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Read the Fine Print
- Author:
-
Center for History and New Media/American Social History Project
- Subject:
- Humanities
- Institution Name:
- American Social History Project/Center for History and New Media
- Collection:
-
Many Pasts (CHNM/ASHP)
- Grade Level:
- Secondary, Post-secondary
- Abstract:
Although Thomas Nast was an ardent supporter of equal rights, he often resorted to racial and ethnic stereotypes in his Harper's Weekly cartoons. Questioning the actions of some southern black Republican legislators, in the cartoon on the left Nast drew the figure of "Columbia," symbol of the nation, chiding: "You are aping the lowest whites. If you disgrace your race in this way you had better take back seats." Nast got a taste of his own medicine in this answering cartoon (right) on the cover of the New York Daily Graphic, entitled "I Wonder How Harper's Artist Likes To Be Offensively Caricatured Himself?" Such consciousness in the press about offensive imagery would not last long. By the 1880s, with the end of a national commitment to black equality, racist stereotypes characterized most published cartoons and illustrations.
- Languages:
- English
- Material Type:
- Primary Source
- Media Format:
- Text/HTML
- Conditions of Use:
-
Custom License
Fair Use for educational purposes
- Copyright Holder:
- Copyright 1998-2005 American Social History Productions, Inc. All rights reserved.
No restrictions on your remixing, redistributing, or making derivative works.
Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some
restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make
derivative works.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based
educators, or other custom arrangements. Go to the resource provider to see
their individual restrictions.
"Colored Rule in the Reconstructed (?) State."
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