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History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years, Spring 2006

(Complete Item Description)

Abstract:: This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Varèse, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Björk, and others.

Subject:: Humanities, Science and Technology, Social Sciences
Grade Level:: Post-secondary
Collection:: MIT OpenCourseWare

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Top Keywords

Audio Avant-garde Collage Contemporary Music DJ Drum MacHine Electronic Music Electronica Mashup Music Concrete Music Criticism Music Synthesis Noise podcast Popular Culture Rap rock Sampling Studio Production Synthesizer Tape Loop

Conditions of Use

No Strings Attached
Remix and Share
Share Only
Read the Fine Print

No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.

Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.

Your redistributing comes with some restrictions. Do not remix or make derivative works.

Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.

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