Examines the history of stereoscopes and stereographs, including their cultural impact and changes in technology. Provides context for resources in the Travelers in the Middle East Archive (TIMEA). Part 1 of a 4 part course called "History through the Stereoscope."
These images by Los Angeles–based photographer Maynard L. Parker show suburban homes in California in the two decades following World War II. Many appeared in popular house and design magazines of the era. They offered middle–class consumers a new way of living that emphasized a relaxed, low–maintenance, private, indoor–outdoor experience.
Examines how stereographs were used as a means of virtual travel. Focuses on James Henry Breasted's "Egypt through the Stereoscope" (1905, 1908). Provides context for resources in the Travelers in the Middle East Archive (TIMEA). Part 3 of a 4 part course called "History through the Stereoscope."
A Gateway to film heritage in Europe. Discover, experience, locate, use and share films, photos, posters, reviews, letters and other materials from European film archives and cinémathèques.
Imagine that you are doing research on Egypt and come across a curious source: a book from 1905 called Egypt Through the Stereoscope, which comes with a set of 100 cards that display two nearly identical photographs. What are you to make of this resource, and how might you use it in research? What is a stereoscope? What are these cards, and why do they have two images? This course explores the use, production, and cultural significance of those cards, which are called stereographs. When viewed through a device called a stereoscope, stereographs present a single, three-dimensional image. Between the mid-nineteenth and early-twentieth centuries, stereographs were the leading visual mass medium, offering detailed three-dimensional views of everything from ancient monuments to current events. Relatively inexpensive, stereographs and stereoviewers were common in schools and middle-class homes. Indeed, stereographs were a dominant form of photography until the 1920s and an important source of education and entertainment, touted for presenting life-like views of their subjects. Not only does this course provide background information about stereographs, but it also examines how to use them in research projects. Examples are provided from TIMEA (Travelers in the Middle East Archive).
Describes how to view stereographs and how to use them in a research project. Lists print and online resources about stereographs. Part 4 of a 4 part course called "History through the Stereoscope."
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