Bruce Kent, ordained a Catholic minister in 1958, became general secretary of the Campaign for Nuclear Disarmament (CND) in 1980 and chairman in 1987, the year he resigned from the ministry. In this video segment, he challenges the damaging spin that secretary for defense Lord Michael Heseltine used to undermine CND rather than engage in public debate about nuclear policy. Kent also refutes accusations that CND was in support of 'one-sided,' full unilateral disarmament. Instead, he argues for 'sufficiency' to replace 'parity' of nuclear forces. In the interview Kent conducted for War and Peace in the Nuclear Age: 'Zero Hour,' he describes the forces that converged to revive CND and the rallies that drew hundreds of thousands of marchers to the center of London in the early 1980s. He recounts the spread of peace movements to other Western European capitals, the partnership among protest leaders from these other countries, and some of the differences in their national agendas. The 1983 Conservative Party's rise to power on the heels of the Falklands War, coupled with its forceful campaign to mischaracterize CND, halted the movement's momentum. At this point, Kent recalls, CND shifted its agenda to 'the long haul,' prioritizing long-term, international public education over large demonstrations. Kent critiques 'flexible response' what he calls 'the Achilles' heel' of the Western alliance. Nuclear war is so clearly unwinnable, he maintains, that 'parity' must yield to 'sufficiency.' As Kent sees positions like these echoed in public discourse and arms negotiations, he concludes that CND's key contribution is helping 'some serious rethinking of the basics of the whole business.'
Kevin Lynch's landmark volume, The Image of the City (1960), emphasized the perceptual characteristics of the urban environment, stressing the ways that individuals mentally organize their own sensory experience of cities. Increasingly, however, city imaging is supplemented and constructed by exposure to visual media, rather than by direct sense experience of urban realms. City images are not static, but subject to constant revision and manipulation by a variety of media-savvy individuals and institutions. In recent years, urban designers (and others) have used the idea of city image proactively-- seeking innovative ways to alter perceptions of urban, suburban, and regional areas. City imaging, in this sense, is the process of constructing visually-based narratives about the potential of places.
Theories about cities and the form that settlements should take will be discussed. Attempts will be made at a distinction between descriptive and normative theory, by examining examples of various theories of city form over time. The class will concentrate on the origins of the modern city and theories about its emerging form, including the transformation of the nineteenth-century city and its organization. It analyzes current issues of city form in relation to city making, social structure, and physical design. Case studies of several cities will be presented as examples of the theories discussed in the class.
This class presents an analysis of the development of housing models and their urban implications in Paris, London, and New York City from the seventeenth century to the present. The focus will be on three models: the French hotel, the London row house, and the New York City tenement and apartment building. Other topics covered will include twentieth-century housing reform movements and work by the London County Council, CIAM, and American public housing agencies.
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