Analyzing Arguments--Rhetorical Analysis (Robbie Pock, Portland Community College

ANALYZING ARGUMENTS: OVERVIEW

Rhetorical analysis is a tool for deeper critical reading. When you analyze a text rhetorically, you consider the overall situation and context of the writing and how the needs and constraints of the writing situation may have guided the author’s choices.  Rhetorical analysis helps us look at the text itself but also outside the text at other aspects of the writing situation—context, author, audience, genre—that influenced the way this particular text was written.

After successfully completing this module, you should be able to:

  • Analyze an author’s effectiveness in achieving intended purpose.
  • Practice rhetorical analysis of a visual text.
  • Demonstrate comprehension of basic concepts relating to rhetorical analysis.

LICENSES AND ATTRIBUTIONS

  • Introduction to Rhetorical Analysis. Authored by: Elisabeth Ellington and Ronda Dorsey Neugebauer.Provided by: Chadron State College. Project: Kaleidoscope Open Course Initiative. LicenseCC BY: Attribution

LESSON: RHETORICAL ANALYSIS

We have heard that “you can’t judge a book by its cover,” but, in fact, we do it all the time. Daily we find ourselves in situations where we are forced to make snap judgments. Each day we meet different people, encounter unfamiliar situations, and see media that asks us to do, think, buy, and act in all sorts of ways.

In fact, our saturation in media and its images is one of the reasons why learning to do rhetorical analysis is so important. The more we know about how to analyze situations and draw informed conclusions, the better we can become about making savvy judgments about the people, situations, and media we encounter.

MEDIA AND RHETORIC

Media is one of the most important places where this kind of analysis needs to happen. Rhetoric—the way we use language and images to persuade—is what makes media work. Think of all the media you see and hear every day: Twitter, television shows, web pages, billboards, text messages, podcasts, and more! Media is constantly asking you to buy something, act in some way, believe something to be true, or interact with others in a specific manner. Understanding rhetorical messages is essential to help us become informed consumers, but it also helps evaluate the ethics of messages, how they affect us personally, and how they affect society.

Take, for example, a commercial for men’s deodorant that tells you that you’ll be irresistible to women if you use their product. This campaign doesn’t just ask you to buy the product, though. It also asks you to trust the company’s credibility, or ethos, and to believe the messages they send about how men and women interact, about sexuality, and about what constitutes a healthy body. You have to decide whether or not you will choose to buy the product and how you will choose to respond to the messages that the commercial sends.

Because media rhetoric surrounds us, it is important to understand how rhetoric works. If we refuse to stop and think about how and why it persuades us, we can become mindless consumers who buy into arguments about what makes us value ourselves and what makes us happy.

RHETORIC AS SOCIAL INFLUENCE

Our worlds are full of these kinds of social influences. As we interact with other people and with media, we are continually creating and interpreting rhetoric. In the same way that you decide how to process, analyze or ignore these messages, you create them. You probably think about what your clothing will communicate as you go to a job interview or get ready for a date. You are also using rhetoric when you try to persuade your parents to send you money or your friends to see the movie that interests you. When you post to your blog or tweet you are using rhetoric.

Most of our actions are persuasive in nature. What we choose to wear (tennis shoes vs. flip flops), where we shop (Whole Foods Market vs. Wal-Mart), what we eat (organic vs. fast food), or even the way we send information (snail mail vs. text message) can work to persuade others.

Chances are you have grown up learning to interpret and analyze these types of rhetoric. They become so commonplace that we don’t realize how often and how quickly we are able to perform this kind of rhetorical analysis. When your teacher walked in on the first day of class, you probably didn’t think to yourself, “I think I’ll do some rhetorical analysis on her clothing and draw some conclusions about what kind of personality she might have and whether I think I’ll like her.” And, yet, you probably were able to come up with some conclusions based on the evidence you had.

However, when this same teacher hands you an advertisement, photograph or article and asks you to write a rhetorical analysis of it, you might have been baffled or felt a little overwhelmed. The good news is that many of the analytical processes that you already use to interpret the rhetoric around you are the same ones that you’ll use for these assignments.

LICENSES AND ATTRIBUTIONS

LESSON: INFORMAL FALLACIES

An informal fallacy is an error in reasoning that occurs due to a problem with the content, rather than mere structure, of the argument. In informal logic and rhetoric, a fallacy is usually an error in reasoning often due to a misconception or a presumption. Some of the more frequent common logical fallacies are:

  • Converse fallacy of accidental or hasty generalization: argues from limited examples or a special case to a general rule.Argument: Every person I’ve met has ten fingers, therefore, all people have ten fingers. Problem: Those, who have been met.are not a representative subset of the entire set.
  • Making the argument personal (argumentum ad hominem): attacking or discrediting the opposition’s characterArgument: What do you know about the U.S? You aren’t even a citizen.Problem: personal argument against an opponent, instead of against the opponent’s argument.
  • Popular sentiment or bandwagon appeal (argumentum ad populum): an appeal to the majority; appeal to loyalty.Argument: Everyone is doing it. Problem: Concludes a proposition to be true because many or most people believe it.
  • Red herring (Ignoratio Elenchi): intentionally or unintentionally misleading or distracting from the actual issue. Argument: I think that we should make the academic requirements stricter for students. I recommend that you support this because we are in a budget crisis and we do not want our salaries affected.Problem: Here the second sentence, though used to support the first, does not address the topic of the first sentence, instead switching the focus to the quite different topic.
  • Fallacy of false cause (non sequitur): incorrectly assumes one thing is the cause of another. Non Sequitur is Latin for “It does not follow. ” Argument: I hear the rain falling outside my window; therefore, the sun is not shining. Problem: The conclusion is false because the sun can shine while it is raining.
  • If it comes before it is the cause (post hoc ergo propter hoc): believing that temporal succession implies a causal relation.Argument: It rained just before the car died. The rain caused the car to break down. Problem: There may be no connectionbetween the two events.
  • Two events co-occurring is not causation (cum hoc ergo propter hoc): believing that correlation implies a causal relation.Argument: More cows die in the summer. More ice cream is consumed in summer months. Therefore, the consumption of ice cream in the summer is killing cows. Problem: No premise suggests the ice cream consumption is causing the deaths. The deaths and consumption could be unrelated, or something else could be causing both, such as summer heat.
  • Fallacy of many questions or loaded question (Plurium Interrogationum): groups more than one question in the form of a single question. Argument: Have you stopped beating your wife? Problem: Either a yes or no answer is an admission of guilt to beating your wife.
  • Straw man: creates the illusion of having refuted a proposition by replacing it with a superficially similar proposition (the “straw man”), and refuting it, without ever actually refuting the original. Argument: Person A: Sunny days are good Person B: If all days were sunny, we’d never have rain, and without rain, we’d have famine and death. Therefore, you are wrong.Problem: B has misrepresented A’s claim by falsely suggesting that A claimed that only sunny days are good, and then B refuted the misrepresented version of the claim, rather than refuting A’s original assertion.
  • The false dilemma or either-or fallacy: the listener is forced to make a choice between two things which are not really related or relevantArgument: If you are not with us, you are against us. Problem: The presentation of a false choice often reflects a deliberate attempt to eliminate any middle ground.
  • Card-stacking, or cherry picking: deliberate action is taken tobias an argument by selective use of facts with opposingevidence being buried or discredited. Argument: Learn new skills, become a leader and see the world. Problem: Only the positive benefits of military service are used to recruit , and not the hazards.

As a speaker you want to carefully consider your reasoning and how you draw your logical conclusions in order to avoid faulty reasoning.

LICENSES AND ATTRIBUTIONS

Boundless. “Logical Fallacies.” Boundless Communications. Boundless, 21 Jul. 2015. Retrieved 06 Jan. 2016 fromhttps://www.boundless.com/communications/textbooks/boundless-communications-textbook/methods-of-persuasive-speaking-15/logical-appeals-78/logical-fallacies-304-10653/

DISCUSSION: RHETORICAL ANALYSIS AND MEDIA

For this assignment, review how media uses rhetoric.

DIRECTIONS

  1. Review the grading rubric on this page.
  2. Watch the Mad Men advertising pitch for “The Kodak Carousel,” "Mad Men - It's not a slide projector, or a wheel... it's a Carousel" by SpeechCoachLA, and think about the way the advertisers use images and language to persuade…this is rhetoric!
  3. Answer the following questions in a file/document:
    1. What is it about the advertising pitch that is supposed to connect with the public and get them to buy the product, in this case the Kodak Carousel?
    2. What is it about nostalgia (Don Draper said in Greek it means “the pain of an old wound”) that is more powerful than memory?
    3. Is the advertising pitch by Don Draper effective at persuading the public? Why or why not?
  4. Copy and paste the responses into a blogpost, wiki, or appropriate discussion in your learning management system (if applicable).
  5. Review others’ posts. Thoughtfully respond to their responses.

GRADING

Points: 40

Rhetorical Analysis and Media 
CriteriaRatingsPoints
Describe an author’s point of view and toneExceeds expectations
5 pts
Meets expectations
3 pts
Does not meet expectations
0 pts
5 pts
Analyze an author’s effectiveness in achieving intended purposeExceeds expectations
5 pts
Meets expectations
3 pts
Does not meet expectations
0 pts
5 pts
Explains why advertising pitch will appeal to consumerFull marks
10 pts
No marks
0 pts
10 pts
Explains what it is about nostalgia that is more powerful than memoryFull marks
10 pts
No marks
0 pts
10 pts
Explains why advertising pitch is or is not effective at persuasionFull marks
10 pts
No marks
0 pts
10 pts
 TOTAL POINTS    40 pts


LICENSES AND ATTRIBUTIONS

ASSIGNMENT: RHETORICAL ANALYSIS AND MEDIA by Lumen Learning 

APPLICATION ACTIVITY–“BACKPACKS VS BRIEFCASES”

For this activity, you will demonstrate your ability to make connections with the text and critically think, read, and write. This work will serve as the foundation for understanding what a Rhetorical Analysis is as well as how to apply the knowledge to your own Rhetorical Analysis work.

DIRECTIONS

  1. Review the grading rubric as listed on this page.
  2. Download Backpacks vs Briefcases: Steps Toward Rhetorical Analysis.
  3. Annotate the text.
  4. Answer the following questions in a document/file:
    1. What are the implications of rhetorical analysis? (p. 3, p. 46)
    2. What is the “rhetorical situation”? (p. 5, p.48)
    3. What is the argument in rhetorical analysis? (p. 9, p. 52)
    4. What does context have to do with Rhetorical Analysis? (p.12, p.55)
    5. Why is rhetorical analysis important in college? (p.14, p.57)
    6. What are examples of rhetoric that you see and hear on a daily basis?
    7. What are some ways that you create rhetoric?
  5. Copy and paste your final answers into a blog post or upload to the appropriate assignment link in your learning management system (as applicable).

GRADING

Points: 70

Backpacks vs. Briefcases 
CriteriaRatingsPoints
Explains Implications of Rhetorical AnalysisFull marks
10 pts
No marks
0 pts
10 pts
Defines the Rhetorical SituationFull marks
10 pts
No marks
0 pts
10 pts
Explains the Argument in Rhetorical AnalysisFull marks
10 pts
No marks
0 pts
10 pts
Explains What Content Has to Do with Rhetorical AnalysisFull marks
10 pts
No marks
0 pts
10 pts
Explains Why Rhetorical Analysis is Important in CollegeFull marks
10 pts
No marks
0 pts
10 pts
Offers Examples of Rhetorical Analysis in LifeFull marks
10 pts
No marks
0 pts
10 pts
Explains Ways Student Creates RhetoricFull marks
10 pts
No marks
0 pts
10 pts
Apply strategies for improving writing responses.Exceeds expectations
0 pts
Meets expectations
0 pts
Does not meet expectations
0 pts
0 pts
 TOTAL POINTS    70 pts


LICENSES AND ATTRIBUTIONS

ASSIGNMENT: BACKPACKS VS. BRIEFCASES by Lumen Learning

WRAP-UP

Good work on this unit. You should have completed the following:

Readings:

  • Rhetorical Analysis Lesson
  • “Backpacks vs Briefcases”

Activities:

  • Discussion: Rhetorical Analysis and Media
  • Application Activity: “Backpacks vs Briefcases”

Rhetorical Analysis is a high-order critical thinking skill. It takes practice to become effective at formal and intentional analysis of text and media. The critical reading skills you are developing–like differentiating fact from opinion and making inferences–will help you become a more savvy consumer and a more discerning citizen.

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