in the Present

Short Description:
More than one hundred years since it premiered on cinema screens, D. W. Griffith’s controversial photoplay, The Birth of a Nation, continues to influence American film production and to have relevance for race relations in the United States. While lauded at the time of its release for its visual and narrative innovations and a box office hit with film audiences, it provoked African American protest in 1915 for racially offensive content. In this collection of essays, contributors explore Griffith’s film as text, artifact, and cultural legacy and place it into both the historical and transnational contexts of the first half of the 1900s and its resonances with current events in America, such as #BlackLivesMatter, #HollywoodSoWhite, and #OscarsSoWhite movements. Through studies of the film’s reception, formal innovations in visual storytelling, and comparisons with contemporary movies, this work challenges the idea the United States has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

Word Count: 108720

ISBN: 978-0-253-04509-6

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Student reflections on race, racism and racial justice

Word Count: 10895

(Note: This resource's metadata has been created automatically by reformatting and/or combining the information that the author initially provided as part of a bulk import process.)