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- Author:
-
Jones, Caroline A.
- Subject:
- Arts
- Institution Name:
- M.I.T.
- Collection:
-
MIT OpenCourseWare
- Grade Level:
- Post-secondary
- Abstract:
Examines significant episodes in the history of modern art from the end of the enlightenment to the early twentieth-century in relation to emerging visual technologies (lithography, photography, the poster, photomontage), urban audiences, and consumer culture. Major artistic movements (Romanticism, Realism, Impressionism, Cubism, Futurism, Surrealism) are discussed along with theoretical writings about the relationship between avant-garde artistic practices and mass culture. No previous knowledge of art history is required. This class provides an introduction to modern art and theories of modernism and postmodernism. It focuses on the way artists use the tension between fine art and mass culture to mobilize a critique of both. We will examine objects of visual art including painting, sculpture, architecture, photography, and video. These objects will be viewed in their interaction with advertising, caricature, comics, graffiti, television, fashion, folk art, and so-called "primitive" art.
- Languages:
- English
- Material Type:
- Assessments, Full Course, Homework and Assignments, Lecture Notes, Syllabi
- Media Format:
- Text/HTML, Downloadable docs
- Conditions of Use:
-
Creative Commons Attribution-Noncommercial-Share Alike 3.0
No restrictions on your remixing, redistributing, or making derivative works.
Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some
restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make
derivative works.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based
educators, or other custom arrangements. Go to the resource provider to see
their individual restrictions.
Modern Art and Mass Culture, Spring 2004
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