This Gulf of Maine educational website takes students aboard the submersible Alvin. Classroom activities explore nautical and mythical names, such as the Titanic, instruct students how to make a model of the ocean floor in a shoebox, and introduce topics such as deep sea vents and plate tectonics.

This class investigates the use of computers in architectural design and construction. It begins with a pre-prepared design computer model, which is used for testing and process investigation in construction. It then explores the process of construction from all sides of the practice: detail design, structural design, and both legal and computational issues.

" This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary."

This studio will investigate the social, physiological and phenomenological elements of a student gathering place on the MIT campus. Whether it is simply for socializing or for more specific events, the student gathering place will serve as a refuge from the vigorous educational environment of the Institute, and reinforce the sense of "play" through a sensible organization of the program. The place will foster a casual discovery of a sense of "being": a reflection upon the student's own existence based upon an intellectual attitude of acting and group events. To create a space that inspires, rather than imposes: such a discovery is the foremost challenge of this studio.

" This studio will investigate the social, programmatic, tectonic and phenomenological performance and character of a student gathering place on the MIT campus. Whether it is simply for socializing or for more specific events, the student gathering place will serve as a refuge from the vigorous educational environment of the Institute, and it will reinforce a critical sense of "place" through the almost logical organization of its program. The place will foster a casual discovery of "being": a reflection upon the student's own existence based upon participation in group events and an intellectual attitude toward acting. To create a space that inspires, rather than imposes: such a discovery is the foremost challenge of this studio."

The theme that unites the Level II studios in the fall semester is a focus upon the making of architecture and built form as a tectonic, technical and materially driven endeavor It is a design investigation that is rooted in a larger culture of materiality and the associated phenomena, but a study of the language and production of built form as an integrated response to the conceptual proposition of the project. The studio will look to works of architecture where the material tectonic and its resultant technology or fabrication become instrumental to the realization of the ideas, in whatever form they may take. This becomes the art of technology - suggesting a level of innovation and creative manipulation as part of the design process to transform material into a composition of beauty and poetry as well as environmental control. In this regard the studio will look to the works and design processes of a number of architects including Shigeru Ban, Peter Zumthor, Herzog and deMeuron, Kazuyo Sejima, Richard Horden, Rick Joy and Glenn Murcutt among others.

This semester students are asked to transform the Hereshoff Museum in Bristol, Rhode Island, through processes of erasure and addition. Hereshoff Manufacturing was recognized as one of the premier builders of America's Cup racing boats between 1890's and 1930's. The studio however, is about more then the program. It is about land, water, and wind and the search for expressing materially and tectonically the relationships between these principle conditions. That is, where the land is primarily about stasis (docking, anchoring and referencing our locus), water's fluidity holds the latent promise of movement and freedom. Movement is activated by wind, allowing for negotiating the relationship between water and land.

The project for this studio is to design a demonstration project for a site near the French Quarter in New Orleans. The objectives of the project are the following: To design more intense housing, community, educational and commercial facilities in 4 to 6 story buildings. To explore the "space between" buildings as a way of designing and shaping objects. To design at three scales - dwelling, cluster and overall. To design dwellings where the owners may be able to help build and gain a skill for employment. To provide/design facilities that can help the residents to gain education and skills.

This architectural studio will have one main project for the semester: to explore the issues surrounding the redesign of an area in Havana Cuba. It is a typical area about the size of a Law of Indies block that presently has a mix of housing, work, and shopping in buildings that need to be replaced and others that need to be rehabilitated. There is also vacant land, and buildings that are unused. Part of the blocks front on the Malecon, the street next to the water. The other edge fronts onto a typical neighborhood. The intention is to study the culture through an understanding of one area of Havana and then design an "echo" in architectural form. The design will include public space as well as a mix of buildings: some new, some rehabilitated.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.

This is the 20th anniversary of the Beijing Urban Design Studio, which is a joint program between the MIT and Tsinghua University Schools of Architecture and Planning. The goal of the studio is to foster international cooperation through the undertaking of a joint urban design and planning initiative in the city of Beijing involving important, often controversial, sites and projects. Since 1995, almost 250 MIT and Tsinghua University students and faculty have participated in this annual studio, making it one of the most successful and enduring international academic programs between China and the US. It has received the Irwin Sizer Award from MIT for outstanding innovation in education. The studio takes place over five weeks in June and July including several weeks in residence at Tsinghua University and two brief study tours to locations and projects that inform the work. It will include 18-20 MIT and 10-15 Tsinghua Architecture and Planning students. The Beijing City Planning Institute, responsible for strategic planning in the city, participates in the studio as the client.

Students completing this homework and in-class exercise use historical data from small earthquakes to estimate the recurrence interval of They are encouraged to examine sampling limitations, thoughtfully deal with outliers, compare the results of various techniques and consider the societal impacts of their results. This activity is designed for the Pacific Northwest, but could easily be altered for any other area. Learning goals, context for use, teaching tips, materials, assessment tips and related resources are provided.

Dive and Discover brings you right aboard the expedition to the Juan de Fuca Ridge in the Pacific Ocean, where scientists are exploring hydrothermal vent fields and microbes inhabiting hydrothermal vents. The site gives you access to the latest oceanographic and deep submergence research from a variety of scientists including geologists, geophysicists, chemists, and biologists who are exploring the seafloor and making amazing deep-sea discoveries. The mission and objectives, daily updates, photos, videos, and e-mail correspondence with scientists aboard research vessels allow you to follow the progress of the scientific mission and find out about life on the floating laboratories at sea. Deeper discovery links allow the user to further explore the related topics of mid-ocean ridges, hydrothermal vents, and vent biology. This web page also provides links to other Dive and Discover expeditions, other deeper discovery topics, a teacher's page, and further Dive and Discover information.

Explore vent basics, vents around the world, vent chemistry, boiling points, videos, and test what you've learned with a quiz!

This is a project to assist in the design, drawing, modeling and hopefully constructing of a small Community Children’s Center near Guayaquil, Ecuador. For the last year, Nicki Lehrer, from MIT’s Aero/Astro Department, has been organizing efforts to build the project. The goal of the workshop is to provide her with a full fleshed out design for the community center so it can be built in the summer of 2007.

GEOLogic questions are puzzles that were developed to support students understanding of geoscience concepts while challenging them to develop better logic and problem solving skills. In this exercise, students are asked to match up lecturers with what day and time they teach, and how many students they have in each class based on clues given from several different perspectives. In the second part of the activity, students are asked to learn more about the historic figures mentioned by doing reading and web research. This activity is appropriate for a high school science class or an introductory level undergraduate geoscience course, and can be given as an in-class assignment or homework assignment. Learning goals, context for use, teaching tips, materials, assessment tips and related resources are provided.

The landscape of the British Isles has undergone dramatic changes during the history of the Earth, from shallow sea to desert to the familiar terrain of the 21st century. In this unit you will explore the processes that have shaped the British landscape over time, gaining insight into the geological evolution of the entire planet.

This studio proposes to engage tectonics as a material process. By exploring transformation, indeterminacy and mutability inherent in material and landscape processes, students will be challenged to engage notions of duration as a design strategy for architecture and urbanism. While the second law of thermodynamics states that the material universe tends toward a state of increasing disorder, architects build and construct in opposition to these forces. Attempting to delay the processes of disorder, decay and collapse, tectonics is often seen as the embodied expression of an arrested moment-the finite resolution of the building process. Yet the processes that enable and disable architecture extend beyond any arrested moment. While the design of materials is not new, the recent evolution of mutant materials and fabrication technologies has created a material culture pregnant with possibilities. Plastics can be endowed with the properties of glass, wood made to appear like fabric, and foams given the power of memory. Materials and their methods are multiplying while our inherited notions of material significance and signification are increasingly challenged. 'Truth' in materials or in their methods of construction is no longer (and arguably never was) an absolute concept. Highlighting the multiple states of materials (raw, finished, decomposed) and new methods for fabrication (CAD-CAM, CNC, rapid prototyping), this studio seeks to understand the processes that form, deform and ultimately dematerialize built matter. This studio will explore the limits of materiality and immateriality to engage a tectonics of temporal change, transformation, and succession. Materials will be treated, not merely as finishes, but as critical points of departure for investigating new spatial possibilities. Students will design and fabricate full scale material constructs in order to explore a material's inherent properties. Investigations of casting, stressing, weathering, eroding, corroding, etc. will be part of the design process. Students will translate these studies into critical architectural propositions for the Stearn's Quarry site in Chicago. Dating back 400 million years, the site was once a part of an ancient reef near the equator before the shift in the North American tectonic plate. Rich in calcium carbonate, the 23 acre Stearns quarry site was excavated from 1936 to 1970 to a depth of 350 feet. Located within Chicago's city grid, the quarry supplied the dolomite used to line the cities waterways and yielded an unprecedented amount of fossils from the Silurian Age. Since 1970 the quarry has been used as a dumping site for incinerator ash, and construction debris. Designated a 'Superfund Site' due to concerns over its toxicity, the city of Chicago is currently examining the reprogramming, reuse and reclamation of the site. Students will design a series of architectural interventions and public interfaces to enable, support and house the geological and ecological processes and artifacts of the site. The Stearns Quarry site presents a unique opportunity to engage temporal change, transformation, adaptation and succession at the scale of the building, the city and the landscape. By engaging the materials on the site in a process of excavation, recycling, and recovery, the studio addresses a prolonged understanding of architecture, one that acknowledges duration within the framework of architectural design. Engaged in the unpredictable interface of nature, history, construction and imagination, we will attempt to arrest, reverse, stretch, divert, adhere and accelerate the temporal qualities of architecture. The studio hopes to arrive at a strategy of reworking the landscape, rather than a finite architectural object- a shift from product to process. In doing so, it seeks to unleash urban scaled material effects within the deep surface of the landscape.