Several special fighting forces from the United States, made up of single ethnic groups, made significant contributions during World War II, including the African American Tuskegee Airmen and the Navajo Code Talkers. The 442nd Regimental Combat Team was made up solely of Japanese Americans, some of whom were recruited directly from internment camps. (Some Japanese American men who would later become leaders, such as Senator Daniel Inouye, were members of the 442nd.) The images in this group provide a look at the lives and sacrifices of the men of the 442nd, the most highly decorated American unit in WWII. The photographs in this group were all taken for the government-run War Relocation Authority (WRA) and are meant to portray the proud patriotism of the men and their families. One photo shows three women holding their babies, with photographs of their enlisted husbands. Another is a portrait of an older couple who had five sons in the 442nd. Other photographs reflect the training the soldiers of the 442nd received, their life in the battlefield, and their triumphant homecoming. Other documents in this group show a more personal side of the men of the 442nd. One soldier's photo album depicts his personal experiences as a member of the combat team. A 50-page booklet, The Story of the 442nd Combat Team, compiled by members of the team, has this quote from Franklin D. Roosevelt on the dedication page: "Americanism is a matter of the mind and heart; Americanism is not and never was a matter of race and ancestry." On a more poignant note, oil paintings by Japanese American artist Henry Sugimoto reflect the emotions, pain, and suffering these individuals and their families experienced as a result of the war. In Senninbari (Thousand Stiches), a woman holds a scarf of remembrance as a ghostly Nisei soldier looks down from the sky. And in Send Off Husband at Jerome Camp, an internee family stays behind the camp gates as their soldier father/husband goes off to fight for the United States.
After the bombing of Pearl Harbor, President Franklin D. Roosevelt signed Executive Order 9066, which established 10 internment camps for "national security" purposes. Although most internment camps were along the West Coast, others could be found in Wyoming and Colorado, and as far east as Arkansas. One photo shows Japanese American boys in San Francisco shortly before the evacuation order; another shows a woman waiting for the evacuation bus in Hayward; approximately 660 people being evacuated by bus from San Francisco on the first day of the program; and an aerial image of people sitting on their belongings, waiting to be taken to Manzanar. The government-sponsored War Relocation Authority (WRA) hired Dorothea Lange and other photographers to take pictures of the relocation and internment of Japanese Americans. Lange?s photographs, some of which were suppressed by the WRA and only released later, often capture the irony inherent in the situation. Although internees were allowed to take only what they could carry with them to the camps, one Lange photo juxtaposes a bus poster "Such a load off my mind ? Bekins stored my things" next to a pile of internees' belongings. Another striking Lange image shows a Japanese American-owned corner store with a large "I am an American" banner hanging beneath a "Sold" sign. Another photograph of an engine's distributor, removed from a car owned by an internee, showed that people were truly prisoners at the camp, unable to drive their own cars away. Several paintings by interned Japanese American artists Henry Sugimoto and Hisako Hibi reflect their emotional experiences and give viewers a sense of what life was like for them. The paintings express the pain, suffering, and anger of those subjected to internment. Over 100,000 Japanese American men, women, and children were relocated and detained at these camps. Photographs here show people of all ages, including a grandfather and grandchild, and young children. This internment is now recognized as a violation of their human and civil rights. In 1980, the US government officially apologized and reparations were paid to survivors.
No restrictions on your remixing, redistributing, or making derivative works.
Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some
restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make
derivative works.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based
educators, or other custom arrangements. Go to the resource provider to see
their individual restrictions.
