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(Complete Item Description)
- Abstract:
This course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Varèse, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Björk, and others.
- Subject:
- Humanities, Science and Technology, Social Sciences
- Grade Level:
- Post-secondary
- Collection:
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MIT OpenCourseWare
Remix and Share

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(Complete Item Description)
- Abstract:
SPARK explores experimental music with Matt Davignon as he curates "Live Play" at Artist's Television Access, the first event in San Francisco's Soundwave Series. This Educator Guide is about the history of experimental music and sound art.
- Subject:
- Arts
- Grade Level:
- Primary, Secondary
- Collection:
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KQED Education Network
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