This class is an introduction to the analysis of tonal music. Students …
This class is an introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in 21M.301-21M.302. Students study rhythm and form, harmony, line and motivic relationships at local and large scale levels of musical structure. Three papers (totaling 20 pages, one to be revised) and one oral presentation are required.
When giving a speech or presentation, it is important to plan your …
When giving a speech or presentation, it is important to plan your words according to audience and purpose. It is also important to focus on the sound of your voice and the different ways to use it. Afterall, who wants to listen to a monotone speaker drone on and on about a topic, even if the topic itself is interesting. This seminar will focus on vocal variation--the different sounds of your speaking voice and how to use them to effectively.
Written and analytic exercises based on 18th- and 19th-century small forms and …
Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required.
This course builds on the composition techniques practiced in 21M.303 Writing in …
This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required.
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