This unit is a joint exploration of the genre of Japanese animation (“anime”) and Homer’s epic poem, The Odyssey . The unit begins by questioning how stories work in general and what makes a narrative “epic” in particular. After establishing the foundations of narrative analysis and a set of concrete expectations for reading epic stories, the unit dives into the story of Odysseus, pairing it with similar anime narratives. Odysseus is a man who faces extraordinary obstacles, and this theme occurs in many anime series and movies, including Attack on Titan , Evangelion , Spirited Away , and many others. Students will study the content, looking at how the same kind of story is told in different ways with different implications, and they will also look at form: how Homer’s poetry and anime work in their own ways to achieve distinct aesthetic goals. Just as Homer’s poet shines with brilliance, there is also an enormous amount of creativity to bring to the drawn and moving image. By the end of this unit, students will have performed many exercises in close reading and analysis, culminating in their own experiment in the anime form and epic genre.

This course examines relationships between identity and participation in Japanese popular culture as a way of understanding the changing character of media, capitalism, fan communities, and culture. It emphasizes contemporary popular culture and theories of gender, sexuality, race, and the workings of power and value in global culture industries. Topics include manga (comic books), hip-hop and other popular music, anime and feature films, video games, contemporary literature, and online communication. Students present analyses and develop a final project based on a particular aspect of gender and popular culture.

This subject examines the paradoxes of contemporary globalization. Through lectures, discussions and student presentations, we will study the cultural, linguistic, social and political impact of globalization across broad international borders.
We will pay attention to the subtle interplay of history, geography, language and cultural norms that gave rise to specific ways of life. The materials for the course include fiction, nonfiction, audio pieces, maps and visual materials.

This course explores how and why Japan, a late-comer to modernization, emerged as an industrial power and the world's second-richest nation, notwithstanding its recent difficulties. We are particularly concerned with the historical development of technology in Japan especially after 1945, giving particular attention to the interplays between business, ideology, technology, and culture. We will discuss key historical phenomena that symbolize modern Japan as a technological power in the world; specific examples to be discussed in class include kamikaze aircraft, the Shinkansen high-speed bullet train, Godzilla, and anime.

This course examines the major aesthetic, social, and political elements which have shaped modern Japanese culture and society. There are readings on contemporary Japan and historical evolution of the culture are coordinated with study of literary texts, film, and art, along with an analysis of everyday life and leisure activities.

Serial Storytelling examines the ways the passing and unfolding of time structures narratives in a range of media. From Rembrandt's lifetime of self-portraits to The Wire, Charles Dickens' Pickwick Papers to contemporary journalism and reportage, we will focus on the relationships between popular culture and art, the problems of evaluation and audience, and the ways these works function within their social context.