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- Author:
-
Center for History and New Media/American Social History Project
- Subject:
- Humanities
- Institution Name:
- American Social History Project/Center for History and New Media
- Collection:
-
Many Pasts (CHNM/ASHP)
- Grade Level:
- Secondary, Post-secondary
- Abstract:
From the eighteenth to the mid-nineteenth centuries, the term "lynching" did not have any racial implications. Targets included Tories, horse thieves, gamblers, and abolitionists. But starting in the 1880s, mob violence was increasingly directed at African Americans. Between 1882 and 1964, nearly five thousand people died from lynching, the majority African-American. The 1890s witnessed the worst period of lynching in U.S. history. The grim statistical record almost certainly understates the story. Many lynchings were not recorded outside their immediate locality, and pure numbers do not convey the brutality of lynching. In early 1893, a white reporter, writing in the New York Sun, offered a grisly account of the burning at the stake in Paris, Texas, of a black man accused of molesting a white girl.As press accounts like this make clear, to witness a lynching--or even just glimpse its aftermath--could be a searing experience for those who were the most likely victims of the lynch mob--young African-American males. That, indeed, was the intention--the threat of lynching was a powerful mechanism for keeping black Southerners in line. In response to the rising tide of lynchings of African-Americans across the South during the 1890s, Memphis, Tennessee, newspaper editor Ida Wells-Barnett launched a national anti-lynching crusade.
- Languages:
- English
- Material Type:
- Primary Source
- Media Format:
- Text/HTML
- Conditions of Use:
-
Custom License
Fair Use for educational purposes
- Copyright Holder:
- Copyright 1998-2005 American Social History Productions, Inc. All rights reserved.
No restrictions on your remixing, redistributing, or making derivative works.
Give credit to the author, as required.
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Your redistributing comes with some restrictions. Do not remix or make
derivative works.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based
educators, or other custom arrangements. Go to the resource provider to see
their individual restrictions.
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