Painting the American Scene: Artists Assess the Federal Art Project

Author:

Center for History and New Media/American Social History Project

Subject:

Arts, Humanities

Institution Name:

American Social History Project/Center for History and New Media

Collection:

Many Pasts (CHNM/ASHP)

Grade Level:

Secondary, Post-secondary

Abstract:

New Deal arts projects were guided by two novel assumptions: artists were workers and art was cultural labor worthy of government support. That commitment was demonstrated most dramatically in the Federal Art Project (FAP), a relief program for depression-era artists. Some painters and sculptors continued working in their studios with the assistance of relief checks and the occasional supervision of WPA administrators--their work was placed in libraries, schools, and other public buildings. Others lent their talents to community art centers that made art training and appreciation accessible to wider audiences. FAP also sponsored hundreds of murals and sculptures designed for municipal buildings and public spaces. In essays written as part of the New Deal's documentation of its own efforts, artist Louis Guglielmi found the social consciousness of the 1930s and the support of the New Deal a spur to his artistic development. Artist Julius Bloch praised the FAP for bringing art to new audiences, including his African-American subjects.

Languages:

English

Material Type:

Primary Source

Media Format:

Text/HTML

Conditions of Use:

Custom License
Fair Use for educational purposes