'The Word' with commentary by professor and historian A.B. Spellman focuses on the pardon and immunity granted to President Richard M. Nixon, based on a plea of depression. Spellman compares this to the treatment given to African Americans facing time in jail.
Aggrery Mbere interview. Program focuses on the current political situation of Africa. Host Marita Rivero speaks separately with Aggrey Mbere (member of the South African National Congress and a current instructor at Roxbury Community College) and Mugelle Otieno about developing an organization by Africans for Africans to solve Africa's problems, revamping aid programs, Secretary of State Henry Kissenger's visit to Africa, MBere's participation in the United States Civil Rights struggle, whether there are true policy changes occurring in the United States, whether liberation will occur with or without outside forces, and how Communism will factor into the struggle. Program includes the 'Community Calendar.' Produced by Marita Muhammad Rivero.
Carmen Fields interviews Frank Hector (World War II veteran) and Ralph Cooper (Vietnam veteran) about their experiences in the military. Hector talks about the accomplishments of African American soldiers and war veterans. Hector says that the military is a good experience for young African Americans. Cooper talks about the disproportionate numbers of African American soldiers in the front lines and the lack of services for veterans of color. Hector and Cooper talk about their opinions of Colin Powell (Head, US Joint Chiefs of Staff). Field's report is accompanied by footage of Powell and soldiers during the Persian Gulf War. Fields reports that many African Americans join the military to escape the high unemployment rate in the African American community. Field's report is accompanied by footage of Reverend Michael Haynes (Twelfth Baptist Church) leading a church service at the Twelfth Baptist Church. Relatives of soldiers in the Persian Gulf War stand in front of the altar to pray for the soldiers. Fields interviews Haynes. Haynes says that African American soldiers must be granted equal rights and privileges when they return home from the war. Fields' report is accompanied by footage from interviews with people on the street about African American soldiers in the Persian Gulf War. This edition of the Ten O'Clock News also included the following item: Students at Boston University attend a prayer service for peace in the Persian Gulf. BU Theology students talk about the Persian Gulf War
'Dealin'' with poet and Pan African supporter Haki MadhubutiProgram focuses on the meaning, nature, and support of the liberation of African countries by African Americans. Program segments include an excerpt from Henry Johnson's film on the African Liberation Day March in Washington, DC, May 27, 1972 (including footage of Boston residents preparing for the trip to Washington, DC, and event speeches by Charles Diggs, Michigan Congressman and United Nations Delegate and organizer for African self-determination, and Elaine Brown, two years before she became President of the Black Panthers), 'Dealin'' with poet and Pan African supporter Haki Madhubuti (formerly Don L. Lee) discussing the nature of Pan Africanism, 'Commentary' by Askia Muhammad (poet, activist, and journalist) on the disparity between United States support of self-determination for nations and its actual practice in Africa, 'Information' on the meaning of 'African liberation,' interview and performance footage of vocalist Syreeta Wright, and segment interludes featuring Grover Washington (jazz musician), Tasha Thomas (of musical production The Wiz), and Fred Cash (of the musical group The Impressions). Produced by Marita Rivero. Directed by Conrad White.
Caroline Hunter comments on the struggle for African liberation. Guests Caroline Hunter, Dinizulu Ceitou (both of Boston's African Liberation Day Committee), and Christopher Nteta (of the Pan African Liberation Committee) discuss the liberation struggle in Mozambique with host Topper Carew. Topics include Frelimo (the African freedom fighters in Mozambique), the influence of African American support on the cause, the relationship between corporations and the seizure of African land, the need for violence to achieve liberation, the relationship between racism and colonization, and the need for African Americans to recognize that the African struggle is their own. Program includes a 30-minute film titled 'The Struggle Continues (A Luta Continua),' which documents the work of the resistance. Produced by Topper Carew. Directed by Conrad White.
Carmen Fields reports on the restoration of the African Meeting House on Beacon Hill. Fields reports that the Meeting House is the oldest African American church in the nation and that it was gutted by fire in 1973. Fields interviews Philip Hart (Board of Directors, African Meeting House) and Ruth Batson (Director, African Meeting House) for the report. Hart talks about the significance of the Meeting House. Batson talks about plans for music, scholarly debate, and religious services at the Meeting House. Fields notes that a series of rededication programs will begin soon. Fields' report is accompanied by footage of construction workers and staff at the Meeting House and by photographs documenting the history of African Americans in Boston.
Aggrey Mbere, a native South African and member of the Organization of South African Students, talks about the day to day struggles of Blacks in South Africa under apartheid.
'Blast from the Past' with Jesse Jackson. Program focuses on the history of three of Africa's ancient kingdoms: Ghana, Mali, and Songhay. To accomplish this, Say Brother Producer Marita Rivero and her guest Musa Eubanks (of the Afro Audiovisual Company of Boston) discuss and then introduce a filmstrip created by the Afro Audiovisual Company in conjunction with the Unitarian Universalist Association. The program serves to illustrate that the liberation of African Americans from colonized thinking can only be done so via the reexamination and revised representation of Blacks in Africa -namely, that Africa had an economic, cultural, and social history before European intervention. Also included are Say Brother segments 'Blast From the Past' (featuring an interview with Jesse Jackson from 1971), 'The Word' (featuring professor and historian A.B. Spellman's plea for more serious jazz on radio), 'Access' (which provides a summary of the work of the New World News Network), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.
'Dealin'' with African drummer Babatunde Olatunji. Program consists of numerous segments related to African heritage, the first of which is an excerpt from a filmstrip on the fall of the Songhay Empire in West Africa by the Afro Audiovisual Company of Boston. Additional segments include 'Bookbeat,' a 'Spotlight' stage performance by actress Beah Richards, 'Dealin'' with African drummer Babatunde Olatunji, 'Information' on traveling to Africa, and 'Commentary' by Sarah-Ann Shaw on the lack of African history lessons in the American classroom. Produced by Marita Rivero. Directed by Conrad White.
Deborah Wang reports that notes that Andrew Young (Mayor of Atlanta) was the keynote speaker at a gathering of the NAACP Legal Defense Fund gathered in Boston this evening. Wang notes that many members of the Legal Defense Fund are skeptical of President George Bush's commitment to civil rights; she adds that civil rights advocates are worried about Bush making conservative appointments to the judiciary. Wang interviews Young about Bush's presidency and his possible judicial appointments. Young says that Bush did not exhibit fairness and decency during the presidential campaign. Wang interviews Tom Franklin and Rona Kiley of the NAACP Legal Defense Fund. Franklin and Kiley say that Bush is beholden to the conservative wing of the Republican Party. Wang reports that there will be several openings in lower courts and a possible opening on the Supreme Court during Bush's term in office. Wang's report is accompanied by footage of the NAACP Legal Defense Fund gathering, by footage of Bush giving a speech and by footage of Ronald Reagan (former US President) standing by as a judge is sworn in.
Fritz Wetherbee reports that Annie Johnson (Boston resident) will receive the Living Legacy Award in Washington DC. Wetherbee reports that Johnson grew up in Boston and organized domestic workers through the Women's Service Clubs of Boston in the 1960s. Wetherbee notes that Johnson led the workers on a campaign for benefits. Wetherbee interviews Johnson in her home. Johnson talks about the importance of helping others. Johnson discusses her relative, Eleanor Graves Chandler, who was an early community activist. Wetherbee's report is accompanied by footage of Johnson preparing chicken in her kitchen and by footage of Johnson visiting a senior citizen meal program at the Grace Baptist Church.
Apartheid protesters gather in front of the South African Consulate at 100 Charles River Plaza in Boston. Mel King (political activist), Charles Yancey (Boston City Council) and Willard Johnson (Head, TransAfrica) demand to see Richard Blankstein (honorary consul to South Africa). Police officers bar entry to the building. Johnson announces that the protestors will ask for Blankstein's resignation from his post. He adds that they will ask Blankstein's law firm to sever ties with South Africa. Johnson and the others are eventually allowed to enter the building. Tug Yourgrau does several takes of his reportage for a news story about the protest. Police, protesters and the media wait outside of the building.Themba Vilakazi (member, African National Congress) exits the building to announce the resignation of Blankstein. Johnson, King and Yancey exit the building. Johnson reads a statement of resignation from Blankstein. The statement reads that Blankstein is not a supporter of apartheid. Johnson announces a victory for the protesters. Johnson, King and Yancey walk over to a group of protesters on the street. Charles Stith (Union United Methodist Church) leads the protesters in a chant. Johnson announces the resignation of Blankstein. The crowd cheers.
A panel of students addresses an audience of faculty members, students and other at Tufts University. A student speaks about the university's policy on divestiture from South Africa. The student calls on the Board of Trustees to divest completely from South Africa. Another student talks about the protesters' efforts to contact and negotiate with the university administration and Board of Trustees. A group of students hold a small meeting at a shantytown set up on the Tufts University campus. A large banner reads, 'Divest now.' Protesters talks about their efforts to communicate with the university administration and Board of Trustees on the issue of divestment from South Africa. The protesters accuse Jean Mayer (President, Tufts University) of not cooperating with the students. One protester promises radical action on campus if the university does not divest. The protesters say that the Board of Trustees is ducking the issue. They accuse the Board of ignoring the voices of students and faculty. The tape features shots of the shantytown on the Tufts campus.
Agha Ibrahim Akram was a lieutenant general who served in the Pakistan Army during the 1965 and 1971 wars with India. In this video segment, Akram recalls 1974 as the watershed year when India detonated a nuclear explosive and took one step toward becoming a nuclear power in hopes of enhancing its global status. That moment also coincided with skyrocketing oil prices, which stiffened Pakistan's resolve to develop nuclear energy for electricity and, if need be, weapons. The interview Akram conducted for War and Peace in the Nuclear Age: 'The Haves and Have-Nots' concentrates on the history of tension and conflict between Pakistan and India. He reviews the three wars: the devastating bloodshed that followed partition in 1947, the pride he felt in 1965 as chief of staff of an infantry division along the West Pakistan border, and his bitterness toward India over the Bangladesh war in 1971. Despite the persistence of tension between Pakistan and India, Akram recognizes circumstances in which their perspectives and geopolitical positions meet. For instance, he fully supports India's critique of the Nuclear Non-Proliferation Treaty: that the major nuclear powers only selectively enforce and adhere to its provisions. He wishes that South Asia could be a nuclear-weapons-free zone but is willing to settle for India and Pakistan's interdependence: 'The two countries are the protagonists of South Asia. We'll actually cross the threshold together or not cross it at all.'
Subject:
Humanities, Science and Technology, Social Sciences
Dance and drumming company The Art of Black Dance and Music, under the guidance of Artistic Director DiAma Battle, performs harvest dances from Guinea, Gambia, Nigeria, and Senegal, and explain the seven principles of Kwanzaa (one for each day of celebration).
David Sakura recalls life in Japanese detention camps in the United States during World War II. Program celebrates President Carter's bill proclaiming May 4 - May 10 Asian Pacific Heritage Week in honor of the cultural traditions of Asian Americans. Host Barbara Barrow-Murray speaks with Dr. David Sakura (part of Boston's Asian Pacific Heritage Week planning committee and member of the Japanese American Citizen's League) and Tin Yue Wan (a noted Chinese artist) in separate interviews. Topics of discussion with Sakura include the meaning of Asian Pacific Heritage Week, the difficulties in getting such a bill passed, the educational work of the Japanese American Citizens League, and Japanese detention camps in the United States during World War II. Topics with Wan include the five styles of Chinese painting, how his work has been received, and what his life was like in Hong Kong. Program includes a mini "gallery talk" by Wan. Translation of Wan's responses to Murray provided by Wan's daughter. Program includes a previously aired dance segment from Program 822, "Celebrate the Year of the Horse." Produced by Barbara Barrow-Murray.
From 1969 to 1973, Paul Nitze served as a member of the U.S. delegation to the Strategic Arms Limitations Talks (SALT). In this video segment, Nitze describes the useful role that 'back channel' negotiations can play and discusses the particular problems with national security adviser Henry Kissinger's negotiations in the final days of SALT I. The second part of the segment addresses Watergate's impact on Nitze's participation in SALT II.Nitze's interview conducted for War and Peace in the Nuclear Age: 'One Step Forward' focuses on SALT I and SALT II. He recounts how he became part of the SALT I delegation, the key issues within the negotiating process, and the initial position statements he drafted for the Soviet delegation. Increasingly critical of U.S. arms policy, Nitze re-formed the Committee on Present Danger, which argued for a massive military buildup of U.S. forces in the post-Vietnam period. He spends considerable time in his interview going over the then-persistent threat of Soviet expansionism. Nitze explains his objection to President Jimmy Carter's nomination of Paul Warnke as his chief arms negotiator. He also explains his opposition to the SALT II Treaty, which he saw as codifying Soviet superiority in missile megatonnage and throw-weight.
This student module has been developed to help students in the practical and professional areas become aware of the ethical issues that often arise in the pursuit of employment. The point of departure is the "Guidelines to Professional Employment for Engineers and Scientists" set forth by the IEEE (Institute of Electrical and Electronics Engineers) and republished by Stephen Unger in his book, Controlling Technology: Ethics and the Responsible Engineer, 2nd Ed. Each intermediate moral concept set forth in the guidelines is challenged by a case. Students from past professional and occupational classes at the University of Puerto Rico at Mayaguez have provided the cases. While realistic, these cases are not necessarily representative of actual historical events since in some occasions confidentiality concerns have led to the altering and generalizing of some facts. To add another dimension to this module, each case requires a decision as well as the application of concepts to realistic situations. This student module is being developed as part of an NSF-funded project, "Collaborative Development of Ethics Across the Curriculum Resources and Sharing of Best Practices," NSF SES 0551779.
Clark Clifford was special counsel to President Harry S. Truman from 1946 to 1950. In this video segment, he recounts the 1948 Berlin blockade-the first major East-West confrontation in which Western policymakers were required to grapple with choices that risked war with the Soviet Union, a power seen as capable of overrunning Western Europe. Clifford recalls assessing the risk of an unexpected escalation of tension if moves made by the West were perceived as provocations. He heralds the decision to airlift supplies to Berlin in order to fracture the Soviet blockade, although at the time, few believed the airlift could fully supply the city. In the interview Clifford conducted for War and Peace in the Nuclear Age: 'The Weapon of Choice,' he looks back at key moments of the Truman presidency. He recalls his role in drafting what became known as the Truman Doctrine, a founding speech of the "containment order" in which the administration generalized its obligations to Greece and Turkey into a commitment to resist Soviet expansionism wherever it occurred. Following his work on the Truman Doctrine, Clifford helped formulate the Marshall Plan speech, which outlined a program to aid in the rebuilding of a devastated post-war Europe. This speech was part of the United States' search for a new economic order at home and abroad. As the president's top policy adviser, Clifford was on hand for Truman's private reactions. They included shock, disappointment, and hopefulness, as well as anxiety about entering the nuclear age as hostilities with the Soviet Union were deepening and the electorate was becoming increasingly war weary.
Subject:
Humanities, Science and Technology, Social Sciences
Bill Viola's 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen). This short excerpt shows a man seated on his couch, the only sounds heard being the load ticking of a clock, and the man's breathing.
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