This course will introduce the student to the art and architecture of Africa from a Western art historical perspective. This course will emphasize the role of art as manifested in the lifestyles, spiritualities, and philosophies of particular African societies, while also broaching aesthetic principles and the study and display of African art. Upon successful completion of this course, the student will be able to: demonstrate an understanding of transitions in the national geography of the African continent from the 17th century to the present; demonstrate an understanding of the ethnic diversity and distinct cultural traditions among people of Africa; identify and discuss materials and techniques employed in the creation of a range of African artistic and architectural works; discuss the functions and meanings of a range of African art forms; identify traditional styles and forms strongly associated with particular cultural groups. (Art History 304)

This lecture course provides students with a comprehensive introduction to the international relations of the People's Republic of China. China's foreign relations during the Cold War as well as contemporary diplomatic, security and economic issues will be examined to identify and explain China's foreign policy goals and their implementation since 1949. Throughout, this course will investigate the sources of conflict and cooperation in China's behavior, assessing competing explanations for key events and policies. Readings will be drawn from political science, history, and international relations theory.

This course will serve as both an introduction to contemporary political philosophy and a way to explore issues of pluralism and multiculturalism. Racial and ethnic groups, national minorities, aboriginals, women, sexual minorities, and other groups have organized to highlight injustice and demand recognition and accommodation on the basis of their differences. In practice, democratic states have granted a variety of group-differentiated rights, such as exemptions from generally applicable laws, special representation rights, language rights, or limited self-government rights, to different types of groups. This course will examine how different theories of citizenship address the challenges raised by different forms of pluralism. We will focus in particular on the following questions: - Does justice require granting group-differentiated rights? - Do group-differentiated rights conflict with liberal and democratic commitments to equality and justice for all citizens? - What, if anything, can hold a multi-religious, multicultural society together? Why should the citizens of such a society want to hold together?

This course examines cultural performances of Asia, including both traditional and contemporary forms, in a variety of genres. Students will explore the communicative power of performances with attention to the ways performers, media, cultural settings, and audiences interact. The representation of cultural difference is considered and how it is altered through processes of globalization. Performances are viewed live when possible, but the course also relies on video, audio, and online materials as necessary.

SPARK follows Artistic Director Margaret Jenkins as she rehearses her company dancers in preparation for "Danger Orange," an outdoor site-specific performance in downtown San Francisco. This Educator Guide is about the history of modern dance and the contributions of some its most innovative choreographers, including Jenkins.

A brief history of conflicting ideas about mankind's relation to the natural environment as exemplified in works of poetry, fiction, and discursive argument from ancient times to the present. What is the overall character of the natural world? Is mankind's relation to it one of stewardship and care, or of hostility and exploitation? Readings include Aristotle, The Book of Genesis, Shakespeare, Descartes, Robinson Crusoe, Swift, Rousseau, Wordsworth, Darwin, Thoreau, Faulkner, and Lovelock's Gaia. This subject offers a broad survey of texts (both literary and philosophical) drawn from the Western tradition and selected to trace the growth of ideas about nature and the natural environment of mankind. The term nature in this context has to do with the varying ways in which the physical world has been conceived as the habitation of mankind, a source of imperatives for the collective organization and conduct of human life. In this sense, nature is less the object of complex scientific investigation than the object of individual experience and direct observation. Using the term "nature" in this sense, we can say that modern reference to "the environment" owes much to three ideas about the relation of mankind to nature. In the first of these, which harks back to ancient medical theories and notions about weather, geographical nature was seen as a neutral agency affecting or transforming agent of mankind's character and institutions. In the second, which derives from religious and classical sources in the Western tradition, the earth was designed as a fit environment for mankind or, at the least, as adequately suited for its abode, and civic or political life was taken to be consonant with the natural world. In the third, which also makes its appearance in the ancient world but becomes important only much later, nature and mankind are regarded as antagonists, and one must conquer the other or be subjugated by it.

Marcia Brennan's book on the art and thought of Elliot R. Wolfson

This subject, required of all first-year PhD students in political science. introduces fundamental ideas, theories, and methods in contemporary political science through the study of a small number of major books and articles that are intrinsically good and have been influential in the field. The first semester focuses principally on issues of political theory and international relations, while the second (taught this year by Roger Petersen) focuses principally on American and comparative politics. Readings in the fall semester from Rawls, A Theory of Justice; Hayek, The Constitution of Liberty; Arrow Social Choice and Individual Values; Olson, The Logic of Collective Action; Waltz, Theory of International Relations; Bull, The Anarchical Society; Foucault, Discipline and Punish; Elster, Cement of Society; Keohane, After Hegemony, Allison and Zelikow, The Essence of Decision, and Doyle, "Kant, Liberal Legacies, and Foreign Affairs."

Studies important twentieth-century texts from Spain and Latin America that represent the principal fictional genres--poetry, theatre, short story, and the novel. Includes works by Bombal, Lorca, Neruda, Vallejo, Machado, and García Márquez. Taught in Spanish. Subject offered Spring 2003 and Fall 2004.

Studies important twentieth-century texts from Spain and Latin America that represent the principal fictional genrespoetry, theatre, short story, and the novel. Includes works by Bombal, Lorca, Neruda, Vallejo, Machado, and Garca Mrquez. Taught in Spanish. Subject offered Spring 2003 and Fall 2004.

Modern dance choreographer Brenda Way inspires her Oberlin Dance Company dancers to work harder and accomplish more than they ever dreamed possible. This Educator Guide addresses the history and uniqueness of ODC/San Francisco and dance in San Francisco.

SPARK follows pioneering composer Terry Riley as he works with David Harrington and the Kronos Quartet on "The Cusp of Magic". This Educator Guide traces the history of minimalism and serialism in music, highlighting key contributions by noted composers such as Riley and Kronos Quartet.

In this course, we will investigate popular culture and narrative by focusing on the relationship between literary texts and comics. Several questions shape the syllabus and provide a framework for approaching the course materials: How do familiar aspects of comics trace their origins to literary texts and broader cultural concerns? How have classic comics gone on to influence literary fiction? In what ways do contemporary graphic narratives bring a new kind of seriousness of purpose to comics, blurring what's left of the boundaries between the highbrow and the lowbrow? Readings and materials for the course range from the nineteenth century to the present, and include novels, short stories, essays, older and newer comics, and some older and newer films. Expectations include diligent reading, active participation, occasional discussion leading, and two papers.

Aims to develop a teaching knowledge of the field through extensive reading and discussion of major works. The reading covers a broad range of topics -- political, economic, social, and cultural -- and represents a variety of historical methods. Students make frequent oral presentations and prepare a 20-page review essay.

SPARK follows dance legend Anna Halprin, who at 85 years old continues to perform and create dances within the Bay Area and beyond. This Educator Guide introduces students to modern, postmodern, and contemporary dance, as well as to different applications for dance outside the field.

SPARK visits with international artist Andy Goldsworthy as he installs his commissioned work "Drawn Stone" in the entrance courtyard of the de Young Museum in San Francisco. This Educator Guide is about Goldsworthy and the history of artists working with the landscape and environment.