You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
You must be logged in to perform this action.
- Author:
-
Adam Haupt
- Subject:
- Arts, Social Sciences
- Institution Name:
- University of Cape Town
- Collection:
-
University of Cape Town
- Grade Level:
- Post-secondary
- Abstract:
Stealing Empire poses the question What possibilities for agency exist in the age of corporate globalisation Using the work of Antonio Negri and Michael Hardt as a point of entry Adam Haupt delves into varied terrain to locate answers in this groundbreaking inquiry He explores arguments about copyright via peertopeer P2P platforms such as Napster free speech struggles debates about access to information and open content licenses and develops a politically incisive analysis of counter discourses produced by South African hip-hop artists From empire stealing through their commodification of countercultures to the stealing empire activities of filesharers culture jammers and hiphop activists this book tells the story of people defining themselves as active creative agents in a consumerist society
- Course Type:
- Learning Module
- Languages:
- English
- Material Type:
- Readings
- Media Format:
- Downloadable docs
- Conditions of Use:
-
Creative Commons Attribution-Noncommercial 2.5
No restrictions on your remixing, redistributing, or making derivative works.
Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some
restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make
derivative works.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based
educators, or other custom arrangements. Go to the resource provider to see
their individual restrictions.
Comments