The deadly lung disease silicosis is caused when miners, sandblasters, and foundry and tunnel workers inhale fine particles of silica dust--a mineral found in sand, quartz, and granite. In 1935, approximately 1,500 workers--largely African Americans who had come north to find work--were killed by exposure to silica dust while building a tunnel in Gauley Bridge, West Virginia. Ordinarily, silicosis takes a several years to develop, but these West Virginia tunnel workers were falling ill in a matter of months because of exposure to unusually high concentrations of silica dust. The crisis over silicosis suddenly became a national issue, as seen in this article in the radical newspaper Peoples' Press . In 1936 congressional hearings on the Gauley Bridge disaster, it was revealed that company officials and engineers wore masks to protect themselves when they visited the tunnel, but they failed to provide masks for the tunnelers themselves, even when the workers requested them.

The Voting Rights Act of 1965--called "the most successful civil rights law in the nation's history" by Rev. Theodore M. Hesburgh, chairman of the U.S. Commission on Civil Rights--was enacted in order to force Southern states and localities to allow all citizens of voting age to vote in public elections. Although the 15th Amendment, ratified in 1870, guaranteed citizens the right to vote regardless of race, discriminatory requirements, such as literacy tests, disenfranchised many African Americans in the South. In 1965, following the murder of a voting rights activist by an Alabama sheriff's deputy and the subsequent attack by state troopers on a massive protest march in Selma, President Lyndon B. Johnson pressed Congress to pass a voting rights bill with "teeth". The Act, signed into law on August 6, applied to states or counties where fewer than half of the citizens of voting age were registered in 1964--Alabama, Georgia, Louisiana, Mississippi, South Carolina, Virginia, and numerous counties in North Carolina. For these areas, the law banned literacy tests, appointed Federal examiners to oversee election procedures, and, according to the Act's controversial Section 5, required approval by the U.S. Attorney General of future changes to election laws. In the following letter to a 1969 Senate subcommittee hearing on extending the Act, New Jersey Senator Harrison A. Williams, Jr., provided statistics to show the law's effect. The position described in the letter was Attorney General John Mitchell's proposal to replace Section 5 with an oversight mechanism more amenable to the white South. Ultimately, on June 22, 1970, President Richard M. Nixon signed into law a bill that extended the Act's provisions--including Section 5--for five additional years, and in addition, lowered the voting age throughout the country to 18.

"The Land of Liberty" was the ironic title of this cartoon published in an 1847 edition of the British satirical weekly Punch. As the cartoon suggests, Americans faced a number of dilemmas and crises that came to revolve around the institution of slavery and its expansion into the West. As slavery became more entrenched in Southern social and economic life, the war against Mexico, the forced removal of Native Americans from the Southeastern United States, and conflicts between rich and poor whites all highlighted the conflicts within Southern society and between the North and South about the place of slavery in a rapidly expanding republic.

In November 1865 a group of 52 black delegates met in Charleston's Zion Church to formulate a position regarding their future in the still uncertain world of the post-emancipation South. Their address invoked the language of the Declaration of Independence to claim full rights of citizenship for themselves, rights that were endangered by widespread southern "Black Codes." The Black Codes were a series of laws introduced in the months after the war by the reconstituted state legislatures of the South. These laws were enacted to restrict the movements and employment possibilities of blacks regardless of whether they had been free or enslaved before the war?in essence to replace the constrictions of slavery.

Jazz grew out of the African-American community at the turn of the 20th century, a time when blacks were being denied their most basic rights. The music has since become a part of every American's birthright, a timeless symbol of American individualism and ingenuity, American democracy and inclusiveness. In this lesson students will learn about the social, cultural, and economic origins of jazz within the African-American community.

In this video from Wide Angle, two American NAACP lawyers arrive to advise Brazilian civil rights organizations, leading to a discussion of differences between race relations in the U.S. and Brazil.

These photographs depict typical daily activities of African Americans before the Civil Rights movement gained force. From the segregated schools of the Deep South to the bustling cities of the North, the backdrop of different communities reveals a range of experiences.

Recommended for: Grades 6-12

These photos depict typical daily activities of African Americans before the Civil Rights era.

The documents included in this lesson come from The North Carolina Experience collection of Documenting the American South and specifically focus on African Americans and race relations in the early 20th century. The lesson juxtaposes accounts that relate to both the positive improvements of black society and arguments against advancement. Combined, these primary sources and the accompanying lesson plan could be used as a Document Based Question (DBQ) in an advanced US history or African American history course.

The purpose of this course is to examine the African American experience in the United States from 1863 to the present. Prominent themes include the end of the Civil War and the beginning of Reconstruction; African Americans' urbanization experiences; the development of the modern civil rights movement and its aftermath; and the thought and leadership of Booker T. Washington, Ida B. Wells-Barnett, W.E.B. Du Bois, Marcus Garvey, Martin Luther King Jr., and Malcolm X. WARNING: Some of the lectures in this course contain graphic content and/or adult language that some users may find disturbing.

African American History II is a course that examines the broad range of experiences of African Americans from the close of the American Civil War to the 1980s. We will explore both the relationship of blacks to the larger society and the inner dynamic of the black community. We will devote particular attention to Reconstruction, the migration of African Americans from the rural South to the urban North, and the political machinations of the African American community.

This site showcases the African American collections of the Library of Congress. Displaying more than 240 items, including books, government documents, manuscripts, maps, musical scores, plays, films, and recordings, this is the largest black history exhibit ever held at the Library of Congress.

This site presents a review of African-American history and culture as seen through the practice of pamphleteering. The site includes sermons on racial pride and essays on segregation, voting rights, and violence against African-Americans.

This collection consists of 1,305 pieces of African-American sheet music dating from 1850 through 1920. The collection includes many songs from the heyday of antebellum black face minstrelsy in the 1850s and from the abolitionist movement of the same period. Numerous titles are associated with the novel and the play Uncle Tom's Cabin. Civil War period music includes songs about African-American soldiers and the plight of the newly emancipated slave. Post-Civil War music reflects the problems of Reconstruction and the beginnings of urbanization and the northern migration of African Americans. African-American popular composers include James Bland, Ernest Hogan, Bob Cole, James Reese Europe, and Will Marion Cook. Twentieth century titles feature many photographs of African-American musical performers, often in costume. Unlike many other sorts of published works, sheet music can be produced rapidly in response to an event or public interest, and thus is a source of relatively unmediated and unrevised perspectives on quickly changing events and public attitudes. Particularly significant in this collection are the visual depictions of African Americans which provide much information about racial attitudes over the course of the nineteenth and early twentieth centuries.

This lesson introduces students to the role of African-Americans in WWII using news reel. This lesson is based on the understanding that students have already been exposed to news reel as primary source documents in the Social Studies classroom (this can be done in succession with Lesson #1 or as a stand alone lesson during African-American History Month or during a WWII unit).

The collection African American Perspectives: Pamphlets from the Daniel A.P. Murray Collection, 1818-1907, contains pamphlets and other materials, most of which were written by African American authors about pressing issues of the day. In this lesson, students use the collection's Timeline of African American History, 1852-1925 to identify problems and issues facing African Americans immediately after Reconstruction. Working in small groups on assigned issues, students search the collection for documents that describe the problem and consider opposing points of view, and suggest a remedy for the problem. Students then present the results of their research in a simulated African American Congress, modeled on a congress documented in the collection's special presentation, Progress of a People.

This lesson encourages students to identify problems facing African Americans immediately after Reconstruction. Students then work in small groups to identify documents describing a particular problem, consider opposing points of view, and suggest a solution and present their research findings.

Isabelle Van Wagenen was born enslaved in New York State and became a well-known abolitionist speaker under the name Sojourner Truth after gaining her freedom in 1827. She moved to New York City where she engaged in evangelical and other reform activities; at various points she also lived in several utopian communities. Truth supported herself by traveling and speaking on abolitionist and women's rights subjects, taking the name Sojourner Truth in 1843. She often faced opposition at her speaking engagements. Truth made this extemporaneous speech in Akron Ohio in 1851 at a women's rights meeting. No direct record of the speech exists, but Frances Gage, a white activist and author who was presiding over the meeting, recalled it over a decade later. While some historians have questioned Gage's accuracy in reconstructing the syntax and even the exact language of Truth's oration, the power and charismatic force of her argument about the equality of women remains evident.

In the decades following the Confederacy's 1865 defeat and the abolition of racial slavery, white southern landowners, entrepreneurs, and newspaper editors heralded the coming of a "New South" economic order. Freed from the plantation system, the South would enter the modern age, building factories to turn its cotton into cloth, its tobacco crop into finished cigars and cigarettes, and its growing coal and iron ore output into steel. But not all southerners benefited from a prosperous and industrialized New South. Mill workers, small farmers, and tenants and sharecroppers bore the brunt of the sacrifices required to build a new southern economy. These extracts from letters by tenants and farm laborers to the North Carolina Bureau of Labor Statistics in 1887 and 1889 described the depressed crop prices, usurious interest rates charged by landowners for seed and equipment, and the absence of decent schooling for children faced by southern agricultural workers.