'Dealin'' with African drummer Babatunde Olatunji. Program consists of numerous segments related to African heritage, the first of which is an excerpt from a filmstrip on the fall of the Songhay Empire in West Africa by the Afro Audiovisual Company of Boston. Additional segments include 'Bookbeat,' a 'Spotlight' stage performance by actress Beah Richards, 'Dealin'' with African drummer Babatunde Olatunji, 'Information' on traveling to Africa, and 'Commentary' by Sarah-Ann Shaw on the lack of African history lessons in the American classroom. Produced by Marita Rivero. Directed by Conrad White.

Angela Paige Cook, founder and director of Paige Academy, talks about the inherent racism of standardized tests for assessing intellect.

Fritz Wetherbee reports that Annie Johnson (Boston resident) will receive the Living Legacy Award in Washington DC. Wetherbee reports that Johnson grew up in Boston and organized domestic workers through the Women's Service Clubs of Boston in the 1960s. Wetherbee notes that Johnson led the workers on a campaign for benefits. Wetherbee interviews Johnson in her home. Johnson talks about the importance of helping others. Johnson discusses her relative, Eleanor Graves Chandler, who was an early community activist. Wetherbee's report is accompanied by footage of Johnson preparing chicken in her kitchen and by footage of Johnson visiting a senior citizen meal program at the Grace Baptist Church.

Al Jarreau performs 'You Don't See Me'Program focuses on three different African American theater productions. Host Barbara Barrow introduces the topic of Black theater and stage works Raisin (the Tony-Award-winning musical for 1974), The Black Dyad (about Black male and female relationships) and 'Theatre in Reverse,' a Say Brother theater piece with an in-studio vocal performance by Al Jarreau with dance performances (with the intent of drawing the audience's attention to sound and light, rather than to the performers). Program contains excerpts from each production, and an in-studio discussion with writers/directors Evelyn and Melvin Moore about the excerpt 'The Date' from The Black Dyad, which was the only segment of the three aired on the program. Produced by Marita Muhammad Rivero. Directed by Conrad White.

Boston based artists discuss the meaning of Black art. Host Jim Spruill leads a discussion among 17 Boston-based artists on what Black art is and to whom the Black artist speaks. Group assembled includes Orma Jo Flint, Steve Hussein, Hakim Jami, Bob Nellums, Joanne Robinson, Robert Ruff, Joanne Sanders, Ralf Coleman, Ali Yusef, Carolyn Fitchert, Charles Holley, Gary Rickson, Dana Chandler, Jr., Lovett Thompson, John Wilson, and Elma Lewis. Program includes stills of the work of featured painters and sculptors woven into the discussion, with featured performances by the musicians, dancers and poets. Featured performers include Ali Yusef Trio and the Negro Repertory Theatre. Produced by Ray Richardson. Directed by Stan Lathan.

African American youth and education in Boston. Program consists of numerous community affairs segments, the most prominent of which is a panel discussion directed by Sarah-Ann Shaw on African American youth and education in Boston. Guests include Jean McGuire (Roxbury resident and only Black Pupil Adjustment Counselor for the Boston public school system), Gerald Hill (an African American teacher and nominee for Interim Project Director of the King-Timilty Coalition), Francine Mills (director of a vocational program for Operation Exodus), John Jackson (an African American teacher involved with experimental work-study program of Boston public schools), and Patricia Raynor (parent and member of the Parents' Education Committee). Additional segments include musical performances by Gwen Michaels and The Stark Reality, a poetry reading by Linda Hall, staff reflections on a recent African-style wedding in Boston, and a reading of the community news by Jacqueline Banks. Produced by Jim Boyd. Directed by Stan Lathan.

Dinizulu Kamau and Abdullah Khalil Sabree comment on the Hakim Jamal murder case. Part two of Say Brother's discussion of the harsh sentencing of African Americans in the Massachusetts court system. Program focuses on the history of the De Mau Mau (a Black Panthers-type group organized by African American veterans returning from the Vietnam War) and the five Boston-based De Mau Mau members convicted in the murder of Hakim Jamal. In documentary format, Barbara Barrow-Murray speaks with Philip Key (Boston's De Mau Mau leader), Walpole inmates Dinizulu Kamau and Abdullah Khalil Sabree (convicted of Jamal's murder) and Mrs. Gaskin ('Mama G.,' mother of the appointed De Mau Mau leader after Key went into hiding) about the De Mau Mau, the events of the day Jamal was murdered, and the legal battle that followed. Program includes brief commentary by Larry Gaines (Chairman of the Citywide Coalition for Justice and Equality) and Saundra Carney (Coordinator for Brown, Clinkscales and Johnson Support Committee). Produced by Barbara Barrow-Murray. Directed by Brian Clarke.

Chuck Turner interview. Program focuses on the origin and work of the Community Fellows Program at the Massachusetts Institute of Technology (MIT). Host Topper Carew interviews Frank Jones (Program Director of Community Fellows Program), Mel King (State Representative and Assistant Director of the Community Fellows Program), and fellows Pat Raynor (an Equal Employment Opportunity Officer), Chuck Turner (Director of the Circle Association), Johnny Tillman (Executive Director of the National Welfare Rights Organization), and Frieda Garcia (Community Fellow) about their projects, the influence of the program, and their feelings about being a fellow. Includes footage of a portion of one the Program's 'seminar' meetings (in which Fredda Garcia presents her work on Puerto Rican and Dominican populations) and footage of Topper Carew talking about his involvement with the Community Fellows (Carew was a fellow prior to becoming producer of Say Brother). The Community Fellows Program provides a stipend, tuition, and research funds for a diverse population of individuals from the community so that they can partner with an academic institution to effect change. The program was founded by Mel King, who served as its Director until 1996. Produced by Topper Carew. Directed by Conrad White.

Action for Boston Community Development. Program discusses a variety of topics via a magazine-style format. Host John Slade introduces a moderated discussion led by Say Brother filmmaker Henry Johnson with Action for Boston Community Development (ABCD) employees Barbara Brydie, Arnett Waters, and Russell Hill (who discuss the agency's threatened status due to a proposed withdrawal of federal aid in President Nixon's proposed budget), an interview and performance by vocalist Eddie B. with the Contemporary Jazz Trio; and an interview conducted by John Slade with Helaine Simmonds, Clarence Dilday, and Benjamin Jones of the Massachusetts Black Lawyers Association (on Governor Francis Williams Sargent's judgeship nominations). Produced by John Slade. Directed by Russell Tillman.

African drummer Babatunde Olatunji talks about the formation of the Olatunji Dancers, Singers and Drummers as a reaction to the misconceptions of Africans and the culture of Africa portrayed in the Hollywood films of the 1950s.

Highland Park Free School. Program focuses on education as an 'equalizer' in America. Through segments that discuss the educational needs of the African American community, desegregation in public schools, and job discrimination, Program 112, illustrates the problems African Americans have had obtaining a good education. Program includes interview footage with Jim Cooper, a teacher at the Highland Park Free School, 'Commentary' by Sarah-Ann Shaw (in which she discusses Black thought in education), the 'Historical Minute' with Georgia State Representative Julian Bond (consisting of readings of historical facts related to Black education), a 'Political Note' on job satisfaction, job training, and workforce discrimination, an excerpt from the theater piece The Dozens, produced by WTTW TV, and segment interludes with Russell Tillman and Ric Mandrill (of the musical group Mandrill). Produced by Marita Rivero. Directed by Conrad White.

Barbara Barrow-Murray interviews the vocalist and actress Eartha Kitt about her difficult childhood, her experience of not being a wanted child, and the pride she feels at having survived the prejudice of her childhood.

Gregory Spence comments on new testing criteria for students. Host Barbara Barrow discusses the lack of communication between educators and students in the Boston school district, with community members Gregory Spence (an attorney for the City of Boston), Kenya Clemens (of the Youth Activities Commission), Jeannette Bolt (playwright and author of A Minority Child's Day), and Dr. Alvin Pouissant (noted psychiatrist and Harvard professor). Issues addressed include the different social backgrounds of educators and students, Black English in the classroom, the role of standardized achievement tests in student evaluations, and the need for more humanity in the classroom. Also included in the program are 'man on the street' interviews conducted by Associate Producer Vickie Jones (in which she asks people their opinion of African American schools with white educators and whether or not Black children should be taught by Black teachers), an interview with Barbara Sizemore conducted by Jon Brim (on the problems of the Washington, DC school system and Sizemore's experiences as a former Superintendent of Schools there), an excerpt from a filmed performance of Bolt's play A Minority Child's Day; and the 'Community Calendar.' Produced by Marita Muhammad Rivero. Directed by Conrad White.

'Blast from the Past' with musician Jerry 'Iceman' Butler. Program focuses on the 25th Anniversary Celebration of the Elma Lewis School of Fine Arts, Roxbury, Mass. Host Matthew Goode (education specialist for the Committee of the Massachusetts Department of Education) speaks with Reverend George Thomas (Chairman of the Board for the National Center of Afro-American Artists and Chairman of the 25th Anniversary Committee), Vernon Blackman (Drama Director at the Elma Lewis School of Fine Arts) and Margret Morgan (longtime friend, supporter, and 'Honorary Mother' of Lewis's school) to discuss the history of the school, its importance, the community it serves, and the events that will comprise the celebration. Additional program segments include a mime performance by Halim Adbur Rashid (Fred Johnson), 'Access' (on the work of the Roxbury Medical Technical Institute), 'Information' (on how to purchase safe toys for children), 'Blast from the Past' (with an early 1970s Say Brother interview with musician Jerry 'Iceman' Butler), 'The Word' (with commentary by professor and historian A.B. Spellman), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.

Elma Lewis reads the poem 'Sympathy' by Paul Lawrence Dunbar. Program is divided into two halves: the first featuring a 30-minute in-studio poetry reading by Elma Lewis, the second of magazine-style segments. Elma Lewis, Director of the National Center of Afro-American Artists, seated with children around her, talks about what poetry is, what a poem can make you feel, and why people used to write in rhymes. Lewis focuses on two African American poets, Langston Hughes (who is 'of this time') and Paul Lawrence Dunbar, and reads selections from each. The second half contains the following segments: a mime performance by Halim Adbur Rashid (Fred Johnson) titled 'The Writer,' 'Access' (with A.D. Saunders, who describes the Boston Jazz Society), 'The Word' (with professor and historian A.B. Spellman, who comments on Black History Week), the 'Community Calendar,' 'Information' (on Minority Recruitment Month for the Peace Corps), and 'Commentary' by Producer Marita Rivero. Original air date estimated. Directed by Conrad White.

Elma Lewis, Director of the National Center of Afro-American Artists, reads the poem 'Sympathy' by Paul Lawrence Dunbar to a group of children and then asks them what they think the poem means.

Excerpts from a filmed interview with the African-American singer, composer, choral director and actress Eva Jessye as she reminisces about her early career.

Eartha Kitt talks about her early childhood. Host Barbara Barrow-Murray speaks with vocalist and actress Eartha Kitt, in Boston with the production of Timbuktu! Topics include Timbuktu! as an extension of Kitt's Kismet, how long the show has been traveling, her role in Timbuktu! , the music in the production, interpreting her character Sahleem-La-Lume (which is not an essential one), her political positions and stance on the Vietnam War, and her difficult childhood. Program opens with excerpts from Kitt's interview with WGBH Radio FM's Ron Della Chiesa (host of the program Music America), and includes a studio dance performance of 'Birds of Paradise' from Timbuktu! (performed by Martial Roumain and Cheryl Cummings), and a vocal performance by Kitt. Produced by Barbara Barrow-Murray. Directed by Brian Clarke.

Blast from the Past' with Raymond St. Jacques. Program is divided into two halves: the first consisting of a group interview with five African American football players from the New England Patriots, the second of newsmagazine-style segments. Guest host Tom 'Satch' Sanders talks with Ron Boulting, Mac Herron, Reggie Rucker, Sam Cunningham, and Leon Gray about their education, the violence of the game, preparing for a career after football, and the need for young players to recognize the value of an education (given the odds against playing professionally). Additional segments include 'Community Access' (on home improvement loans, lead poisoning, and requesting a housing inspection),'Blast from the Past' (with an excerpt from a 1970 interview with actor Raymond St. Jacques on Hollywood's prescribed roles for African American actors), the 'Community Calendar' (with community and cultural events listings), and 'Commentary' by Producer Marita Rivero on the need for African Americans to vote. Produced by Marita Rivero. Directed by Conrad White.