Tradition and innovation in representative fiction of the early modern period. Recurring themes: the role of the artist in the modern period, the representation of psychological and sexual experience, the virtues (and defects) of the aggressively experimental character of so many modern books. Works by such writers as Conrad, Kipling, Isaac Babel, Kafka, James, Lawrence, Mann, Ford Madox Ford, Joyce, Woolf, Faulkner, and Nabokov.

This course seeks to develop a nuanced understanding of the scope of cultural and literary expression in the late 19th and the first half of the 20th centuries. It attends to broad socio-historical happenings, from the birth of modernism in the late 19th century to the post-modern moment. In addition to literary modernism, the course will also take a brief look at the cultural production of modernism in art, music, architecture, cinema, philosophy, and drama. Upon completion of this course, students will be able to: Define the terms modernism and modernity and explain the similarities and differences between these terms using specific works to illustrate comparison and contrast; List and explain the importance of a variety of social, cultural, and historical developments leading up to and occurring during the modern period; Cite and analyze the meaning of primary works of literature, poetry, art, music, architecture, cinema, philosophy and drama to illustrate the principle characteristics of modernism; Compare and contrast the literatures of both France and England from the start of the modern era (i.e., the turn of the twentieth century); Explain the impact of the Great War upon the development and expression of a variety of literary and artistic forms and especially on poetry in a number of genres; Describe the aftermath of World War I and its variety of effects upon literature and art and especially upon the poetry of T.S. Eliot and the novels of Virginia Woolf and Ernest Hemingway; Define High Modernism and give examples of the tenets, ideals, and even the contradictions and self-contradictions of this movement in history and literature (and especially in both its Irish and British contexts); Define the terms postmodernism and deconstruction as well as the phrase Magical Realism and identify the most important characteristics of the movements, fields, theories, and texts associated with these terms; Explain the premises of postcolonial literature and literary theory and identify, describe, compare, and contrast postcolonial texts from range of national origins. (English Literature 204)

In this course, the student will examine James Joyce's aesthetic and artistic sensibilities through close readings of his major works, placing special emphasis on Ulysses. First, the student will take a look at the life and times of James Joyce to understand his context. Then, the student will then progress through his works chronologically. By the end of this course, you will not only have read and thought critically about a number of his most celebrated works, but will have evaluated the reasons for Joyce's prestigious position within the English canon. Upon completion of this course, students will be able to: place the works of James Joyce in the context of historical events and literary developments (in Ireland as well as the broader literary community) contemporaneous to their creation; discuss the theme of place in Joyce's works, especially in The Dubliners; more specifically, students will be able to describe the notion of place in Joyce's works as it relates to identity; identify the literary strategies and techniques Joyce uses in his works and cite examples of them from the texts read in class; trace the evolution of Joyce's writing style across his different books and compare the development of shared themes in his various novels; identify and discuss the main recurring themes in James's work, including immobility, religion, and maturation, and cite examples of these from his specific texts; summarize the use of language in Joyce's works, specifically Finnegans Wake, and point to this as an example of Joyce's unique aesthetic. (English Literature 406)

Irish poet and writer James Joyce 18821941 is considered by many to be one of the most influential novelists of the twentieth century James Joyce's writing is not short on masterpieces Ulysses A Portrait of the Artists as a Young Man and Finnegans Wake inspire awe and fear in those who have read them or read about them said Parsons The Dead written when Joyce was just 25 years old is the last and most famous short story in Dubliners a collection of 14 short stories first published in 1914 The Dead centres on Dubliner Gabriel Conroy his wife Gretta and the epiphany he experiences at his aunts party In 1987 director John Huston made a film of The Dead this was adapted into a Tony Award-winning musical in 1999The Dead is a gentle warm yet finally frighteningly clear-sighted vision of middle class Irish life its pleasures and its terrors In it Joyce produces one of the most compelling accounts of the alienation of modernity and the psychological effects of colonisation This story is truly one of the great masterpieces of modern writing which cannot fail to reproduce in the reader the feeling of emptiness that engulfs these characters adrift from their cultural moorings The final paragraphs alone have become a classic statement of the sublime nature of modern life. This image used above is part of the Cornell Joyce Collection and was released into the public domain.

Subject studies important examples of the literary form that, between the beginning of the eighteenth century and the end of the nineteenth century, became an indispensable instrument for representing modern life, in the hands of such writers as Defoe, Richardson, Fielding, Sterne, Burney, Austen, Scott, Dickens, the Brontes, Eliot, Hardy, and Conrad. The class alternates between eighteenth and nineteenth century topics, and may be repeated for credit with instructor's permission.