'Black Nativity.'A Say Brother special presentation, 'Christmas in Color', features the Elma Lewis School of Fine Arts' musical adaptation of Langston Hughes' 'Black Nativity,' which was performed in-studio. Additional segments include a mime performance by Halim Adbur Rashid (Fred Johnson) and a 'Christmas Cabaret' featuring four songs by vocalist Chip Garnett with back-up vocalists Cheryl Freeman and Sheryl Shell. Produced by Barbara Barrow-Murray.

'Blast from the Past' with musician Jerry 'Iceman' Butler. Program focuses on the 25th Anniversary Celebration of the Elma Lewis School of Fine Arts, Roxbury, Mass. Host Matthew Goode (education specialist for the Committee of the Massachusetts Department of Education) speaks with Reverend George Thomas (Chairman of the Board for the National Center of Afro-American Artists and Chairman of the 25th Anniversary Committee), Vernon Blackman (Drama Director at the Elma Lewis School of Fine Arts) and Margret Morgan (longtime friend, supporter, and 'Honorary Mother' of Lewis's school) to discuss the history of the school, its importance, the community it serves, and the events that will comprise the celebration. Additional program segments include a mime performance by Halim Adbur Rashid (Fred Johnson), 'Access' (on the work of the Roxbury Medical Technical Institute), 'Information' (on how to purchase safe toys for children), 'Blast from the Past' (with an early 1970s Say Brother interview with musician Jerry 'Iceman' Butler), 'The Word' (with commentary by professor and historian A.B. Spellman), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.

Elma Lewis reads the poem 'Sympathy' by Paul Lawrence Dunbar. Program is divided into two halves: the first featuring a 30-minute in-studio poetry reading by Elma Lewis, the second of magazine-style segments. Elma Lewis, Director of the National Center of Afro-American Artists, seated with children around her, talks about what poetry is, what a poem can make you feel, and why people used to write in rhymes. Lewis focuses on two African American poets, Langston Hughes (who is 'of this time') and Paul Lawrence Dunbar, and reads selections from each. The second half contains the following segments: a mime performance by Halim Adbur Rashid (Fred Johnson) titled 'The Writer,' 'Access' (with A.D. Saunders, who describes the Boston Jazz Society), 'The Word' (with professor and historian A.B. Spellman, who comments on Black History Week), the 'Community Calendar,' 'Information' (on Minority Recruitment Month for the Peace Corps), and 'Commentary' by Producer Marita Rivero. Original air date estimated. Directed by Conrad White.

'Blast from the Past' with FCC Commissioner Benjamin Hooks. Program is divided into two halves: the first consisting of five dance segments aired in previous programs, the second of newsmagazine-style segments. Dance performances are by the Dance Company of the National Center of Afro-American Artists (performing the piece 'Doogla'), the Dance Theatre of Boston (performing 'Black Light'), and Halim Adbur Rashid (Fred Johnson, performing a mime/modern dance piece). Additional segments include 'Information' (on preparing for unemployment), 'Community Access' (on the work of the Massachusetts Housing Finance Agency and its role as a financier of mixed income developments), 'Blast from the Past' (with an excerpt from a 1972 interview with FCC Commissioner Benjamin Hooks on the need for increasing the numbers of African Americans in the television and radio professions), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero (consisting of film footage of an African American couple on a date). Produced by Marita Rivero. Directed by Conrad White.

Blast from the Past' with Raymond St. Jacques. Program is divided into two halves: the first consisting of a group interview with five African American football players from the New England Patriots, the second of newsmagazine-style segments. Guest host Tom 'Satch' Sanders talks with Ron Boulting, Mac Herron, Reggie Rucker, Sam Cunningham, and Leon Gray about their education, the violence of the game, preparing for a career after football, and the need for young players to recognize the value of an education (given the odds against playing professionally). Additional segments include 'Community Access' (on home improvement loans, lead poisoning, and requesting a housing inspection),'Blast from the Past' (with an excerpt from a 1970 interview with actor Raymond St. Jacques on Hollywood's prescribed roles for African American actors), the 'Community Calendar' (with community and cultural events listings), and 'Commentary' by Producer Marita Rivero on the need for African Americans to vote. Produced by Marita Rivero. Directed by Conrad White.

Documenting African American history. Program 109 focuses on the seizure and transport of African men, women, and children to the United States and Atlantic coast colonies. The physical transport, called 'Middle Passage,' is illustrated via the use of a filmstrip on the topic prepared by the Afro Audiovisual Company of Boston. Additional segments include the 'Historical Minute' with Georgia State Representative Julian Bond, 'Information' on why the slave trade took place, a performance by mime Fred Johnson (Halim Adbur Rashid), a filmed segment with Byron Rushing, Director of the Museum of Afro-American History in Boston, on the aims of the museum and the difficulties in documenting African American history, segment interludes with Wolf (of the musical group Mandrill), Coffee Cave and Tasha Jones (then cast member of The Wiz); 'Book Beat,' and commentary by Sarah-Ann Shaw on Third World struggles for independence. Produced by Marita Rivero. Directed by Conrad White.

'Blast from the Past' with poet and playwright Amiri Baraka. Program is composed of a variety of segments in magazine-style format. Segments include a mime performance by Halim Adbur Rashid (Fred Johnson), a poetry reading by Leah Fletcher (Langston Hughes' 'American Heartbreak,' 'Impasse,' and 'A Dream Deferred,' and Maya Angelou's 'No Loser, No Weeper,' 'Letter to an Aspiring Junkie,' and 'They Went Home'), 'Blast From the Past' with excerpts from 1968 Say Brother interviews with poet and playwright Amiri Baraka at Tufts University and comedian Bill Cosby, a musical performance by the four-person vocalist group Mystic Chain, 'Information' on selecting a day care center, the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero on the difficulties musicians face. Directed by Conrad White.

'Blast from the Past' with Cleve Sellers. Program focuses on the culture of Australian aborigines. Host/interviewer Dighton Spooner speaks with Gulpilil and other Australians about music, ceremonies, instruments, costuming, and the requirements for the survival of Australia's aboriginal culture. Interviews touch upon offers from European companies to purchase tribal lands, Australia's attempts to restore its native culture, rules governing 'mixed blood' in Australian government, the impact of African American leaders on Australia, the creative force behind aboriginal cultures, and European repression of native cultural tradition. Additional program segments include two mime performances by Halim Adbur Rashid (Fred Johnson), 'Blast From the Past' (with an interview with Cleve Sellers, member of the Cornell University development staff), 'Information' on college preparatory services, 'Access' (on the services of the Council of Elders, Inc.), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Original air date estimated. Produced by Marita Rivero. Directed by Conrad White.

A.B. Spellman comments on the pardon granted to President Richard Nixon. Say Brother presents the musical group Tavares, who perform in-studio before an audience. The Tavares brothers (Arthur Tavares, Ralph Vierra Tavares, Perry Lee Tavares, Antone Tavares, and Feliciano Tavares, aka Chubby, Tiny, Ralph, Pooch, and Butch) sing 'Am I Too Late,' 'Strangers in Dark Corners,' 'If That's the Way You Want It,' and 'Check It Out' with supporting musicians. Additional program segments include a mime performance by Halim Adbur Rashid (Fred Johnson), 'Access' (on the services of the Roxbury Defenders Committee, Inc.), 'Information' (on rent control and rent increases), 'Blast From the Past' (with an excerpt from a 1968 Say Brother interview with musician Smokey Robinson), 'The Word' (with commentary by professor and historian A.B. Spellman on the recent pardon granted by President Gerald Ford to President Richard Nixon on September 4, 1974), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.