The goal of this assignment is to deepen your understanding of the similarities and differences between several of the theories and approaches to learning, and to do so in an assignment that requires both the "right-brain" (imagination) and "left-brain" (cognitive) functions together.
In pretending, we learn to navigate with ease between real and imaginary worlds while learning the differences between them. Using our imaginations encourages original thinking, flexibility, adaptability, empathy, and the ability to generate multiple solutions to a problem. Pretend play helps us learn to think visually and spatially and to both capture and express ideas.
Intergenerational collaborative story creation lesson. Excellent for vocabulary building, speaking, imagination usage, team building. Can be used for all ages.
An examination of eighteenth-century English writers in their historical context. Authors vary but all address issues of capitalism and class mobility; romantic love and the re-definition of femininity and masculinity; the beginnings of mass culture; colonialism and international travel.
Seminar on the creativity in art, science, and technology. Discussion of how these pursuits are jointly dependent on affective as well as cognitive elements in human nature. Feeling and imagination studied in relation to principles of idealization, consummation, and the aesthetic values that give meaning to science and technology as well as literature and the other arts. Readings in philosophy, psychology, and literature.
This lesson will allow first graders to use their imagination while practicing newly learned writing skills. The end product will be wonderfully creative Leprechaun stories.
" This class examines frameworks for making and sharing visual artifacts using a trans-cultural, trans-historical, constructionist approach. It explores the relationship between perceived reality and the narrative imagination, how an author's choice of medium and method of construction constrains the work, how desire is integrated into the structure of a work, and how the cultural/economic opportunity for exhibition/distribution affects the realization of a work. Students submit three papers and three visual projects. Work is discussed and critiqued in class. Students present final projects an exhibition at the end of term. Instruction and practice in written and oral communication is provided."
This unit examines the philosophical questions surrounding the mind. You will examine how beliefs have changed over the centuries and be able to contrast the views of Descartes with more modern ideas.
This storytelling activity started out with template for a story with many sections missing. We went around the circle, with each person filling in different blank spots. Below is the final product our group created. After completing our tale, half of us did a drawing to represent the story, which is also below. The other group acted out the story and performed it for the rest of the group.
Michael and his dog Waldo, walking along a rainy beach, pool their imaginations to share a possible adventure involving a band of pirates and several monsters.
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