Allegories are similar to metaphors: in both the author uses one subject to represent another, seemingly unrelated, subject. However, unlike metaphors, which are generally short and contained within a few lines, an allegory extends its representation over the course of an entire story, novel, or poem. This lesson plan will introduce students to the concept of allegory by using George Orwell’s widely read novella, Animal Farm, which is available online through the EDSITEment-reviewed web resource Internet Public Library.
Beatrix Potter's charming animal stories are as popular today as when they were published in the early 1900s, owing largely to Potter's beautiful artwork and the simplicity of her characters and themes. By studying Beatrix Potter's childhood and her artwork, students gain insight into the unusual, solitary world of Victorian childhood and can compare/contrast it with their own world to understand why Potter wrote such simple stories and why she wrote about animals rather than people. Students can also learn the difference between an author and an illustrator and practice some of the same artistic techniques used by Potter to create masterpieces of their own.
'Blast from the Past' features an excerpt from a 1968 Say Brother interview with poet and playwright Amiri Baraka (LeRoi Jones) at Tufts University. Baraka talks about the importance of African Americans trying to be Black as a means to raise themselves above the 'filth of easy accommodation in the white world.'
An author explains the various aspects of his job including writing, public speaking, and continually honing his skills. This is not normally a lucrative business. It is often a secondary job. It takes a lot of patience and time to get a book published. He explains that it takes daily discipline to write. Perks include meeting other authors and receiving compliments from fans as well as meeting a lot of people.
This course examines major works by Hemingway, Fitzgerald, and Faulkner, exploring their interconnections on three analytic scales: the macro history of the United States and the world; the formal and stylistic innovations of modernism; and the small details of sensory input and psychic life. WARNING: Some of the lectures in this course contain graphic content and/or adult language that some users may find disturbing.
A plain language guide to copyright in the 21st century By Julien Hofman
Computers and the Internet have transformed the way we produce and distribute information and entertainment. And copyright is struggling to keep pace with these changes.
The authors of all kinds of works, from the humble email to blockbuster films, rely on copyright to protect what they produce. But authors and those who use their work are often unclear about what copyright allows and what it prohibits.
This book was written for those who want to learn about copyright in the 21st century. It explains copyright protection and what it means for copyright holders and copyright users. It also introduces readers to contemporary topics: digital rights management, open licences, software patents and copyright protection for works of traditional knowledge. A final chapter tries to predict how technology will change the publishing and entertainment industries that depend on copyright.
The book assumes no special knowledge and avoids technical language as much as possible.
Callie Crossley marks the death of James Baldwin (author) with a retrospective profile. Crossley reports on Baldwin's accomplishments as an author and his social criticism. Crossley notes that Baldwin challenged American society to deal with racism. Crossley interviews Floyd Barbour (Professor, Simmons College) about Baldwin. Barbour says that Baldwin's voice was truthful and angry. He adds that Baldwin's work bears witness to the African American experience in the twentieth century. Crossley's report includes footage of Baldwin talking about race in the United States. Crossley reports that Baldwin dealt with religious themes in his later work. Crossley's report is accompanied by shots of Baldwin's books and by footage from the American Playhouse production of Go Tell it on the Mountain. Crossley reports that Baldwin lived in France for forty years. She notes that he returned to the US three years ago to serve as a professor at the University of Massachusetts in Amherst. Crossley's report is accompanied by footage of Baldwin.
Lit2Go is a free online collection of stories and poems in Mp3 (audiobook) format. An abstract, citation, playing time, and word count are given for each of the passages. Many of the passages also have a related reading strategy identified. Each reading passage can also be downloaded as a PDF and printed for use as a read-along or as supplemental reading material for your classroom.
Carmen Fields reports that the play Les Blancs, by playwright Lorraine Hansberry will be produced by the Huntington Theater Company. Fields reports that Les Blancs is set in a fictitious African nation struggling for independence. Fields reports that Robert Nemiroff (production advisor) is overseeing the production of the play. Fields interviews Nemiroff about Hansberry and her work. Nemiroff says that Hansberry's play foreshadows the revolutionary changes that would take place in Africa in the 1960s. Nemiroff discusses Hansberry's work; he says that much of her work revolved around the relationship between the oppressed and their oppressors. Fields reviews Hansberry's career. She notes that Nemiroff is gathering materials for a Hansberry Library Collection. Fields report includes footage from the WNET production of Les Blancs and footage from the 1961 film A Raisin in the Sun. Fields report includes footage and photographs of Hansberry and shots of advertisements for Hansberry's plays. This edition of the Ten O'Clock News also included the following items: African American school committee members criticize Flynn's school choice plan. Controversy over school choice plan. Elma Lewis in Marsh Chapel at Boston University on Martin Luther King Day. Martin Luther King Day at BU
Close study of a limited group of writers. Instruction and practice in oral and written communication. Topic for Fall: Willa Cather. Topic for Spring: Oscar Wilde and the 90s. At this distance Oscar Wilde seems not only to be on the threshold between centuries and between cultural-systems: in many ways he seems to be the threshold. His aesthetics look backwards to the aestheticism of Pater and the moral sensibility of Ruskin, and they look forward to Modernism. His antecedents are 18th century playwrights, and he opened a path of irony and structural self-reflexivity that leads to Beckett and Tom Stoppard. He was Irish but achieved his great successes in England. Arguably, his greatest success was his greatest public failure: in his scandalous trials he shaped 20th century attitudes toward homosexuality and toward theatricality and toward performativity. His greatest performance was the role of "Oscar Wilde": in that sense he taught the 20th century how to be itself.
'Blast from the Past' with poet and playwright Amiri Baraka. Program is composed of a variety of segments in magazine-style format. Segments include a mime performance by Halim Adbur Rashid (Fred Johnson), a poetry reading by Leah Fletcher (Langston Hughes' 'American Heartbreak,' 'Impasse,' and 'A Dream Deferred,' and Maya Angelou's 'No Loser, No Weeper,' 'Letter to an Aspiring Junkie,' and 'They Went Home'), 'Blast From the Past' with excerpts from 1968 Say Brother interviews with poet and playwright Amiri Baraka at Tufts University and comedian Bill Cosby, a musical performance by the four-person vocalist group Mystic Chain, 'Information' on selecting a day care center, the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero on the difficulties musicians face. Directed by Conrad White.
The "small wonders" to which our course will attend are moments of present time, depicted in the verbal and visual media of the modern age: newspapers, novels and stories, poems, photographs, films, etc. We will move between visual and verbal media across a considerable span of time, from eighteenth-century poetry and prose fiction to twenty-first century social networking and microblogging sites, and from sculpture to photography, film, and digital visual media. With help from philosophers, contemporary cultural historians, and others, we will begin to think about a media practice largely taken for granted in our own moment.
Intensive study of a range of texts by a single author or by a limited group of authors whose achievements are mutually illuminating. Some attention to narrative theory, and biographical and cultural backgrounds. Instruction and practice in oral and written communication. Topic: Joyce's Ulysses and Its Legacy.
Intensive study of a range of texts by a single author or by a limited group of authors whose achievements are mutually illuminating. Some attention to narrative theory, and biographical and cultural backgrounds. Instruction and practice in oral and written communication. Topic: Joyce's Ulysses and Its Legacy. This seminar looks at two bestselling nineteenth-century American authors whose works made the subject of slavery popular among mainstream readers. Uncle Tom's Cabin by Harriet Beecher Stowe and The Adventures of Huckleberry Finn by Mark Twain have subsequently become canonized and reviled, embraced and banned by individuals and groups at both ends of the political and cultural spectrum and everywhere in between.
David Boeri reports that Teko Manong (author and playwright) is a South African exile who has been living in the US for thirty years. Boeri notes that Manong was jailed in South Africa for anti-apartheid activities. Boeri reports that Manong escaped from prison and fled to England and then to the US. Boeri interviews Manong. Manong talks about apartheid in South Africa and his participation in the defiance campaign and the potato boycott in South Africa in the 1950s. Manong talks about Nelson Mandela. Manong tells Boeri that his plays have received little critical recognition or success in the US. Manong says that his time in exile has been wasted. Manong says that he does not want to return to South Africa because he does not trust white South Africans. Boeri reports that black playwrights like Manong have found little success with US audiences. He notes that Manong has been supporting himself by working in the kitchen of a local restaurant. Boeri adds that Manong represents the thwarted hopes of many black South Africans. Boeri's report includes footage of Manong working in the kitchen of a restaurant.
This lesson plan explores elements of wonder, distortion, fantasy, and whimsy in The Nursery "Alice," Lewis Carroll's adaptation for younger readers of his beloved classic Alice's Adventures in Wonderland.
This lesson invites students to reconfigure Meg’s journey into a board game where, as in the novel itself, Meg’s progress is either thwarted or advanced by aspects of her emotional responses to situations, her changing sense of self, and her physical and intellectual experiences.
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