Caroline Hunter comments on the struggle for African liberation. Guests Caroline Hunter, Dinizulu Ceitou (both of Boston's African Liberation Day Committee), and Christopher Nteta (of the Pan African Liberation Committee) discuss the liberation struggle in Mozambique with host Topper Carew. Topics include Frelimo (the African freedom fighters in Mozambique), the influence of African American support on the cause, the relationship between corporations and the seizure of African land, the need for violence to achieve liberation, the relationship between racism and colonization, and the need for African Americans to recognize that the African struggle is their own. Program includes a 30-minute film titled 'The Struggle Continues (A Luta Continua),' which documents the work of the resistance. Produced by Topper Carew. Directed by Conrad White.

'As if Memories Could Deceive Me,' 1986, documents a performance or rehearsal of the New England Conservatory Symphony Orchestra, through close-ups, split-screen effects, and collage techniques. Instruments are filmed close-up and appear in boxed-off portions of the screen. As the music rises, archival film images begin to creep in. Many times they are superimposed over the instruments. Film footage includes the interior of a colorful palace, Hitler propaganda and Nuremberg trials, and a men's clothing store. The original footage produced for this work was shot at the New England Conservatory of Music, the Goethe Institute, and a Louis clothing store. Robert Schumann's 'Manfred' and 'Drum and Gong Sounds' by F. Marschall and U. Timmermann are the musical works performed by New England Conservatory Symphony Orchestra. 'As if Memories Could Deceive Me' was created by Marcel Odenbach for The Contemporary Art Television (CAT) Fund and was co-produced by the Goethe Institute in Boston. It was later broadcast as a segment of Episode 304 of the 1987 season of 'New Television.'

Il presente modulo è basato su di una sintesi del saggio di M. Chion "L'Audio-vision; son et image au cinéma", Ed. Nathan, Paris, 1990.

Employees of the Two O'Clock, a Boston strip joint, talk about their lives and work. George, a bartender, talks about what it takes to be a bartender in a place like the Two O'Clock.

Bill Viola's 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen). This short excerpt shows a man seated on his couch, the only sounds heard being the load ticking of a clock, and the man's breathing.

Black Solidarity Day 1972. Program addresses a variety of topics via a magazine-format presentation. Host John Slade introduces the following segments: 'Performance' with rock/jazz musicians Compost, 'Community Events' with Black Solidarity Day organizers Joseph Nkunta, Marie Firman, Karim Atiba Bayete, and Arnold Scott, 'Speak Out!' with Jack E. Robinson, President of the Boston Chapter of the NAACP (who talks about the need for adequate police protection in African American neighborhoods and a responsive police force), 'man on the street' interviews, in which Slade asks people whether or not they would like an African American officer to command their neighborhood's police district, a 'Save Our Cities Expo' review with Melvin Penn (a university student who interviews organizer Reverend Dr. Virgil Wood, Area Chairman of the Southern Christian Leadership Conference), and 'African Notes,' in which the building of the Volta Dam in Ghana is discussed. Program ushers in a new format that incorporates the interviews and expertise of community members. Produced by John Slade. Directed by Russell Tillman.

'A contemporary interpretation of the Bizet opera, this late twentieth century story of ill-fated romance set on New York's Lower East Side features Carmen as a rock-and-roll singer and Don Jose as a record producer. The drama is interrupted and examined through a series of audiovisual asides that serve as commentary, with images of fire and ice poetically illuminating the romantic and tragic elements. Carmen is played by New York musician Emily XYZ...." In this piece written, directed, and produced by Ann-Sargent Wooster, a man and a woman reflect on their roles in an obsessive relationship. The work assumes a mock documentary style, as the story unfolds through interviews and confessions juxtaposed with the events depicted. Music includes 'Cloud' and 'Fire and Water' by Brook Williams and Ann-Sargent Wooster, excerpts of Andrew Nadelman's 'Tapestry' and 'Rhapsody,' clarinet solo by Michael Isenberg, and opera singing by Janeal Sugars, Meth Genies, and Clay Steward. The work was broadcast as a segment of episode 612 (1990) of 'New Television.'

'Collisions' was written by Jane Wagner and is an unusual comedy/drama. It stars Lily Tomlin and other well known performers, such as Dan Aykroyd and Gilda Radner. The work attempts to integrate short video works by Stephen Beck, Ed Emshwiller, Louis Falco, Ron Hays, Stan Vanderbeek, and William Wegman. 'Collisions' tells the story of Eartha, a creature from the planet of Zymus, who agrees to take a human form and to observe the planet earth. Eartha inhabits Beth Barber (Lily Tomlin), a news reporter. At one point, Beth visits her family in Kentucky, who are played by Tomlin's actual family. Meanwhile, a panel of experts on a television program on Zymus monitor Eartha's impressions and contemplate whether or not to blow up the earth. Eventually, Eartha, who has come to respect the humans' vulnerability and depth of feeling, has a falling out with the panel. The fate of earth remains uncertain. Produced by Fred Barzyk and David Loxton. A coproduction of the WNET Television Laboratory and the WGBH New Television Workshop. This work was considered a 'failure' by Fred Barzyk and was never broadcast.

'Charming Landscape,' the conclusion to Dara Birnbaum's 'Damnation of Faust' trilogy, shows the debris of a demolished city playground. The self-exploratory narration of two teenage girls is played over images of crowd scenes (often violent) from the civil rights movement, student protests, and the Tianenmen Square demonstrations. The work, which is approximately six and one-half minutes long, is dedicated to Pam Hysinger and Georgeann Ditelli, the teenagers whose words serve as narration. Music is by Keith James and Mike Nolan as The Picassos. The work was broadcast as a segment of episode 313 (1987), and was also shown with the entire 'Damnation of Faust' trilogy, as part of episode 106 (1991), of 'New Television.' Produced and directed by Dara Birnbaum.

Edin Velez's study of Butoh includes archival footage of early Butoh pioneer Tatsumi Hijikata, who is credited as the form's originator. Kazuo Ohno, another early Butoh performer, is shown performing his famous 'Admiring La Argentina,' and other works. Other companies whose works are shown include Akaji Mori's Dai Rakuda Kan, Isamu Ohsuga's Byakko Sha, and Yoko Ashikawa's Hakutoboh. These examples reveal the depth and diversity of Butoh as it has evolved. Many of these dancers worked directly with Hijikata at some point and all speak to his influence, as they are interviewed about the art form. One performer, Akiko Motofuji, explains, 'Ballet and modern dance spring from the earth...Hijikata created a dance, which crawls on the earth.'

Christopher Lydon reports on the release of the film Cry Freedom, based on the life of Steve Biko (martyred black South African leader). Lydon notes that the film is told from the perspective of Donald Woods (white newspaper editor). Lydon interviews Woods about apartheid and his relationship with Biko. Woods says that the black opposition in South Africa was forced to become violent in response to the brutal tactics of the white regime. Woods talks about his early opposition to Biko and the black movement; he says that he changed his opinion when he realized that Biko's positive message of black self-reliance was not anti-white. Lydon notes that Biko was killed in prison while Woods was exiled from South Africa. Lydon's report is accompanied by footage from the film and from the trailer of the film Cry Freedom. This tape includes additional footage from the film and the trailer of the film Cry Freedom.

Excerpt from a British film on the Eritrea People's Liberation Front showing the tough training regime, and physical labor, expected of all soldiers.

Excerpts from a filmed interview with the African-American singer, composer, choral director and actress Eva Jessye as she reminisces about her early career.

Filmed in extreme desert conditions 'Event Horizon' looks at a landscape interrupted and transformed by visible signs of heat. The waviness blurs objects and figures, creating a mirage effect and rendering familiar objects unrecognizable. The work takes place in near silence, with the sound of wind dominating the score. The work is approximately seven and one-half minutes in length. Produced and directed by Bil Viola.

Here is a collection of fair use teaching tools that will help you and your students understand how to apply fair use in documentary film, and how to use the Statement of Best Practices in Fair Use effectively. We welcome your contribution of teaching approaches and materials that can benefit both film students and law students.

This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Truffaut.

The unit is a gentle, eclectic introduction to Japanese film. It also draws some comparisons between US films and Japanese films. Students examine US and Japanese film from multiple perspectives. The unit features readings, presentations, and interactive activities. For the culminating project, each student creates a simple website on a Japanese movie that he or she has chosen to watch.

Despite much publicity surrounding the use of computer games in education, most applications have involved either expensive games for high-end users or force-fitting of commercial games to the academic environment. There have been few controlled studies to find the ‘active ingredients’, let alone account for placebo. The success of non-games such as The Sims and Second Life suggests that it is the virtual world interactivity rather than game elements which is creating the addictive interest.

What is well-established, however, is a demand for learning objects which can be dis-aggregated, customised, and adapted to curricula, rather than vice-versa. The theme is ‘make your own resource’. This requires low cost resources with flexibility, attractiveness, and a quick learning curve. Such materials have been sitting under our noses for some years in the form of the later additions to spreadsheets. The venerable spreadsheet can now serve as a presentation (ie- like PowerPoint) storyboard, quasi-animation tool, and game hub.

This presentation draws together the recent advances in Control Box form tools, clip art human characters, special fonts, and modified Charts (ie- graphs) to produce the look and feel of virtual worlds without special programming, macro’s, or plug-ins.

Documentary containing interview footage with the composer George Rochberg, and narrated overview of his life and music. Includes performances of his music recorded for this program. Rochberg compositions are performed for the piece. They include: 'Between Two Worlds,' with Sue Ann Kahn on flute and Andrew Willis on piano 'Rehearsal,' with Joseph Robinson on Oboe 'Soundings' was a music documentary program affiliated with the Workshop and produced by Bernice 'Bunny' Olenick.