Australian aborigines visit Franklin ParkProgram focuses of the culture of Australian aborigines. Host David Crippens introduces Dighton Spooner's interview with Gulpilil (and other aborigines visiting Boston) on music, ceremonies, instruments, costuming, and the requirements for the cultural survival of Australia's aboriginal people. Interviews touch upon offers from European companies to purchase tribal lands, Australia's attempts to restore native culture, Australian rules governing 'mixed blood,' the impact of African American leaders on Australia, the creative forces behind aboriginal cultures, and the effects of European repression on native cultural tradition. Additional program segments include footage of aborigines applying body paints of clay and charcoal and performing tribal dances in Boston's Franklin Park, the 'Historical Minute' with Georgia State Representative Julian Bond, 'Bookbeat,' 'Commentary' by professor and historian A.B. Spellman on the differences between Third World and western cultures, and segment interludes with Sheryl Bibbs and Louis Wilson (of the musical group Mandrill). Produced by Marita Rivero. Directed by Conrad White.

'Dealin'' with poet and Pan African supporter Haki MadhubutiProgram focuses on the meaning, nature, and support of the liberation of African countries by African Americans. Program segments include an excerpt from Henry Johnson's film on the African Liberation Day March in Washington, DC, May 27, 1972 (including footage of Boston residents preparing for the trip to Washington, DC, and event speeches by Charles Diggs, Michigan Congressman and United Nations Delegate and organizer for African self-determination, and Elaine Brown, two years before she became President of the Black Panthers), 'Dealin'' with poet and Pan African supporter Haki Madhubuti (formerly Don L. Lee) discussing the nature of Pan Africanism, 'Commentary' by Askia Muhammad (poet, activist, and journalist) on the disparity between United States support of self-determination for nations and its actual practice in Africa, 'Information' on the meaning of 'African liberation,' interview and performance footage of vocalist Syreeta Wright, and segment interludes featuring Grover Washington (jazz musician), Tasha Thomas (of musical production The Wiz), and Fred Cash (of the musical group The Impressions). Produced by Marita Rivero. Directed by Conrad White.

'Blast from the Past' with Jesse Jackson. Program focuses on the history of three of Africa's ancient kingdoms: Ghana, Mali, and Songhay. To accomplish this, Say Brother Producer Marita Rivero and her guest Musa Eubanks (of the Afro Audiovisual Company of Boston) discuss and then introduce a filmstrip created by the Afro Audiovisual Company in conjunction with the Unitarian Universalist Association. The program serves to illustrate that the liberation of African Americans from colonized thinking can only be done so via the reexamination and revised representation of Blacks in Africa -namely, that Africa had an economic, cultural, and social history before European intervention. Also included are Say Brother segments 'Blast From the Past' (featuring an interview with Jesse Jackson from 1971), 'The Word' (featuring professor and historian A.B. Spellman's plea for more serious jazz on radio), 'Access' (which provides a summary of the work of the New World News Network), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.

'Dealin'' with African drummer Babatunde Olatunji. Program consists of numerous segments related to African heritage, the first of which is an excerpt from a filmstrip on the fall of the Songhay Empire in West Africa by the Afro Audiovisual Company of Boston. Additional segments include 'Bookbeat,' a 'Spotlight' stage performance by actress Beah Richards, 'Dealin'' with African drummer Babatunde Olatunji, 'Information' on traveling to Africa, and 'Commentary' by Sarah-Ann Shaw on the lack of African history lessons in the American classroom. Produced by Marita Rivero. Directed by Conrad White.

'Blast from the Past' with vocalist Miriam Makeba. Program is divided into two halves: the first consisting of three segments related to African American theater in Boston, the second of newsmagazine-style segments. Harold Stuart, Director of the Boston Black Repertory Company and company actors Mattye 'Mama' Long and Frederick Tyson discuss the differences between 'theater' and 'Black theater,' how Black theater affects members of the community, how talented individuals find the time to act, problems financially supporting Black theater, and why there is so little Black theater in Boston. Following the discussion is an eleven minute excerpt from the Company's latest production, A Raisin in the Sun, and a short interview with two Emerson students who helped film the production (Stephen Farrier and Jacquie Gales, both members of the Emerson student group EBONI Productions). Additional program segments include 'Access' (about the Sav-Mor government-funded security program), 'Blast from the Past' (with an excerpt from a 1971 interview with vocalist Miriam Makeba on how her marriage to Stokely Carmichael affected her singing career and her opinion on Guinea's response to a recent invasion attempt by the Portuguese), 'Information' (on minority recruitment for the Peace Corps' Vista program), the 'Community Calendar,' 'Commentary' by Marita Rivero (who reads a reworked version of 'The Three Billy Goats Gruff'), and three 'Philosophy of Life' segments with musician Herbie Hancock. Produced by Marita Rivero. Directed by Conrad White.

Black Solidarity Day 1972. Program addresses a variety of topics via a magazine-format presentation. Host John Slade introduces the following segments: 'Performance' with rock/jazz musicians Compost, 'Community Events' with Black Solidarity Day organizers Joseph Nkunta, Marie Firman, Karim Atiba Bayete, and Arnold Scott, 'Speak Out!' with Jack E. Robinson, President of the Boston Chapter of the NAACP (who talks about the need for adequate police protection in African American neighborhoods and a responsive police force), 'man on the street' interviews, in which Slade asks people whether or not they would like an African American officer to command their neighborhood's police district, a 'Save Our Cities Expo' review with Melvin Penn (a university student who interviews organizer Reverend Dr. Virgil Wood, Area Chairman of the Southern Christian Leadership Conference), and 'African Notes,' in which the building of the Volta Dam in Ghana is discussed. Program ushers in a new format that incorporates the interviews and expertise of community members. Produced by John Slade. Directed by Russell Tillman.

Excerpt from program dealing with the impact of Malcolm X on African American political and intellectual leadership in the United States. Bobby Seale, co-founder of the Black Panthers, talks about the impact of the murder of Malcolm X on the Black Panther movement.

African drummer Babatunde Olatunji talks about the formation of the Olatunji Dancers, Singers and Drummers as a reaction to the misconceptions of Africans and the culture of Africa portrayed in the Hollywood films of the 1950s.

'Dealin'' with poet and Pan African supporter Haki Madhubuti (formerly Don L. Lee) discussing the nature of Pan Africanism.

Highland Park Free School. Program focuses on education as an 'equalizer' in America. Through segments that discuss the educational needs of the African American community, desegregation in public schools, and job discrimination, Program 112, illustrates the problems African Americans have had obtaining a good education. Program includes interview footage with Jim Cooper, a teacher at the Highland Park Free School, 'Commentary' by Sarah-Ann Shaw (in which she discusses Black thought in education), the 'Historical Minute' with Georgia State Representative Julian Bond (consisting of readings of historical facts related to Black education), a 'Political Note' on job satisfaction, job training, and workforce discrimination, an excerpt from the theater piece The Dozens, produced by WTTW TV, and segment interludes with Russell Tillman and Ric Mandrill (of the musical group Mandrill). Produced by Marita Rivero. Directed by Conrad White.

Gregory Spence comments on new testing criteria for students. Host Barbara Barrow discusses the lack of communication between educators and students in the Boston school district, with community members Gregory Spence (an attorney for the City of Boston), Kenya Clemens (of the Youth Activities Commission), Jeannette Bolt (playwright and author of A Minority Child's Day), and Dr. Alvin Pouissant (noted psychiatrist and Harvard professor). Issues addressed include the different social backgrounds of educators and students, Black English in the classroom, the role of standardized achievement tests in student evaluations, and the need for more humanity in the classroom. Also included in the program are 'man on the street' interviews conducted by Associate Producer Vickie Jones (in which she asks people their opinion of African American schools with white educators and whether or not Black children should be taught by Black teachers), an interview with Barbara Sizemore conducted by Jon Brim (on the problems of the Washington, DC school system and Sizemore's experiences as a former Superintendent of Schools there), an excerpt from a filmed performance of Bolt's play A Minority Child's Day; and the 'Community Calendar.' Produced by Marita Muhammad Rivero. Directed by Conrad White.

'Blast from the Past' with musician Jerry 'Iceman' Butler. Program focuses on the 25th Anniversary Celebration of the Elma Lewis School of Fine Arts, Roxbury, Mass. Host Matthew Goode (education specialist for the Committee of the Massachusetts Department of Education) speaks with Reverend George Thomas (Chairman of the Board for the National Center of Afro-American Artists and Chairman of the 25th Anniversary Committee), Vernon Blackman (Drama Director at the Elma Lewis School of Fine Arts) and Margret Morgan (longtime friend, supporter, and 'Honorary Mother' of Lewis's school) to discuss the history of the school, its importance, the community it serves, and the events that will comprise the celebration. Additional program segments include a mime performance by Halim Adbur Rashid (Fred Johnson), 'Access' (on the work of the Roxbury Medical Technical Institute), 'Information' (on how to purchase safe toys for children), 'Blast from the Past' (with an early 1970s Say Brother interview with musician Jerry 'Iceman' Butler), 'The Word' (with commentary by professor and historian A.B. Spellman), the 'Community Calendar,' and 'Commentary' by Producer Marita Rivero. Directed by Conrad White.

Elma Lewis reads the poem 'Sympathy' by Paul Lawrence Dunbar. Program is divided into two halves: the first featuring a 30-minute in-studio poetry reading by Elma Lewis, the second of magazine-style segments. Elma Lewis, Director of the National Center of Afro-American Artists, seated with children around her, talks about what poetry is, what a poem can make you feel, and why people used to write in rhymes. Lewis focuses on two African American poets, Langston Hughes (who is 'of this time') and Paul Lawrence Dunbar, and reads selections from each. The second half contains the following segments: a mime performance by Halim Adbur Rashid (Fred Johnson) titled 'The Writer,' 'Access' (with A.D. Saunders, who describes the Boston Jazz Society), 'The Word' (with professor and historian A.B. Spellman, who comments on Black History Week), the 'Community Calendar,' 'Information' (on Minority Recruitment Month for the Peace Corps), and 'Commentary' by Producer Marita Rivero. Original air date estimated. Directed by Conrad White.

Boston Art Ensemble perform in the Say Brother Studio. Program serves as a compilation of performances by the Boston Art Ensemble, Cannonball Adderley, Stanton Davis and the Ghetto Mysticism Band, Webster Lewis, and Charles Lloyd. Includes commentary by professor and historian A.B. Spellman from Program 111, 'New Music,' and excerpted interview footage with both Adderly (interviewed by John Slade) and Lloyd (interviewed by Topper Carew). Produced by Barbara Barrow.

Barbara Barrow conducting 'man on the street' interviews in Boston's South End asks what the new second Suffolk District senator should change in the community.

Bobby Seale interview. Program focuses on the impact of Malcolm X on African American political and intellectual leadership in the United States. Host Topper Carew speaks with Dr. John H. Clarke (historian and Cornell University professor), Owusu Sadaukai (National Chairman of the African Liberation Day Committee), and Bobby Seale (cofounder of the Black Panthers) about the impact of Malcolm X's work on their personal ideologies, the opinions of African Americans, and the struggle for Black rights in the United States. Interviews are separated by segments of archival news footage featuring Malcolm X discussing his political philosophies (program contains a particularly strong segment from the speech he delivered to the students of Selma, Alabama a few weeks before his assassination in 1965). Produced by Topper Carew. Directed by Conrad White.

Documenting African American history. Program 109 focuses on the seizure and transport of African men, women, and children to the United States and Atlantic coast colonies. The physical transport, called 'Middle Passage,' is illustrated via the use of a filmstrip on the topic prepared by the Afro Audiovisual Company of Boston. Additional segments include the 'Historical Minute' with Georgia State Representative Julian Bond, 'Information' on why the slave trade took place, a performance by mime Fred Johnson (Halim Adbur Rashid), a filmed segment with Byron Rushing, Director of the Museum of Afro-American History in Boston, on the aims of the museum and the difficulties in documenting African American history, segment interludes with Wolf (of the musical group Mandrill), Coffee Cave and Tasha Jones (then cast member of The Wiz); 'Book Beat,' and commentary by Sarah-Ann Shaw on Third World struggles for independence. Produced by Marita Rivero. Directed by Conrad White.

History of Black Capitalism in the United States. Program explores the beliefs and ideals of African American Muslims who are members of the Nation of Islam, through three principal segments: footage from the 1975 Savior's Day Celebration in Chicago (including excerpts from a speeches and interviews given by Supreme Minister Wallace D. Muhammad and National Secretary Abass Rasoul), a 'Conversation' between Vickie Jones and a female member of the Nation of Islam about restrictions placed upon women by the Nation, and an excerpt from an interview with poet and Nation member Sonia 5X Sanchez. Additional segments include 'Information' on Arab/African relations, a 'Spotlight' on the African art of Momodou Ceesay, the 'Historical Minute' with Georgia State Representative Julian Bond, 'Commentary' by professor and historian A.B. Spellman, and segment interludes with Reggie Torrian (of the musical group The Impressions), Louis Wilson (of the musical group Mandrill), and Pi Douglas (cast member of The Wiz). Produced by Marita Rivero. Directed by Conrad White.