Students are asked to explain what needs to be considered if alternative energy sources are to be used. ***Access to Teacher's Domain content now requires free login to PBS Learning Media.

Angles is an annual online magazine of exemplary writing by MIT students. All of the works published in Angles since its first edition in 2008 were written by students in the introductory writing courses. These courses, designated as CI-HW (Communications-Intensive Humanities Writing) subjects, bring together students who love to write, students who struggle with writing, students who thrive in seminar-style classes, and students who just want a chance to develop their English skills. These students prosper together and produce some remarkable work. Angles has provided them with a public outlet for that work. It also provides the CI-HW instructors with material that inspires and guides their current students.
In these classes, students learn to read more critically, to address specific audiences for particular purposes, to construct effective arguments and narratives, and to use and cite source material properly. Students in these courses write a great deal; they prewrite, write, revise, and edit their work for content, clarity, tone, and grammar and receive detailed feedback from instructors and classmates. Assigned readings are related to the thematic focus of each course, and are used as demonstrations of writing techniques. The pieces in Angles may be used as teaching tools and practical examples for other students and self-learners to emulate.
You can find Angles Online.

This unit introduces instructional moves for how teachers can use their classroom libraries for deep critical thinking on issues of race, racism, and inequality. This unit uses a middle school level novel Roll of Thunder, Hear My Cry (Taylor, 1976), but the content objectives, teaching strategies, and activities are applicable to any novel study. Building upon how classroom libraries function as resources for thought provoking literature and discussions from the 2019 Yale Teachers Institute Seminar Teaching about Race and Racism Across the Disciplines, this unit primarily explores the historical context of the novel primarily using the language of music to analyze characters. Students will develop interpretations about how these conditions influenced characters’ traits, roles, or conflicts and construct a central thesis on a character of their choice. It incorporates pedagogical tools and resources expanding curricular strategies and provides a framework for student discussion beyond the text on issues about race, racism, and forms of inequality.

The essay is divided into Fantastic Philologies and Strange Structures to focus on certain elements of style at a time. The goal of all this, essaying business, is to develop a foundation upon which a fantastic mode, or a style guide, or something, may be built. While the writing beyond is analyzing the literary characteristics of the texts, my goal is to formulate a more developed theory on creating works with high literary value. Fantastic Philologies formulates a way to apply an extremely academic concept to an extremely fantastic foundation of a certain genre. Strange Structures ties in the literary techniques of Weird fantastic fiction. This overall creates a suite of options for analyzing the literary value of a piece of Fantasy.

These 7 C’s of Communication have been explained in much detail for those who have been studying Communication. While working with students on the concept of essentials of effective communication, I felt that there is a set of three, which seems to work for me when it comes to delivering a successful and sustained communication. The same has worked in the perfect way for those who have mentored me. It is said that ‘Communication is what it does.’ And it should do exactly what we call 'effective'.

This handout breaks down tips for improving your descriptive writing and provides examples and explanations for each suggestion.

This brief handout provides an explanation of what dialogue is and how it is formatted and provides space for practice.

Some of your students seem to have superglued their hands to their cell phones; for others, it is their eyes that have been permanently affixed. Why do so many students find their personal technology more appealing than the real humans on around them . . . and what might be the long-term consequences of this? These are the questions this unit will address – first, through the rhetorical analysis of various articles on the effects of cell phones and social media, and then, through a careful study of dystopian fiction. Ultimately, students will draw their own conclusions and share their learning through letters to middle school students and a creative writing piece that suggests what will happen next.

A few of your students may whine about the work you are giving them. They may rage, rage against the dying of the light emanating from their cell phones. They may claim that teachers and parents just don’t understand. But ultimately they will be better educated, more prescient, less addicted, more creative, and of better use to their communities. I think it is worth the fight.

This guide walks you through the basics to get started on screenwriting. It's designed around my college-level screenwriting course, with writing exercises, assignments, and a sample syllabus and course schedule.    

See the Vietnam Veteran's Memorial wall in Washington D.C. through the eyes of war veteran and contemporary poet Yusef Komunyakaa. In this video segment from Poetry Everywhere, Komunyakaa reads his poem Facing It.

This worksheet introduces you to premise, provides a breakdown of premise components, and helps you draft your own premise.

This brief handout lists good habits for finishing your project and outlines tips and resources to aid you in revising your first draft.

Some argue that genre fiction is only a marketing category, but other critics say that different genres meet specific expectations of readers. This course examines these different agreements of what the reader wants and what the writer provides under the aegis of different genres. We will look at how genres are divided into subgenres, and how they are combined into cross-genre work, always keeping in mind the Reader-Writer Contact that is at the heart of genre writing. We shall also think about the ways in which crossing genres has led to the establishment of new genres (steampunk, preternatural romance) and strongly established subgenres (historical mystery, urban fantasy).

Fantasy is currently one of the most popular genres across every platform in fiction. From film to gaming to literature, fantasy tops the charts. Why? Why do people who believe in democracy and live with the magic technology appear to long for wizards and dragons and the matters of kingship? In this class, we will explore this question, and from that base read articles, novels, write exercises and stories in this genre.

Holidays video clip prompts students to write about two of their favorite family traditions. ***Access to Teacher's Domain content now requires free login to PBS Learning Media.

This subject serves as a broad introduction to the field of European and Latin American fiction. It is designed to help students acquire a general understanding of major fictional modes. We will pay attention not only to the literary movements these works represent, but also to the subtle interplay of history, geography, language and cultural norms that gave rise to specific literary forms. The books we read in this course are compelling, and film versions of five of the works we read give variety to the course and time to think about the interplay of film and print.

Engage students in the analysis of the persuasive written language of advertisements. Students will have to recognize some language techniques used in advertising, match the techniques to some printed ads and create slogans, using such techniques. Subject: English Language, Reading Foundational Skills, Writing Foundational Skills Level: secondary education Material Type: Classroom Activity Provider:Terezinha Marcondes Diniz Biazi - State University of Campinas -UNICAMP/BRAZILMidwest State University –UNICENTRO/BRAZIL

This unit looks at the interplay between losses in privacy and gains in convenience that accompany the ever-expanding use of and reliance on digital media and technology in our lives. The aim is not to convince students of a specific stance; rather, it is to provide an opportunity for students to look critically at the ways in which privacy has changed and to think about taking intentional action regarding their own use of digital media.

Each week of the unit, students will grapple with an essential question that focuses their attention on one aspect of privacy. As the core text, George Orwell’s 1984 elucidates two major definitions of privacy: first, the internal thoughts that we develop and contemplate without outside influence; and second, the freedom from being observed, accessed, and controlled by outsiders.

Throughout this unit, students will produce short argumentative pieces drawing evidence from the texts read for and discussed in class. The short pieces of writing students produce throughout the class will culminate in a final argumentative essay weighing the interplay and value of privacy and convenience in our digital lives.

Winners of the Academy of American Poets, Cook, Rosenberg, and Yang prizes, as well as students nominated by BerkeleyŐs creative writing faculty, Lunch Poems volunteers, and representatives from student publications read their work. ( minutes)

This worksheet reviews two types of story structure: the Three Act Structure and Freytag’s Pyramid. Space is provided to help you map your story out in both structures to decide which best fits your writing style.