Inference (Robbie Pock, Portland Community College)

In this unit you will learn about making inferences and the ways that active readers use this skill to improve both engagement and comprehension.

WHEN YOU COMPLETE THIS WEEK, YOU SHOULD BE ABLE TO:

  • Define Inference and practice making inferences in passages from a short story.

Making Inferences

Making inferences is a comprehension strategy used by proficient readers to “read between the lines,” make connections, and draw conclusions about the text’s meaning and purpose.

You already make inferences all of the time. For example, imagine you go over to a friend’s house and they point at the sofa and say, “Don’t sit there, Cindy came over with her baby again.” What could you logically conclude?

First, you know there must be a reason not to sit where your friend is pointing. Next, the reason not to sit there is related to the fact that Cindy just visited with her baby. You don’t know what exactly happened, but you can make an inference and don’t need to ask any more questions to know that you do not want to sit there.

Practice making inferences

Imagine you witness the following unrelated situations—what can you infer about each one?

  1. You see a woman pushing a baby stroller down the street.
  2. You are at a corner and see two parked cars at an intersection, and the driver in back starts honking his horn.
  3. You are walking down the street, and suddenly a dog comes running out of an opened door with its tail between its legs.

For the first, you probably came up with something simple, such as there was a baby in the stroller.

For the second, you might have inferred that the first car should have started moving, or was waiting too long at the corner and holding up the second car.

For the third, you could reasonably guess that the dog had done something wrong and was afraid to get punished.

You do not know for 100% certainty that these inferences are true.  If you checked 100 strollers, 99 times you would find a baby, but maybe one time you would find something else, like groceries.

Making inferences as you read

To make inferences from reading, take two or more details from the reading and see if you can draw a conclusion. Remember, making an inference is not just making a wild guess. You need to make a judgment that can be supported, just as you could reasonably infer there is a baby in a stroller, but not reasonably infer that there are groceries, even though both would technically be a “guess.”

When you are asked an inference question, go back over the reading and look for hints within the text, such as words that are directly related to the question you may be asked (such as for a multiple choice test) or words that indicate opinion.

Here is an example:

Hybrid cars are good for the environment, but they may not perform as well as cars that run only on gasoline. The Toyota Prius gets great gas mileage and has low emissions making it a good “green” option. However, many people think that it is unattractive. The Prius also cannot accelerate as quickly as other models, and cannot hold as many passengers as larger gas-fueled SUVs and vans. Compared to similar gas-fueled options, hybrid cars also cost more money up front. A new hybrid car costs almost $3,500 more than the same car configured to run just on gasoline.

Which of the following can you infer from the passage?

  1. hybrid cars are more dangerous than other options
  2. Toyota is making a lot of money from the Prius
  3. cars that use gasoline are going to destroy the environment
  4. hybrid cars may not be the best choice for everyone

All four answers are about hybrid cars in some way, but none of the answers can be found directly from the text. Read through and see what hints you can find from the text.

You will notice right away that there is nothing about car safety in the passage at all, so you can eliminate choice 1.

Choice 2 is implied: if the car cost $3,500 more than other cars, then Toyota would be making a lot of money by selling the car. But is it the most reasonable conclusion? To be sure, you need to go through all of the answers—don’t just stop when you find one that looks okay.

You may think that choice 3 is true. After all, people want to make hybrid cars because they believe that emissions are contributing to environmental damage, but this is not mentioned in the paragraph. Even if you think it is true, the answer has to be supported by the text to be the correct answer to the problem.

Choice 4 could be inferred from the text. If a person had a large family, was short on money, or needed a car that could accelerate quickly, then a hybrid might not be the best choice for them.

Now compare choice d with the other possible answer, choice 2. Now you are thinking choice 2 might not be as good an answer because you don’t know how much it costs Toyota to make the cars, and you don’t know how many they sell, so you can’t reasonably infer that they are making a lot of money!

Choice 4 has to be the correct answer.

Inferences: Reading between the lines

Check out this video “Inference” by blumeanie07 that discusses a useful strategy to help you when making inferences while reading.

Licenses and attribution

CC licensed content, Shared previously

  • Making Inferences. Authored by: Elisabeth Ellington and Ronda Dorsey Neugebauer. Provided by: Chadron State College. Project: Kaleidoscope Open Course Initiative. LicenseCC BY: Attribution

Reading: "The Story of an Hour" by Kate Chopin

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death.

It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband’s friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of “killed.” He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.

She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister’s arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.

There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.

She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.

Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will—as powerless as her two white slender hands would have been.

When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial.

She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.

There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow- creature. A kind intention or a cruel intention make the act seem no less a crime as she looked upon it in that brief moment of illumination.

And yet she had loved him—sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!

“Free! Body and soul free!” she kept whispering.

Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. “Louise, open the door! I beg; open the door—you will make yourself ill. What are you doing, Louise? For heaven’s sake open the door.”

“Go away. I am not making myself ill.” No; she was drinking in a very elixir of life through that open window.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister’s importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister’s waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of accident, and did not even know there had been one. He stood amazed at Josephine’s piercing cry; at Richards’ quick motion to screen him from the view of his wife.

But Richards was too late.

When the doctors came they said she had died of heart disease—of joy that kills.

*****

This story is in the public domain.

You can find additional information about “The Story of an Hour,” about other Kate Chopin stories, about Chopin’s two novels, about her themes, and about her life at many places on this website: http://www.katechopin.org

Assignment: Practice Making Inferences

Follow the example in the Inferences video to practice making your own inferences from “The Story of an Hour”.

Print this page, or download the Google Doc below and complete your own Inferences Chart.

Copy/Paste your chart into a blog post or upload your document to the appropriate assignment link of your learning management system (if applicable).

Inferences Chart-Google Doc

Name:_________________________________________

Instructions:


Follow the example in the Inferences video to practice making your own inferences from “The Story of an Hour”.

 What you read What you know   Inference you make

Example:

“She knew that she would weep again when she saw the kind, tender hands folded in death . . .”
 Husbands who are “kind” and “tender” are usually good spouses.  He must have been a loving husband to her, so her happiness is not because he was cruel or abusive.
 

   
 

   


Created by Robbie Pock

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This work is licensed under a Creative Commons Attribution 4.0 International License.

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