" This is the second undergraduate design studio. It introduces a full range of architectural ideas and issues through drawing exercises, analyses of precedents, and explored design methods. Students will develop design skills by conceptualizing and representing architectural ideas and making aesthetic judgments about building design. Discussions regarding architecture's role in mediating culture, nature and technology will help develop the students' architectural vocabulary."

" This is an intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects."

Intermediate workshop designed for students who have a basic understanding of the principles of theatrical design and who want a more intensive study of costume design and the psychology of clothing. Students develop designs that emerge through a process of character analysis, based on the script and directorial concept. Period research, design, and rendering skills are fostered through practical exercises. Instruction in basic costume construction, including drafting and draping, provide tools for students to produce final projects.

Design Fabrication is an introductory course in the field of advanced computing, prototyping and building fabrication. The class is focused on the relationship between design, various forms of computer modeling both explicit and generative and the physical representation of information using rapid prototyping devices.

This class serves as an introductory subject in advanced computing, rapid prototyping, and CAD/CAM fabrication for architects. It focuses on the relationship between design and various forms of computer modeling as input, and CAD/CAM tools as output material. It presents the process of design and construction using CAD files introduced by the office of Gehry Partners during the construction of the Guggenheim Museum in Bilbao, Spain. It is taught in phases starting with rapid prototyping and ending with digital mockups of building components fabricated from CAD files on a one-to-one scale.

" This course will introduce students to architectural design and computation through the use of computer modeling, rendering and digital fabrication. The course focuses on teaching architectural design with CAD drawing, 3-D modeling, rendering and rapid prototyping. Students will be required to build computer models that will lead to a full package of architectural explorations with computers. Each semester we will explore the design process of a particular building type and building material. The course also investigates a few design processes of selected architects. The course is critical of design principles and building production methods. Student Assignments and Labs are graded based on the quality of design, representation and constructability. Great design input is always encouraged."

This course introduces students to architectural design and computation through the use of computer modeling, rendering, and digital fabrication. The focus is on the exploration of space and place-making through the use of computer rendering and design construction and fabrication. Students design a small building using computer models leading to a full package of physical and virtual materials, from computer generated drawings to rapid, prototyped models.

Deals with more advanced design theories and textual analysis. Emphasis on script analysis in general, as well as from a designer's perspective. Students also refine technical skills in rendering and presentation, historical research, and analysis. Class sessions include interaction with student/faculty directors and other staff designers. Goal is for students to approach text with a fresh vision and translate that vision into design for performance.

" This class focuses on representation tools used by architects during the design process and attempts to discuss the relationship they develop with the object of design. Representation plays a key role in architectural design, not only as a medium of conveying and narrating a determined meaning or a preconceived idea, but also as a code of creating new meaning, while the medium seeks to establish a relationship with itself. In this sense, mediums of representation, as external parameters to the design process, are not neutral tools of translating an idea into its concrete form. They are neither authentic means of creativity, nor vapid carriers of an idea. Therefore, an important aspect in issues of meaning is how the architect manipulates the play of translating a concept to its concrete version, through the use of a medium of representation. The course is a continuation of the equivalent course taught in the fall semester and specifically focuses on digital media. The course is intended to establish a reciprocal relationship with the design studio, feeding from and contributing to its content."