This course encourages students to develop an interest in and appreciation for art in all its variety, and promotes expression of this appreciation in an informed and critical way. Upon successful completion of this course, student will be able to: provide several different definitions of the term "Visual arts"; explain the debates that surround the act of defining art; list and discuss some of the roles that the visual arts have historically played; define and apply terms used to describe and analyze a work of visual art; describe and discuss works of visual art using appropriate vocabulary; define and explain in a technical fashion the different methods, mediums, and materials that artists use to create two-dimensional and three-dimensional works of visual art; compare and contrast different methods, mediums, and materials artists use to create two-dimensional and three-dimensional works of visual art; identify the important stylistic developments in the history of art; compare and contrast the artistic styles that have defined different historical eras and geographies; demonstrate an awareness of the importance of acknowledging cultural and historical contexts when approaching art. (Art History 101)

This course seeks to develop a nuanced understanding of the scope of cultural and literary expression in the late 19th and the first half of the 20th centuries. It attends to broad socio-historical happenings, from the birth of modernism in the late 19th century to the post-modern moment. In addition to literary modernism, the course will also take a brief look at the cultural production of modernism in art, music, architecture, cinema, philosophy, and drama. Upon completion of this course, students will be able to: Define the terms modernism and modernity and explain the similarities and differences between these terms using specific works to illustrate comparison and contrast; List and explain the importance of a variety of social, cultural, and historical developments leading up to and occurring during the modern period; Cite and analyze the meaning of primary works of literature, poetry, art, music, architecture, cinema, philosophy and drama to illustrate the principle characteristics of modernism; Compare and contrast the literatures of both France and England from the start of the modern era (i.e., the turn of the twentieth century); Explain the impact of the Great War upon the development and expression of a variety of literary and artistic forms and especially on poetry in a number of genres; Describe the aftermath of World War I and its variety of effects upon literature and art and especially upon the poetry of T.S. Eliot and the novels of Virginia Woolf and Ernest Hemingway; Define High Modernism and give examples of the tenets, ideals, and even the contradictions and self-contradictions of this movement in history and literature (and especially in both its Irish and British contexts); Define the terms postmodernism and deconstruction as well as the phrase Magical Realism and identify the most important characteristics of the movements, fields, theories, and texts associated with these terms; Explain the premises of postcolonial literature and literary theory and identify, describe, compare, and contrast postcolonial texts from range of national origins. (English Literature 204)

At the outset of the 16th century, Europeans tended to dismiss English literature as inferior to continental literary traditions; the educated Englishman was obliged to travel to the continent and speak in other languages in order to culture himself. By the end of the Renaissance, however, some of the greatest works in the English language from Shakespeare's dramas to Thomas More's Utopia had been written. In this course, the student will read and examine these works, situating them within their socio-historical and literary contexts, while attempting to determine how the art of English language and letters came into its own during this dynamic period. (English Literature 202)

This course will reinforce writing skills by introducing the student to basic research techniques and applying them to development of a research paper. The student will have the opportunity to practice all of the essential elements of preparing a piece of academic writing, planning, researching, formulating an argument, writing, rewriting, editing and formatting for presentation gaining skills valuable across many disciplines. Upon successful completion of this course, the student will be able to: Define the relationship of research techniques to academic work in various disciplines; Refine research within a recursive writing process, identifying and using rhetorical strategies as well as practicing critical thinking and reading; Identify the various kinds of research used to produce written work in academic disciplines; Identify and use tools for conducting Internet-based and library research; Demonstrate critical and analytical thinking in locating, evaluating, and using research; Use quotes, paraphrases, and summaries to strengthen written arguments and avoid plagiarism; Cite and document information sources in accordance with MLA style requirements; Use information from resources as structural elements in an academic paper; Review and practice the grammatical and rhetorical skills necessary to successful academic writing. (English 002)

This course introduces the history and practice of English as a scholarly discipline. After outlining basic approaches to the text, the course embarks upon a genre-study, devoting each of the four remaining units to a different genre of writing: poetry, the novel, drama, and rhetoric and the critical essay. Upon successful completion of this course, students will be able to: demonstrate mastery and/or awareness of the major skills, techniques, and approaches necessary for college-level literary and cultural studies; explain and employ in close readings of texts (i.e., poems, novels, plays, etc.) a variety of approaches to textual and discourse analysis; define and identify a number of theoretical approaches to literary and cultural studies (such as Marxist, feminist, and New Historicist approaches); employ poetic scansion and analysis techniques in the analysis of poetry; explain basic concepts in narrativity and be able to identify various forms of the novel; define a number of dramatic techniques and forms of theater and drama; recognize, compare, and contrast a variety of rhetorical forms and terms as well as concepts involving the essay form. (English Literature 101)

Sociology is the study of human social life. Human social life is complex and encompasses many facets of the human experience. Because of the complexity, the discipline of sociology subdivided over time into specialty areas. The first section of this book covers the foundations of sociology, including an introduction to the discipline, the methods of study, and some of the dominant theoretical perspectives. The remaining chapters focus on the different areas of study in sociology.

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In this course, we will study the history of Western art, beginning with the first objects created by prehistoric humans around 20,000 years ago and ending with the art and architecture of the High Gothic period in fourteenth-century Europe. The information presented in this course will provide you with the tools to recognize important works of art and historical styles, as well as to understand the historical context and cultural developments of Western art history through the end of the medieval period. Upon successful completion of this course, student will be able to: demonstrate an understanding of the general arc of the history of the Western world, from Prehistory through the end of the medieval period; identify the major historical events in Western history and the roles of various religious and political leaders in these events; demonstrate an understanding of the vital role that imagery played as various cultures have sought to perpetuate religious, political, and cultural ideologies; understand the relationships between various cultures over timeŃhow cultures build on the traditions of older cultures to create something new; identify the major stylistic developments in Western art from Prehistory through the end of the Medieval period; discuss the different techniques used by Western artists from the Prehistoric through the Medieval periods and understand which techniques were favored by which cultures; demonstrate an understanding of how technological developments over the course of history changed the appearance, function, and reception of works of art; identify the culture and art-historical period in which works of art were created, based on an understanding of distinctive stylistic features; demonstrate an understanding of how cultures coexisting in different geographical regions related to one another, and how artistic styles were transmitted from one region to another; identify specific monuments and be able to provide basic identifying information: title, date, location, artists, patrons, and art-historical period (i.e. Prehistoric, Egyptian, Ancient Near East, Gothic, etc). (Art History 110)

This course provides an in-depth introduction to the philosophical problems surrounding death; it is organized around the lectures of Shelly Kagan, Professor of Philosophy at Yale University, who develops his own philosophy of death over the length of the course. Its major purpose, aside from familiarizing you with the writings of major philosophers on the subject of death, is to teach you how to think about death philosophically to decide for yourself what you believe about death and to provide careful and convincing arguments for those beliefs. Upon successful completion of this course, the student will be able to: Discuss the philosophical issues connected with death: what it is, whether it is good or bad, and its significance in terms of the way we choose to live; Explain the inter-relatedness of questions about death and questions about personal identity and the self; Differentiate between dualist and physicalist conceptions of death and specify the particular consequences of each approach; Describe the multiplicity of cultural, religious, and philosophical views about death and the soul; Discuss major philosophical arguments for and against the immortality of the soul; Articulate major theories of personal identity, and provide reasoned criticisms of these major theories of personal identity; Explain and evaluate the view of death presented in literary works such as Leo Tolstoy's The Death of Ivan Ilyich; Discuss in a philosophical way certain value-theoretic questions about death: whether it is inherently good or bad, whether it presents us with obligations to live our lives in a certain way, and whether it is permissible to end life prematurely; Describe the existentialist view of death and the notion that it gives life meaning by restricting its shape and scope; Explain the various ways in which this limiting feature of death has been interpreted. (Philosophy 201)

Psychotherapy refers to the practices clinical psychologists use to treat mental disorders. While 'therapy' can denote any intervention undertaken with the goal of healing someone (including medicinal treatments for physical problems), psychotherapy is specific in that it uses certain cognitive, behavioral, and emotional regulation techniques. Upon successful completion of this course the student will be able to: Define psychotherapy and describe the historical development of its practice; Identify the qualities most useful in a psychotherapist; Discuss the different ways in which psychotherapy affects both patient/client and counselor/therapist; Describe how each theory/therapy conceptualizes a) human nature, b) psychopathology, and c) the therapeutic change process; Identify the major therapeutic techniques used to promote change in each type of therapy; Compare and contrast individual theories/therapies with family theories/therapies; Describe a) the important historical figures associated with each theory and b) the historical context in which the theory emerged.

This course will introduce you to the concepts of social psychology, which focuses primarily on the individual's psychology as part of the group or society. Because humans are social creatures and almost invariably exist in a social context, social psychology deals with a huge range of aspects of human life, including love, attraction, aggression, helping behaviors (or altruism), and obedience. Upon successful completion of this course, students will be able to: Identify the specific areas of research interest within the field of social psychology; Read and understand articles pertaining to experiments and other empirical research in the field of social psychology; Outline the basic methodology, results, and impact of seminal research studies in social psychology (e.g., Milgram's study, Asch's study, Festinger's study, etc.); Explain how the notion of the 'self' contributes to cognitive processes in social interaction; Demonstrate an awareness of the main research findings in the area of social persuasion; Define the term 'attitude' and identify the mechanisms behind attitude change; Discuss the cognitive and affective theories/components linked to stereotypes, prejudice, and discrimination; Identify the basic properties of and factors involved in interpersonal attraction and the formation and maintenance of relationships; Demonstrate an awareness of the breadth and importance of social psychological research and its impact in the field of psychology. (Psychology 301)