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Voice-leading analysis of music 1: the foreground

(Complete Item Description)

Abstract:: This unit introduces ‘voice-leading’ or ‘Schenkerian’ analysis, perhaps the most widely-used and discussed method of analyzing tonal music. In this unit, this method is explained through the analysis of piano sonatas by Mozart.The unit is the first in the AA314 series of three units on this form of harmonic analysis, and concentrates on the ‘foreground level’ of voice leading.As you work through this unit, you will become familiar with five complete movements of Mozart’s piano sonatas, as well as shorter extracts from some of his other sonatas.

Subject:: Arts, Humanities
Grade Level:: Post-secondary
Collection:: Open University OpenLearn

Voice-leading analysis of music 2: the middleground

(Complete Item Description)

Abstract:: This unit continues our examination of ‘voice-leading’ or ‘Schenkerian’ analysis, perhaps the most widely-used and discussed method of analysing tonal music. In this unit, this method is explained through the analysis of piano sonatas by Mozart. The unit is the second in the AA314 series of three units on this form of harmonic analysis, and concentrates on the ‘middleground level’ of voice leading. As you work through this unit, you will become familiar with the deeper levels of harmony in Mozart’s piano sonatas.

Subject:: Arts, Humanities
Grade Level:: Post-secondary
Collection:: Open University OpenLearn

Voice-leading analysis of music 3: the background

(Complete Item Description)

Abstract:: The music of Mozart has been used to examine the foreground and middleground of harmony in units AA314_1 and AA314_2. Now you will use Beethoven's Eighth Symphony to consider the largest-scale stage of voice-leading analysis.

Subject:: Arts, Humanities
Grade Level:: Post-secondary
Collection:: Open University OpenLearn

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