This course will acquaint the student with some of the ancient Greek contributions to the Western philosophical and scientific tradition. We will examine a broad range of central philosophical themes concerning: nature, law, justice, knowledge, virtue, happiness, and death. There will be a strong emphasis on analyses of arguments found in the texts.

History of Ancient Greece from the Bronze Age to the death of Alexander. Major social, economic, political, and religious trends. Homer, heroism, and the Greek identity; the hoplite revolution and the rise of the city-state; Herodotus, Persia, and the (re)birth of history; Empire, Thucydidean rationalism, and the Peloponnesian War; Platonic constructs; Aristotle, Macedonia, and Hellenism. Emphasis on use of primary sources in translation.

This course will cover the origins of cancer and the genetic and cellular basis for cancer. It will examine the factors that have been implicated in triggering cancers; the intercellular interactions involved in cancer proliferation; current treatments for cancer and how these are designed; and future research and treatment directions for cancer therapy. Upon successful completion of this course, the student will be able to: explain how the perception of cancer and theories of its causes have changed throughout history because of important discoveries made by scientists, researchers, and physicians; summarize the importance of understanding cell biology in the study of cancer, its causes, it progression, and its treatment; outline the transcription and translation processes used to convert DNA into proteins and what changes occur that convert proto-oncogenes into oncogenes and lead to unchecked cell growth and cancer; compare and contrast the mechanisms by which activation of oncogenes, loss of tumor suppressors, loss of cell cycle checkpoints, and development of faulty DNA repair lead to cancer; describe the various cancer prevention mechanisms including risk assessment, screening, and lifestyle and environmental modification; list the past, current, and future cancer treatments and the mechanism by which these target cancer causing cells. (Biology 404)

This course surveys the social science literature on civil war. Students will study the origins of civil war, discuss variables that affect the duration of civil war, and examine the termination of conflict. This course is highly interdisciplinary and covers a wide variety of cases.

This unit examines Hume's reasons for being complacent in the face of death, as these are laid out in his suppressed essay of 1755, ‘Of the immortality of the soul’. More generally, they examine some of the shifts in attitude concerning death and reli

There is one thing I can be sure of: I am going to die. But what am I to make of that fact? This course will examine a number of issues that arise once we begin to reflect on our mortality. The possibility that death may not actually be the end is considered. Are we, in some sense, immortal? Would immortality be desirable? Also a clearer notion of what it is to die is examined. What does it mean to say that a person has died? What kind of fact is that? And, finally, different attitudes to death are evaluated. Is death an evil? How? Why? Is suicide morally permissible? Is it rational? How should the knowledge that I am going to die affect the way I live my life?

SPARK visits ceramicist Richard Shaw in his Fairfax studio as he scrambles to finish work for an upcoming one-person gallery show. This Educator Guide traces the history of the trompe l'oeil technique in art up through the Bay Area movement of realism in ceramics.

Subject has three goals: introduces students to the classic works on ethnic politics, familiarizes students with new research and methodological innovations in the study of ethnic politics, and helps students design and execute original research projects related to ethnic politics. Readings drawn from across disciplines, including political science, anthropology, sociology, and economics. Students read across the four subfields within political science. Graduate students specializing in any subfield are encouraged to take this subject, regardless of their previous empirical or theoretical background. Subject designed as a year-long research workshop, but may also be taken in either semester. This course is designed mainly for political science graduate students conducting or considering conducting research on identity politics. While 17.504 Ethnic Politics I is designed as a primarily theoretical course, Ethnic Politics II switches the focus to methods. It aims to familiarize the student with the current conventional approaches as well as major challenges to them. The course discusses definition and measurement issues as well as briefly addressing survey techniques and modeling.

This online article is from the Museum's Seminars on Science, a series of distance-learning courses designed to help educators meet the new national science standards. Scenario: Immortality, part of the Genetics, Genomics, Genethics seminar, briefly covers: the age-old quest for eternal life and youth; the recent discovery of telomeres and telomerase; how this discovery could revolutionize the way we treat disease and aging; the ethical and ecological issues that could arise.

" Through a progressive series of composition projects, students investigate the sonic organization of musical works and performances, focusing on fundamental questions of unity and variety. Aesthetic issues are considered in the pragmatic context of the instructions that composers provide to achieve a desired musical result, whether these instructions are notated in prose, as graphic images, or in symbolic notation. No formal training is required; this version of the class is a general elective suitable for a relatively large-enrollment class. Weekly listening, reading, and composition Assignments and Labs draw on a broad range of musical styles and intellectual traditions, from various cultures and historical periods."

This unit will explore how knowledge and beliefs about death and encounters with death affect people's lives. It will also examine the concept of a 'good death' from an individual perspective in order to enhance the quality of dying.

This course provides an in-depth introduction to the philosophical problems surrounding death; it is organized around the lectures of Shelly Kagan, Professor of Philosophy at Yale University, who develops his own philosophy of death over the length of the course. Its major purpose, aside from familiarizing you with the writings of major philosophers on the subject of death, is to teach you how to think about death philosophically to decide for yourself what you believe about death and to provide careful and convincing arguments for those beliefs. Upon successful completion of this course, the student will be able to: Discuss the philosophical issues connected with death: what it is, whether it is good or bad, and its significance in terms of the way we choose to live; Explain the inter-relatedness of questions about death and questions about personal identity and the self; Differentiate between dualist and physicalist conceptions of death and specify the particular consequences of each approach; Describe the multiplicity of cultural, religious, and philosophical views about death and the soul; Discuss major philosophical arguments for and against the immortality of the soul; Articulate major theories of personal identity, and provide reasoned criticisms of these major theories of personal identity; Explain and evaluate the view of death presented in literary works such as Leo Tolstoy's The Death of Ivan Ilyich; Discuss in a philosophical way certain value-theoretic questions about death: whether it is inherently good or bad, whether it presents us with obligations to live our lives in a certain way, and whether it is permissible to end life prematurely; Describe the existentialist view of death and the notion that it gives life meaning by restricting its shape and scope; Explain the various ways in which this limiting feature of death has been interpreted. (Philosophy 201)

(ocanto@uady.mx) is a tenured researcher and immediate past director of the

describes the struggle for control of the vital Mississippi River during the Civil War. It discusses the tactics, theories, and ramifications of this battle between the North and the South. The site features maps, firsthand accounts, and photographs, as well as lessons and activities.

This work attempts to demonstrate the significant possibility (as contrast to the superhyperbolic or the least possibility) in an apparently inanimate thing, like a stone, being conscious. According to the semi-idealistic framework of the NSTP (Non – Spatial Thinking Process) theory, any spatial, and therefore illusive/virtual, entity may have (real non-spatial) feelings/states of consciousness associated with it, provided it has an appropriate conceptual representation in the superhuman engine. A stone, for example, being an apparently spatial entity, may have conceptual representation in the superhuman mind/NSTPs/engine so as to be conscious. Thus, it may be that a broken stone feels pain till its death and then its pieces become conscious. The kind/type of states of consciousness associated with a stone depends entirely upon the kind/type of conceptual representation it has in the superhuman engine.

" This class explores the relationship between music and the supernatural, focusing on the social history and context of supernatural beliefs as reflected in key literary and musical works from 1600 to the present. Provides a better understanding of the place of ambiguity and the role of interpretation in culture, science and art. Explores great works of art by Shakespeare, Verdi, Goethe (in translation), Gounod, Henry James and Benjamin Britten. Readings will also include selections from the most recent scholarship on magic and the supernatural. Writing Assignments and Labs will range from web-based projects to analytic essays. No previous experience in music is necessary. Projected guest lectures, musical performances, field trips."

Chapter Twelve of Marcia Brennan's Flowering Light: Kabbalistic Mysticism and the Art of Elliot R. Wolfson