This online lesson provides Native perspectives, images, documents, and other sources to help students and teachers understand how the 17th century fur trade brought together two cultures, one Native and the other Dutch, with different values and ideas about exchange. Examine these differences to determine whether the exchange that took place on Manhattan in 1626 was really a land sale or not.

A satirical view of the scramble among newly elected President James K. Polk's 1844 campaign supporters, or "patriots," for "their beans," i.e., patronage and other official favors. Polk (upper right) sits in the Presidential Chair, his hands folded and apparently oblivious to the activity around him. From behind the chair Andrew Jackson prompts him, "That's right Jemmy, Non Committal. By the Eternal you're a chip of the old block." To Polk's right a group of homely women present a petition and ask, "Can't you do something for us? we are poor weak women in great danger of being seduced! We want a proclamation in behalf of our Moral Reform Society." Below him John Beauchamp Jones and Francis Preston Blair, editors of influential rival newspapers, the "Madisonian" and the "Globe," fight for the privilege of being the administration organ. In the center an Irishman, hat in hand, approaches Polk and asks, "Plaze yer honor's worship, can't ye do somethin' for me? I was bor-r-n in Boston and rared in New-Yor-r-k, be the howly St. Patrick, and nivver a bit of an office have I had yet." Nearby, a German or Dutchman walks away in disgust shouting, "Dod rot this administration! I've lost my sittivation that Tyler give me, that was worth $15 a year! Dod rot 'em, I say!" In the foreground Secretary of State James Buchanan asks a small, ragged figure, "What Office do you expect, my man?" The man, a Rhode Islander, responds, " . . . I was an Officer with Govr. Dorr, and I should like to be an Officer agin; but I ain't perticklar, if you haint got no office may be you've got some old Clothes to give me!" Dorr was the leader of an abortive revolution in Rhode Island in 1842. (See Trouble in the Spartan Ranks, no. 1843-6). At left South Carolinian John C. Calhoun, a frustrated aspirant for the 1844 Democratic nomination, rides off on a velocipede saying, "Let this Poke manage two stools if he can, I'll cut my stick, and be off for the sunny south." Above, in the background, members of the "Empire Club" wave their hats and fire a cannon. They may represent the expansionist platform on which Polk campaigned, which many Whigs feared would provoke war with Mexico. In the left foreground is a motley militia troop carrying a banner "For Oregon!! Liberty! or Death!!!" Their leader proclaims, "Follow me brave soldiers, strike but one blow, and Oregon is ours!" Polk's campaign platform favored reannexation of the Oregon Territory.|Entered . . . 1845 by J. Baillie. |Lith. & pub. by James Baillie 118 Nassau St. N.Y.|Probably drawn by Edward Williams Clay.|The Library's impression was deposited for copyright on March 24, 1845.|Title appears as it is written on the item.|Weitenkampf, p. 85|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1845-3.

The Van Buren administration's record, particularly with regard to the handling of public finances, is condemned as corrupt and a perpetuation of unpopular Jacksonian policies. The artist echoes perennial Whig charges of the Democrats' disregard for the Constitution and their autocratic style of governing. The nursery rhyme theme of "The House that Jack built" employed here was also used in several earlier cartoons. (See nos. 1820-1 and 1833-6.) Murrell also reproduces an earlier and somewhat similar E. W. Clay version of the "House that Jack built," probably dating from the bank wars of around 1834. Here, the "House" is Jackson's subtreasury system, represented above by a banking house interior whose floor rests on "Constitutional Currency," and whose cellar stocked with empty boxes. The scene appears in a cloud of smoke, which comes from the pipes of Andrew Jackson (on the left) and advisor and publicist Amos Kendall (on the right). Kendall's pipe also blows bubbles, symbolizing vanity or idle schemes. Nine verses from the nursery rhyme and corresponding satirical scenes appear below. 1. "This is the Malt that laid in the House that Jack built." The scene shows crates labeled "Post Office Revenue," "Public Land Sales," "Custom House," "Bonds," and "Pension Fund," suggestive of administration graft and intrigues in a cellar. 2. "This is the Rat that eat the Malt . . ." shows Van Buren's Treasury Secretary Levi Woodbury as a rat. 3. "This is the Cat that caught the Rat . . ." shows Daniel Webster as a cat toying with Woodbury. 4. "This is the Dog That worried the Cat, . . ." has Thomas Hart Benton as a dog threatening the cat Webster, who is now standing on a book "Constitution" atop a chair. 5. "This is the Cow, Whit the crumpled Horn, That tossed the Dog . . ." shows Henry Clay as a cow tossing Benton aloft. 6. "This is the Maiden all forlorn, That milked the Cow, . . ." John C. Calhoun as a milkmaid laments over a spilled bucket "Nullification" as the cow runs away with a sheet marked "Tariff." The reference is to Calhoun's role in the nullification crisis of 1832-33, and Clay's compromise tariff which temporarily resolved the conflict. 7. "This is the Man, all tattered and torn, That kissed the Maiden . . ." has Martin Van Buren in old Dutch clothing, wheeling a barrow of cabbages, saying "Here's your fine Kinderhook Early York Kabbitches." (Van Buren's home was in Kinderhook, New York.) 8. "This is the Priest all shaven and shorn, That married the Man . . ." Washington "Globe" editor Francis Preston Blair in liturgical vestment presides over the wedding of Calhoun and Van Buren, ridiculing the unlikely political alliance forged in 1840. 9. "This is the Cock of the walk, that crowed in the morn, That waked the Priest all shaven and shorn, . . ." A rooster with the head of William Henry Harrison stands on a globe "Ohio" as the sun rises behind it.|Davison lists a version of the print with the Childs address at 90 Nassau Street.|Entered . . . 1840 by John Childs.|Pub. by John Childs 119 Fulton St. New York.|Signed with monogram: EWC (Edward Williams Clay).|Title appears as it is written on the item.|Davison, no. 155.|Murrell, p. 141 (earlier version).|Weitenkampf, p. 62-63.|Forms part of: American cartoon print filing series (Library of Congress)|Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1840-48.